他是许七安(□□的亲生父□,潜(🐯)□城□师,当□监□□□正座下大弟子。“老爹,你这是.....□”苏□也被□厚这突然的举动,□了一跳。梅芳□,□个居住在越南的平(🗨)凡□子,为了筹钱让母亲治病□加□寻亲□□🥔)划□毅□当上越南新□,漂洋过海□到 新加坡,却经历了重□波折,后来凭□芳□的□力与真(□)诚,□动大(🍑□伤初愈□□世杰,让她辗转以□南媳□儿(🐝)的身份嫁入钟家。芳草的命运从那一刻□(😀)□,□了□回□转(□)的变(🕗)□,芳草与□杰的命运莫名其妙地纠结牵绊在一起。刘正义深吸一口□,□不其然,大师(🍂)兄把一□都□在了□里,对他们的□心□□□得明明白白。□□e 2-pa□t fea□ure-l□n□t□ docum□ntary □quot;25 □e še□esátých aneb Čes□os□ovensk□ nová vlna&q□o□; ("2□ fro□ □□□ S□□ties, or□Cz□□hosl□v□k□New Wave&qu□t□) presents a□comple□ vie□ of the□phenome□on of□□zech□a□d S□ovak Ne□ Wave in□t□□ cultural□and social context□□f □h□ 60□9;s.□25 fund□mental films comm□nte□ on by their makers an□ f□lm□histor□an□ offer the viewer a dra□□□ic insi□ht □□to the golden e□a of Czechoslovak cinema. Th□ do□u□en□ary i□ a□fo□lo□□up□o□ the bi□g□□□hical TV □eri□s &quo□;Zlatá šedesátá&□uot; (Czech T□levisi□□, 2009□, based on the filmmakers□#39; pe□son□l rem□m□rances. A□ oppo□□d□to □he□series, the d□□umen□a□y presents the □zec□ and □lov□□ cine□a□of the 60&□39;s in□the □ation□l, internat□onal and□a□so inter-generat□ona□□context. It□describes□th□ ways t□e New Wave crossed□the existing artisti□ bou□daries, how i□ varie□ated the wo□ld cinema□and□where it left an i□eff□ceable impr□□□ion.□□t analyse□ th□ w□r□ of filmmakers□in a state-□u□d□d cinema, under□□he pressure o□ id□ologi□al d□mands on one han□ and com□e□ce□on□the□other.□It p□esents the dil□□ma of a□man - an artist - on t□□ □dge between contradi□tory social systems□an□ incon□ruou□ aes□het□c r□□uire□ents. □h□ existential dra□a □□ a man actin□ freely a□d □t the □ame time □ercilessly cr□shed by th□ wh□e□□ of the system. The 60'□s a□e, from this po□nt of vie□, mostly□□n era of□f□rt□n□te h□□t□rica□ constella□i□n, not o□ly in -□at □□at time □ □zechos□□vakia, but on a □o□□d-□ide□□ca□e□□An e□a of exp□ct□ti□n□ and □pswing,□but also an era o□ exe□plary human decis□ons a□d□ar□istic pursui□. Those are som□ of the t□in□s □quot;25 ze šedes□tých aneb □eskoslo□□nská no□á vlna"□ want□ to commemorate. Pa□t 1 com□ents□o□: ■□quot;Slnko v sieti" ("The□□un □n a Net,&qu□t; 1962□ by□Š□efan Uher ■"Konk□□s" (&□uot;Audition,&quo□□ 19□3) □y M□□oš F□rman □□quot;□řik" ("Th□ Cr□,"□□1963) by □aromil Jireš □■&qu□t;Po□□a□□ □ podpírání" (&q□ot;Jos□p□ □ilian," 19□3) by Pave□ □uráček □am□; Jan S□hmidt ■"Kaž□ý □e□ odvahu□□uot;□(&quo□;□ourag□ for Ev□ry Day,&q□ot; 1964) by Eva□□□S□h□r□ ■&qu□t;Démanty noci□□u□t; (&□uo□;Diamond□ of the Ni□□t,&qu□t□ 19□4) □□ Ja□ □ěmec ■□quot□Int□□ní osvětlen□"□(&□uot;□ntimate L□ghting,&qu□□; 1966) by □van Pa□□□r□ ■&qu□t;Ať ž□je republika" ("Long□□i□e□the Repub□ic,□qu□t; 1965□□by Kar□□ Kac□yňa□□■&q□□t;Obch□d □a korze" ("The Shop on□Ma□□□Street,&quo□; 1965) b□ □án Kadár & Elmar Klos ■&□u□t□Roman□e pro křídlo□ku□qu□t; (&qu□t;□omance for □□gle,&q□ot; 1966) by Ota□ar Vávra ■"□edmi□rásky" ("Dais□□□,&□uot□ 1□66) by Věra Ch□□il□v□(🚭) □□"Ostře sledo□ané vlaky" □&q□o□;Closely Wat□he□ Trai□□,"□1966) b□ Jiří□□enzel □a□t 2 commen□s on: ■"Kris□ove rok□&qu□t□ □"The Prime of Life," 196□) by J□□aj□□□kubi□ko ■"□Stud" ("Sham□□&qu□t; 1967□ □y Ladi□lav H□lge ■"Svatba j□ko ře□e□" ("A Hard and Fa□t□Marriage," 1967□ b□ Ji□í Krejč□□ ■(🐍)"Dra□ □□ vraci□"□ (&q□ot;Drago□'□□ R□turn□"□1967) by E□uard G□eč(♍)n□r□ ■"□M□rketa □a□arová" (□q□o□;M□rketa Lazarová,□quot; 1967) b□□□ran□išek□Vl□čil □■&quo□;□p□ízněni vol□ou" (&qu□□;Elective Af□ini□i□s□&q□ot; 1968) by Karel Vache□ (□)■"□Sp□lovač □rtvol□quo□; ("The Cremator,"□196□) by J□raj □erz ■"Zabitá ned□(🗓□□e" □"Squandered Sunday,&qu□t;□1969) by Dr□homíra Vihano□á □■&q□ot;□asťák□quot□ ("□he D□coy,&qu□t; 1□68) by Hyn□k Boč(✉)an □■"P□í□ad p□o zač(□)ín□jícího □ata" ("□□se fo□ a□R□okie Hangman□&quo□; 1969) □□ P□vel□J□ráček □■(💡)"322&□uot;□("3□2□&□uot□ 1969) by Dušan Han□k ■"S□áv□o□ť v botani□kej záhrade□quot; ("□el□bration in□the B□tanical Ga□den," 1969)□□y E□o Havetta ■"□Vši□hni dobří(🤾)□ro□áci&q□ot□ (&quo□;□ll M□□G□od Countrymen,□quot; 1968□ by Vojt□c□ □asn□要不是萧□和唐雪□,这一刻□唐昊非痛叫出来不可。