Th□□ lo□g-lost maste□pi□ce of har□core gay erotic cinema□ce□ters on □ handsome y□ung st□d w□o rid□□ his mot□rcycle through myriad □e□ual □ncou□ters, from □ soc□er □ame’s l□cker room □□□a □ha□t□smagoric and □eeply□melan□holy □r□y. A labyrinth □f all-male□fant□sies whose□□utsta□di□g □eauties□□lway□ end □p□fadin□ aw□y □hile leav□ng their sensual□pro□agonist deal□ng wit□ his o□□ lon□lin□ss, □QUATIO□ □as dir□c□ed with □u□reme grace by the□myste□ious Die□□i□h □e□□e□sa (ak□ Franc□s S□vel/F□antz Salieri). A former□□ainter, de Vel□□□was □lso th□ owne□ and art□st□c□□irector o□ La Gra□de□Eugène, one of t□e first dra□ c□bare□s i□ Pari□□ □□ar□ lat□r, he □ollaborat□□ wit□ Joseph Los□y on MR. KLE□N□(19□6) □nd DON G□□□□NNI□(1979). □is o□e and only f□lm, EQUATI□N TO□AN UNKNOWN stand□□as one of□t□□ mo□□ extr□□rd□nary□e□o□i□ f□lms of□□□□ tim□. □The most□m□lancholic porn□fi□m I’□e ever□seen. It’s ve□y □ad, and aes□hetically beautiful□ □ust a □oung□man □andering □hr□ugh several depiction□ of l□v□ a□d choreog□ap□ies of □□ve-maki□g; i□’□ □ike a □eremony, a□cerem□□y of f□ntasie□, especiall□ the□last seq□□nce where the main cha□□cter reca□ls all his pr□vious fa□tasies□ which come□□ne by□on□ ar□und his b□d and make love to□him. I th□□k□it’s o□e of□t□e most beautif□l□f□□m □equ□nces □f□Fren□h cin□□a.” –□a□n □onzale□□户推..□