Whenever I see La Paura I think of it as a companion piec□□to Eyes W□de Shu□, or may□□ i□ is t□e other wa□ around. Adultery makes both film□ t□c□ □ut in differ□nt w□ys.□I th□nk Phillip French was r□g□t□on□the money□w□en he poi□ted ou□ a Wiz□rd of□Oz thin□ i□ Ku□rick□□s last work. Like□Dor□thy,□To□□a□d □ic□□e go thro□gh f□ntasi□s and ni□htma□e□□□□d □□ the end Dor□thy'□s rea□suring childish mott□ &□uot;th□re□#3□;s n□ plac□ li□e□home&□uot; is□ironical□y updated to □he a□ult circum□t□nt□a□ adage &qu□t;there's□no sex li□□□marital sex□q□o□;. □ubr□ck'□ t□ke□is intellec□□al, he□nev□r leaves the wor□d of id□as□□□ touch th□ ground. He□taunts □he au□ience first□with an erotic mov□e □nd then with a thr□□ler□and refuses to deliver eit□er □f□them. H□ was mar□ied to hi□ third□wi□e f□r □0 yea□s, □ntil he died. □os□elli□i was□stil□ marr□□□ to Ingrid Be□gma□ wh□n he dir□□□e□ La □□□ra;□□hey □ad been ad□lterous lovers □□d their□□nf□□elit□ wid□ly criticized La Paura is a□tale, a no□rish o□e. □he□noir in□r□gue □s sol□ed □□□ □he tal□ h□s□a □appy ending. The city is noir; the country is tale, □he territ□ry□w□ere□c□i□dh□od is□possible. The transition□is operat□d in□the most regu□ar way□ by car, a lo□g-held shot taken □ro□ t□e□front of t□□ □ar□a□ it□rides into t□□ □oad,□as if we□were □ntering□a □iffe□ent□d□mensio□. □□ene (Be□gman□ starts the movie:□□e just see a□da□k□city l□nds□ape but her □oic□□over narrati□n tel□s us of□her□angst and informs us that the □tory is a f□as□b□ck, h□rs□ □ergman□;s bee□ □hea□i□g o□ her □usband□ □t□firs□ □□ilt is just ps□cholog□cal t□rture□bu□ soon expa□d□ into□e□□nomic□blackmail and then grows into so□ething □lse. Fr□m begin□i□g to en□ the□movie□focuse□ o□ what B□rgman □eels, e□ery other character is th□re □o make her f□el so□ethi□□. Onl□ w□en the director gives□away th□ plot bef□r□ th□ □ain charact□r can find□out d□es he want us to □eel some□h□ng□Bergman stil□ □an'□. When s□e finds out,□we hav□ already experienced □he warped mechan□c□ of □he situation and we m□y f□c□s once□□ga□□ on the e□ot□□nal impa□t□it has o□ □ergman's Iren□. In □a P□ura tre□□ons□are not ima□ine□□but□real, □□g□t□ares are d□liberate and □he cou□le□9;s□venom□s□ppu□ate□ i□□bitter ways. Needless to s□y, Ingri□□has a□oth□r of□her□rough ride□ i□ the □ov□es □□t R□s□ellin□ doesn't dare put□her aw□y as he did in E□ropa 51, nor does□he ab□□don her to the □nscrutable impa□siv□ty of na□□re (Stro□boli). H□s gift is les□ transcendent □nd□fra□i□□ than□the c□nclu□ion□□f Viaggi□ i□ I□alia. □e just□gives□hi□ wif□ a□ □uch of a f□iry□t□le □ndi□g □s□a rea□ w□m□n can have, a human l□ndsc□pe where she can fin□lly feel at hom□. Back t□□the count□y, a half lit □nter□or s□e□e where shadows su□ge□□ the co□fo□t of sle□p. After all, □t's□the &q□ot;fai□y godmother"□□who speaks the last□wor□s in the mov□e□海澜指着女孩道:这是霸虹,霸□的妹妹,霸族新兵的头领。“是你□子啊,好久没见你回来了,我的酒□⚡)可积压了□少。”小酒肆里,李□斤脸色□😏□依旧□白,“听村里人说,□□□在□村,混得可不错□不但是仙士,还拥(🍼)有了一桩很赚钱的买卖。”这(😨)个就□看具□情□了百度□蛛爬取网页的□□□□□□索引擎□查全率有□大影响□果更□周期太长,则□会有□部分新生成的网页检(🗡)□不到如果□新周期过□🎲)□,则会造成带宽服务器资源□紧□□🔼)一□来说,□度□🔞□蜘蛛并□是□所有