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类型:微电影 其它 动作 地区:西班牙 年份:2015
主演:陈瑞华 苏尼尔 Ikmal Amry 小野二郎
导演:弗兰克·H·伍德沃德
更新:2024-12-14 22:52:19
简介:□1. 《重□之女帝权谋》□女主重生为□个□深爱的男人所救,却为至□□陷害的女帝□她决心复仇报仇,血□铺就帝王之路。女主阴□毒辣(🏏)□男主忠犬□华□代,一对一,□尊,..□□/p>
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□Martin (John□□□□las□□ a young man wh□ □ooks ar□und 20□years-old, boards □ train in Indiana□olis, □□dian□ □or □ew York. At night, he breaks i□to a slee□ing □ar and seda□es a□wom□n wit□ a s□ri□ge full of nar□otic□. She stru□gles, but he tell□ her not □o struggle o□ □e □pset be□ause she wont feel□pai□. Afte□ a few □in□tes, th□ woman falls asleep, □nd Mart□n ha□ s□x wi□h□the unconscious woma□□ Af□erwards, he s□ices□her wris□s with□a razor b□ade so he ca□ d□ink her blood. Th□ woman□ble□ds to□death in her sleep. (🚅) I□ th□ mor□in□, the tr□in st□ps in □□□□s□u□gh, Pe□nsylv□ni□ w□□re□□artin dis□mbarks. He □s□met□by Tata Cu□a (Lincol□ Maazel□ an elderly □nd host□le old man □ho□c□□ims to b□ □is□c□usin f□o□ the Old Wor□d.□Togeth□□,□the□ □□avel by□ano□□er□t□ain□□o □□e □own of Bradd□ck, a dying ind□stri□l□su□urb. □□e□ □alk□to Cu□a□#□9;s la□ge house where h□ shows Martin his□living q□art□rs. Cuda then a□c□ses Marti□ of□be□ng an 84-y□ar-old□vampire from his□o□d□c□untry. He h□□ t□ken in Martin beca□s□ he is□family, but □ells him□ &q□ot;□irst I w□ll save □□ur soul□ T□□□ I shal□ de□t□o□ you.&□uot; Mart□n denies b□□ng a vam□ire an□ implies □□at Cuda is merely h□s □□c□e rath□□ than □is □o□sin. C□da then puts up str□ngs□of g□rlic on the door□ □o his and his grand□a□ghter'□s room□ a□d□t□□n holds u□ a small c□o□□ when Martin a□pro□ches him. Ma□t□n takes away □h□□cross, □nd ev□n takes □□bi□e□of the □a□l□c m□c□ing t□ese attemp□s by saying bitte□ly, &qu□t;There□9;□ no□r□□l□magic... ever□q□ot;. □uda te□l□ Marti□□□h□t □e can co□e and go as h□ □leases. But he also warns□Marti□ □hat h□ □il□ kill him□if he kills □n□on□ in B□addock. H□ also □ells Mart□n □o st□y away fro□ his gr□n□daught□r□Christ□n□ (Ch□is□ine□□o□rest), whom arrives hom□□from□her job th□t e□eni□g. Cu□a intro□□ces Christi□e to Martin,□but a□so w□□ns he□ t□□stay away□from him. But□Chris□□ne □nstead str□kes up a □riendship with M□rtin who co□fid□s in her about his□va□pire heritag□. Wh□n□□uda □at□r conf□rms M□rtin□#39;s clai□□ □o □e □ vampire, Chr□st□n□, no□ surpri□ingl□, refus□s to believe either one. She thinks □hat Cuda and the o□her m□m□ers□of□her □ami□y have □riv□n□Martin to□ins□n□ty by making h□m □hink that he is a vam□ire. It □s never□□□vealed if Martin reall□ is□a vampir□, or ju□t a shy and□lonely youth wi□h tro□bled issues. Chr□stine □s the only person tha□ Ma□□in gets□the□co□rage□□o□talk to.□When Christ□ne's boyfrie□d Arthur□(□om□Sa□ini) arrives at□t□e □o□se for din□e□, Martin stops ta□king□□□d backs away despite Arthur□;s attempt at a co□versatio□. □□ri□tin□ later□confides□in M□□tin that sh□ hopes to□l□ave Braddock someday□with Arthur,□even thou□h Martin po□□t□ out t□a□ Ar□□u□ treats her□badl□ and is b□□h v□□b□lly□a□d phy□ic□□ly ab□sive tow□rds h□□. W□en □□ristine se□s □□□□ Marti□ won't t□lk □o anyone e□se, she buy□ him a □hone whi□h he inst□l□□ □n h□s □oom. Martin □egins to r□pea□ingly call a radio talk sh□w where □□ des□r□bes wh□t i□'s □ike □o □e □ vampire. He becomes known on the ra□io as &□u□t;the Cou□t□q□ot; to□al□ t□e□l□sten□rs.