《有名木更木更小说》：

标本□虫(🆎)虫汉化版是一款恐怖□□的冒□逃(🥍)生游戏。玩(🔸)家□在一个充满恐怖的地方苏醒，需要通过(🐙)探索(🤥)□□、收□线索和武器来逃脱。游□画面精良，配以紧□诡异的音效，给玩□带□刺□(⛸)□游戏体□🎺)□。□(😈)戏支□中□汉化界面，...首先，贝尔纳黛□一位强大□女巫，拥有神秘的力量(🚪)和知识。在小说中(□)□她(🥃)□(🔆)...

□直□病缠□。墨西哥超现实吸血鬼片，导演Juan□Lóp□z Moctezum□□JODOROWSKY大□的好友，曾经参与杨大□多部经典CULT片的拍摄工作□□)。□　□ be□utif□ll artis□ (Cristin□ Ferrare)□moonlights a□ □ vampire wh□le in Mexi□□, ki□ling lov□rs of □oth sex. It seems that t□e only person□who □a□ any ch□n□e □f s□opping □er re□gn of□terror is her □at□er □□□□□ □arradine),□who□#39□s also a vamp□re. Model□and fut□□e TV host Chr□sti□a F□rr□re is a lesb□an vam□□re whose victims □re dyi□g□t□ quenc□ her thirst for bl□od.□□exican aut□□rit□e□ and her fat□er (John Carradine□ □ry to come betwee□□Ferrare□and □er□next ta□get□#39;s neck in th□s h□rri□ying s□ock□est.　　□uan Lope□ □octezuma□#39;s M□RY□ □ARY,□BL□ODY M□RY (1975) is □□e of those movi□s y□u□wa□ch□a□d□□afte□ men□□lly □atalo□ing all t□e things wron□ with□it, □ealiz□ □ow cool it really is..□ mostly □ec□□se of al□ the□th□ngs□you thou□ht were wrong with it. Cristina □errare is□such□a Pa□prin head□che of an actr□□s, as□stiff□as a celluloi□ col□□□,□and yet □□□ doe□ □reate one of cinema's□most □nteresting vampires□ □n many ways, M□ry couldn't □e worse at wh□□□s□e does - w□il□ the e□r□y mur□□r of a man □nt□□es□ed □n more □han□her□paintings goes □ff sm□othly □Mis□ Thing slyly □lidi□g a hairpin out of her□□hi□no□ d□□□ng□□emale su□er□or sex □n□ using it to lay o□□n his□jugular), □er □ext victim □a fisherman, wh□m □he has□atte□pt□d to drug) nearly f□nds her off u□□il she tak□□ hi□□down□in□one of □h□ mo□□ u□g□inly □ampire attacks of al□ □ime.　□Else□here□ Ma□y□□ro□es herself □ complete chick□□ shit in □ome□ts of tension, as when she breaks down i□ big boo□boo tears when c□nfr□nted on a country□□□ad by□a my□teri□u□ fi□ure cla□□in□black. She□□39;s lach□y□ose, e□otionall□ withd□aw□, sex□ally diseng□ged and □er □□t s□□ks.□.□what a perfe□t portr□i□ o□□an□Ugly America□a sp□eading□□he white m□n's poiso□ □o□□h □f the b□rder. □□'□s in □his con□ext t□a□ the c□ea□n□ss of □he productio□□ □he harsh 70s decor, t□e cold, perfunctory p□rfo□m□n□es □nd the□□all-to□wall □□z□k s□ore actua□□y □egi□ t□ □eem like grounded □rt□s□ic choices and have a □ot to do □ith why I keep□□oming b□□□□to thi□ one□　　MARY, □ARY□□BLOODY M□RY end□ in a surpri□ingly cynical bloodbath of u□travio□□nce that□leaves only the pathe□ic □itle c□aracter sta□□ing□□.□or □n r□ali□y on her knees sucking□the li□e out □f the one person w□os□ love sh□□ha□ relie□□□n t□ poin□ □er to s□me kind □□ no□malcy. Not eno□gh vam□ire□movies□□se awkwa□dness an□ □nc□mpetence as cha□a□ter traits to de□in□□their bloodsuckers and that's too bad.□Geor□e Romero h□d s□milar ideas f□r□MART□N□(1□76) a ye□r l□t□r but po□traying v□mpires □s just□folks □s de□initel□ the hor□or□□□ad not taken□