Aki a□d □□o□o□□re childhood fri□□ds who are drifti□g□ap□□t□□s a□u□□s. Im□ers□d i□ □□r f□mily li□e, □aoko now has a husb□nd and□daughter; Aki, on the□other□hand, remai□s single and is□o□ □eave fr□m work due to□a pe□□onal□crisis. The plot mig□□ so□nd □amiliar but □t ha□ never been□□old □i□e thi□. T□e□direc□or Kusano □ats□ka st□ges th□ i□teractions thro□g□□□n□actor□’ table□rea□ a□d, as the line□ are repeated□ t□e □cenes gradu□lly develop□int□ on-l□cation conversatio□s. Moreover,□sh□ □epositio□□ the□dramatic peak o□□the story to the□begi□n□n□: □□i has murdered Naok□’s daugh□er. Structurally inventi□e, Kusano's d□ring c□nema impl□me□t□□‘distan□iati□n’ effec□s t□□get to the h□art of fr□e□□ship □□sues at ti□es when li□e has settle□. While the repet□□ions □on□e□ the suf□ocatio□ of r□le □atterns □n□□oth fr□ends□ip □nd f□mil□, a l□□e left□out or□added in □□settl□s and re□inds us li□□ □□n □ake □nexpecte□ □urns□