□But□th□ patronizing hos□ □□ic□ael Gornick) thinks □e□#□9;s just □razy. □Martin □ets a job at Cuda□9;s gro□□ry st□re of□st□cking shelv□□,□haulin□ b□x□s□around, □□d □v□n gets to□be □ delivery boy for some□of the□customers□ One of □is cust□mers i□ a c□rta□□ A□by□Santini (□lyane Nad□a□), w□o □ec□mes taken in with Ma□tin. S□e i□ a very frie□dly young woman w□o□is □epressed when s□e□tell□ Martin that □er husband is unfai□hful. But Martin□□ti□l does n□t □ave□the nerve to tal□ wi□h he□, so she is happy to h□v□□someone to □onfide□in with her life □ro□lems. Mar□in phones t□□ r□dio sh□w host t□ desc□ibe his i□fa□uation□w□t□ the housewife an□□□enses that s□e wants to have □e□ with him□ When □□e□rad□o□□how host ask□ Martin if it is a sexual proble□ that he□has i□vol□ing w□men criti□izing h□m during s□x, Martin rep□ies t□at he has never had s□x with a □om□n who w□s awake. One□day□ Mart□n □ravels by t□ain to o□tsid□ Bra□doc□□to l□ok□□or victims. At a su□ermarket, he follo□s a young woman (Sar□h □□nable) ho□e t□ her p□sh□suburban house. He s□es t□e wom□□'s h□sb□nd (R□cha□d Ru□□nstein)□leave for □ long busin□s□ □ri□□□and Martin□decides this □oul□ b□ t□e right t□me □or□more fe□ding. Martin □eturns t□ the house□after dark a□d br□ak□ in □hroug□ the □arag□□door□ But i□ is□Mar□in who gets the surpri□e when he b□rsts into her bedroo□ to fin□ □□r in be□ □□th her ad□lte□ous □over Le□is□(Al Lev□□sky). □fter a vicious struggle, Mar□in jabs □oth of □hem w□th hypr□der□ic ne□□le□ with □arc□ti□□, □nd□wa□t□ for th□ d□ugs to take□affec□.□He dr□□s the unc□n□c□ous bo□y o□ Lewis □□o□ the □ouse to □ clump of t□ees □c□oss the s□r□et □h□re□he kil□s □im by shoving a brok□□ tre□ br□nch into h□s nec□ and drinks his blood. Mart□n returns to the h□u□e where he h□□ s□x □□th□the u□c□ns□iou□□woman. But out of □ompassion and pity, he de□ides □o le□ her □ive. □□□□□n □egins to have romantic monochrome visions of h□s v□mpire □as□ (r□□l □r imagined)□ □her□ he □rained b□ood fr□m□□ young wo□an and □a□ □hased t□rough the stre□ts of a name□es□ E□ropean town by a torch□lit mob.□□□urin□ one Sunday □t church, Cud□ brin□□ home Father Howard (G□o□g□ □.□Romero□ □□o asks hi□ about the possibility□o□ exorc□□m and de□on po□s□ssion. F□ther Howard calls upon□the elderly Fath□r □u□emans □□□iffor□ For□est,□Jr.) over at□□uda□;□ requ□st. □ogeth□r, Cu□a and Zule□□ns confront M□rti□□his□bed□oom□and attempt to □erform□□□ □□orcism on□him. At this po□nt, Ma□tin remembers (ano□her □eal or□imag□nary□f□ashback), in the □ld □ountry of peopl□□trying□to perform an exor□ism on h□m□ a□d he flees them.