既□木灵这么说,苏生也□🔚)□再□疑了。Mar□ano Lliná□’s 86□-minu□e□La flor was one of the highlight□ of IF□R 2□1□; now, the A□□entinia□ di□ecto□ is back wi□h a f□□m about Italian-Argentin□ singer Ignacio Corsi□i. “The □re□te□t sin□er o□□tangos and □□ge□□ine classics”, says Ll□□ás, who, like in L□ flor, re□ularl□ appea□□ □n front of the camer□ himse□f□ □n 9□Ju□y – Argen□ina’s Independence Day – L□iná(🚅)s sets of□ in□Buen□s Aires with □is reg□lar came□□man Agustí□□Me□□i□aharzu□to re-□ec□□d□□Corsini interpr□ta a □lomberg y Maciel’□ an album□□□□e□in 1929 by lyr□c□st Hector Pe□ro Bl□mberg and□comp□ser Enri□ue M□ciel, as an□ode to Juan Man□el de Rosas, l□ader of□the□□rgentine C□□f□deratio□□□ Ll□nás vis□ts□the pla□es tha□□fe□ture□□n th□ songs and□goe□ in□searc□ of□t□e □tories be□ind□the album. □esu□t□n□ in great ente□tai□ment□ wi□h songs su□h as ‘La□pulpera de S□□ta □ucia’ includ□□g lyrics like ‘she was blonde□ her blue eyes□refl□cted t□□□g□ory of □□e day, and □he □a□g like a lark’.
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