□下是一本正牌□艺□说的推□完结□ 以下是□些心□谋略□言推□小□:- 楚梦□和陈雨□曾挤在一起看□画片《喜洋□和灰太□》。苏利曼和“□丹□影(□)俱□部□的另外三名(⤴)成员决定重□一家□电影院。他们□仅因为对电影的□爱□对恢复□电影存量、再次关□😽)注苏丹电影历□的(🙉)强烈渴望□□结在一起,而且因为他(🚩)们都曾在流放中□受过电影教育。不知(🥠)疲倦地,他们试图让影□老□站□他□一边,让这个地方重新运作□来,但他们一再发现(🕤□自己遭到了(⛽)相当大的阻力。同时,他们坐在一起谈论过去——包括他们(📩)作为对(□)立□术家遭受迫害甚至折磨的经历。他们还朗读流亡和梦想苏丹时写□旧信,在□里艺术和智□思□可以自由(□)。“我们比□□聪明,但(🥥)不如他(🏇□们强□,”他们一□总结了(🚂)□们的□□。正是在□些简洁□时刻□观众才□够感□到友谊,以及在(🦑)为共同理想而斗(🕋)争中存在的□带和□识形态的团结□ □苏□伊布·加□梅□巴里把苏丹电影的历□放在影片的中心,同时也(□)揭示了□个受到□续危机影响(🤙□的国家的现状 Sul□man a□d □h□□e further□□embers □f t□e ‘Sudanese Fi□m□Club□ have decided t□ revive □n□□□d cinema. The□ are □nited no□ o□□y□by the□r love □f cinema □nd their p□ssionate desire to□r□store o□d f□lm□st□□k and dra□ attention t□ Su□anese□□ilm histor□ o□ce more, but a□□o □y t□e fact that □hey h□ve □ll enjoy□d a □ilm edu□□tion in exile.□Tirel□□□l□, th□□ try□t□ get t□e cinema’s owners□on □heir □id□ □n□ make □□□ pla□e operational □gain, but repeatedly □ind themselves up aga□nst con□ide□able resistance.□In□t□e meantime, the□□sit□togeth□r and talk about t□e□pas□ – □ncluding their e□perienc□s o□ p□rsecu□ion and e□en tortu□□ as □ppositi□nal artis□s.□□he□□also read out old letters writte□ w□ile□in e□i□e □nd dr□am of a Sudan i□ which art and intellectu□l thought ca□□be free. □We□are□□m□□t□r th□n them, b□□ not□as□s□ro□g,’ is h□w they unanimously□summarise their □itua□io□□ It is in□lac□nic □oments such as the□e that t□□ vie□er is a□l□ to perceive the frie□ds□ip□ as□well as the bond and ideologica□ solidarity that e□ist□ in the □trug□le for commo□ ideals. □uhaib G□sme□b□ri put□ t□e his□□ry of S□da□es□ cinema □t□□□e□c□ntre□o□ □is film□and at the □ame time shed□ □igh□ on the□current s□tuation in a □ountry s□ake□ □y on□□□ng □ri□e□.□“你(⛩)敢骗□!”阴刺老鬼(📪□脸上果□骤然变色,厉声喝道,“天下岂会有这种逆天□法□连□峰□手的□□也可以(🖤)避过(□□!”
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