□Martin then □lees from Cud□ an□ Zuelmas as well. A□lit□le□late□ □hat night□ Martin terrorizes Cuda in a childr□n□#39□s □layground when he puts on a Dracula cap□ a□d puts f□lse□fangs in□o□his mouth□to pret□nd tha□ he□r□□lly □s□a vampire. On□ day, Martin □i□ally m□sters □he □□u□age to talk □ith Mrs. S□□tini during a routi□e d□livery to□□□r house where□□e t□lls □er t□at he&□39;s aware of□her att□mpt□ to seduce him and wants now to ha□e□sex wit□□her. After having sex f□r the □ir□t □□m□□ Mrs□ S□n□ini becomes more depress□□ □or □he tel□s M□rtin □hat he□ hus□and just□left h□r □ec□use sh□ □i□covered that she ca□not □ear childre□, and□that h□r desires tow□rds him ar□□based on sex and□nothing else□ But Martin wants t□□stay □ith her □nd hel□ □er □o□e on with □er li□□. Mart□n tells □he □a□io show host abo□t□his a□fair □ith the □ousewife and th□t he no longer h□s □he urge□to at□ack ot□er□women. (🐴) Meanwhile, A□thu□ meets wi□h □u□a and □el□s □i□ □hat he w□□t□ Ch□istine to □e□ve to□n with him so they□can get ma□ried a□d start□a□fami□y. But Christine become□ a□gry at Cuda □hen he □□ll□ Arth□r th□t i□sanity runs □n □heir fa□ily and he□shouldn't consid□□ □av□ng chil□re□ w□th her. Shor□ly afte□wa□□s□ Ch□istine □ac□s up □nd le□□es Braddock□for New□York with Arthur desp□te Mar□in□telling□her□t□at Arthur is □busive towards her. But her □ind is mad□□up. □efore □eav□ng, Christine t□□ls□M□□t□n that she r□ally has no □ll fe□lings to□ards hi□ a□□ □□s□ □□n□s□to make a□□resh□start □□th her l□f□. S□□□□ays□goodbye t□ him and □r□mises □o writ□. B□t Mar□in k□□ws t□at w□t□ □n abusi□e and p□s□essive □an □n Chri□tine□;s lif□, she pr□b□bly won□9□t.□ Depre□sed□over losi□□ his one□t□ue fr□□nd, Martin □□on□s □□e radio show□host and tells □i□ th□t□he'□□ g□tting "sha□y"□and want□□to □o□out l□oking □or more v□cti□s. Tha□ □ight, Mart□n travels to a rough □rime-□idd□n a□ea □□□Pittsburgh and □tta□ks two de□e□ic□s i□□a alley, inject□ng them with na□cot□cs. □e kills one of □hem by siltin□ the b□m□9;□ wrist a□d drinking □i□ bl□o□. Mar□in is about t□ kill□the sec□nd one when a □olice□car show□□up and gives□c□□se.□□□rtin narrowly escapes durin□□a □ong□chas□ □n foo□ which leads fro□ t□e ga□bag□ strew s□reets □nd through a local store.□Mart□n □uns int□ an o□d w□re□ou□e w□ere a drug□deal □□□going d□wn. A s□ooto□t be□we□n the two □ops □nd the three□thugs begins □here all□of them ar□□killed□ □eaving Martin□a□ the sole survivor □ho casually□walks awa□ from the carnage. One□□ay,□Martin fi□ds □rs. San□ini dead i□□her bathtub, after □he h□d □lit h□□ □r□t□ □ith □ □az□r blade. M□rt□n an□nymously□calls the polic□ □o□r□□ort□the body a□d leav□s□ He phones the radio sh□w h□st one □inal □ime to s□y that he real□y doe□□□9;□ need friends □r people t□ talk to f□r□□□ is his o□n□per□o□□ But wh□n □□da le□rns□□bout Mrs. Sant□ni&□39;s s□□cide,□is mistakenly th□n□s Mart□n□k□ll□d h□r and made it look like a suicide as he's□done b□fore. □uda walks□into□Ma□tin□#39;s □oom □hil□ he i□ asleep and kills□him by hammeri□g a w□o□□n stak□ through Marti□□#39□s he□rt. □□u□a buries□□arti□'□s body in his □ack ga□den□ w□□le over the closing credits v□□ious v□□ces □rom peo□le are heard talking to the rad□o show □ost asking the whereab□uts□of□"the □□un□".好像生怕(🧝)□□兄还会□说什么不好(🎨□听□话,二师姐此(🧑)时□□将话柄接了□去□好在苏□的脑□还是清□的,最终停下了重锤□没有继(□)续压制。 ...详情