在《□秘之□》中,关于贝□纳黛是否□怀□的□题□并没□明□的描述。不□,根□小说的背景和人物设定,我们可以□(🎳)测出(🔳)一些可能的□况。□ynopsis from Time Out Film Guide: Between the □eemi□□ly □dyllic □pening□an□ closing sce□e□ d□picting □ □ural □ommunity, first at c□□rc□, then a□ the village fe□□iv□l, □l□ischmann attac□□ that□□ommunity's prejud□ces□an□ ignorance witho□□ r□morse. His v□□□ pre□□sely obs□rved port□□it of□Bavar□□n life begins with little□m□re than a d□splay of th□ vill□□ers□#□9; c□n□tant ribbing, □awdy humour, c□nti□uous gossip, and mor□ than□a hint of the□r s□□□-witt□□n□ss. □ith the□return □f □ young man,□th□ir idl□□□□lice and childish cl□wning, a□wa□s on t□e edge□of unp□easantnes□□ receive so□e focus: quite □□thou□□foundation, the lad□is□victi□ised as□a homosexu□l. □□□□crippling co□formity □□ their ing□ained conservatism lea□s the villager□ t□ reject anything '□□if□erent': a□young w□dow □s o□t□acise□, more for he□□c□ippled □over and □di□t□son than her mor□ls; a t□acher is frozen out because she'□ educat□□; the casu□l □est□u□tion□of the y□ung &□□□;hom□sex□al□#39□ is given no more □hought □han□the□cu□tin□ □p□□f a p□g. Not G□rm□ny in th□ □#39□30s but the &□39;7□□; neverthe□ess □he□poli□ical □ar□llels □r□ clear□ An impress□□e film...□
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