□酒(😓□儿,他们说你今天练剑了,是吗?”刚进□的林秋客□👵),坐(🥢)到王酒儿身边,眼神古怪。现实中宠兽可以通过战□成长。仁□阿玛瑞□明了革命性的□品型软件,可直□在人□□)类大□中创造虚拟现实,仅几秒□□能体(♓)验□(🦌)小时或几天的□动□心的冒险。仁要拯救弟弟于记忆迷局□而合作伙伴一心只□赚取□□,□是一切(🕋□都是记忆□环套……闻人□儿□嘴张□大大的,无比□惊的道:“那(🥉)岂不(🌺)是说□一枚筑桥丹价(👽)值连城啦!”Stuart□Gordo□, c□n□idere□ a□master of the horror ge□r□ thanks□to □lassi□s l□ke Re□A□imator and Dagon, decide□ to d□□a different move in thi□ strange t□ip□to human morals.□ □"Kin□ of the Ants" is a□out a regular □uy, Sean Crawley(newcomer C□ri□ McKe□□a□, a□man □ithout a□y aspirat□on □ho just live in hi□□apartment doi□g□the necess□ry job t□ live to th□ n□xt □ay.□In o□e□of his□job□ he □eets□Duke(□earg□ Wendt), w□o□□ntroduce□ Sean to his□boss, □ay Matthews(pla□ed by D□nie□ □aldwin). Ra□ hires□Sean as a□spy, □nd or□ers h□m□t□□□o□low Eric □atl□n□Roy □□vingstone)□ a□ ac□o□□ta□□ who □as been □nv□stigating Ray□#39;□ company□ Proble□s start when □a□, whi□e dru□□, orders Sean to□kill E□ic. An□ □e does i□. T□in□s□go wro□g when□□ay decides□t□ m□ke Se□n disappear destroyin□□his□min□ wi□h violent □unish□ent□a□d □um□liation. F□om□the □oin□ where Sean kills□E□ic, we□go in th□ same boat□with him□ a□ he □oes throug□□□ d□wnwar□ spiral of□human degradation, □raveling from □uilt, □o confusion□and finall□ □o his rebirth, in a state □he□□ humani□y, morals a□d values are n□□ impor□an□ anymore. Ch□□s McKe□na□ac□ing is ver□ i□portant becaus□□he manages□to be l□kable even□when he□□s part of g□uesome acts, □oth □s□vict□m and□or c□imin□l. □e□h□s that look o□ □nn□cence that h□d□□ a dar□ side□and h□ manages to carry□the film. The support cast a□so includes Ka□i Wuhr□r, as Eric's wido□□wh□□also□beco□es a ce□□ral□part of□Sea□&□39;s□trip to hell□ She give□ a□fine□pe□fo□mance,□alth□ugh it□;s obvious t□at S□□□ is th□ main c□ar□cter. H□ is the m□st □eve□op□d □□ all an□ Mc□□nna'□□performance is □p to the□c□al□eng□. (🔲□ The fi□m h□s very□disturb□n□□imag□s of □iolence, an□ while it may n□t be a□ gra□h□c as "Kil□ Bill□qu□t; for exampl□, the strength of the violenc□□□s in□the la□k□of huma□ity th□t □he c□arac□er mani□es□. □e is mo□e□□ha□□an ant in □his□□o□ld. He is t□e king. □ Stu□rt Gordon has manage□ to□□r□ate a film□tha□,□w□il□□maybe it's not □ne □f his□□est □fforts; it's □□ry well d□□e,□has□a VERY i□teresting□story to t□ll, and man□□es□to□capture t□e □□□□nt□on □v□ry secon□ o□ it.