在《诡秘(🎪□之主》中,阿蒙标志□□特征就是右眼戴单□眼镜。阿蒙分□无数、随意寄生以及企图入侵源堡的种种行为令人印象深刻,□出场□备的“右眼□□🗂)单片眼镜(📅)”更□成为不(😗)少□者熟知的标志性语句之一。比如在一些场景中□..□>Th□□film □□companies Mag□y□ □iya□g, a □tar□of Tou□i-Bouki, a □972 class□c dire□ted by he□□own uncle D□ibri□□Dio□. Follo□ing this □ath, we are witness□of Niyan□ travel to□a speci□l screening□of□the fil□,□which□has□a publ□c□rel□as□ in his □□d□town.□Niyan□ seems detached and□with a he□vy long□ng from the □a□□, and □her□fo□e, the film debris permeates e□e□ything□with un□sc□□ab□e sorrow a□d fasci□□tion. Diop film i□,□fi□□t an□ □□□emost, a □o□□al□□c travel thr□ugh memory□ □ime□and□recreat□on□ I□ is□also a watermark in contemporary experimental doc□m□nta□y□ a □ery intima□□ por□rait of □ □ost□□ong journey thr□u□h□th□ pa□t □hat is□’t ret□rni□□ a□□□ore, a detachment of rejected fame, □ecogni□ion and c□nnecti□n w□ich is hea□□ly gro□n□ed on a□legacy that belon□s to the □ast, and that c□n□e□t□□dire□tly to a country □Sen□g□l)□and it□ h□ritag□, whic□ □□ som□ti□es feel excruc□ating for □he old□one□ (□ test□mo□y□such as □he t□x□ scene in □he film, w□ere the cab d□□□er longs □or c□ange□, □nd claims □hat□the old genera□ion had □one no□hing for that)□ Mille Soleils (A Thousand Sun□□□an□, in itse□f□ Mati □iop’s c□□cial talent, should be a □oin□□of re□er□nce i□to□what □□u□d e□si□y□be o□e of the mos□ □nte□e□□□ng p□op□□a□□ of hy□rid documenta□□ cin□ma whi□□ has come fro□ □rance, and□whic□ deals with a strong □frican herit□ge. Since □5 Rhums, where she proved □er actress t□le□t, Dio□ seems like a tr□e promi□e □or the following ye□rs □f c□nem□.故□发生在..□
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