Umberto □e□□i is undoubtedly □□e king o□ Ital□an crime movies, but unfo□tuna□□ly; Syndicate Sadists is n□t□the be□t ex□mples □f his work in □□is□genre. Lenzi□#□9;s c□□me f□icks tend t□ be a cut abo□e □□e □est because □e ma□es fil□s base□ □n □t□ries□with a p□i□t,□a□d t□□□ don't la□□ direction; □ut this film feel□□a bit t□o wayw□r□ t□ fully fi□ with the□rest of□his stuff. The fil□ takes obvious□inf□ue□c□ □rom □ergio□Leone□#□□;s□la□dmark wester□ &□39;A □□stfu□ of Dolla□s□9□ (which i□ □urn, took infl□□nce □rom Ak□ra Kuros□wa's l□ndmark sa□ura□ flick Yoj□mbo), in that it f□a□□res □wo warri□g□□□milies a□d a strong chara□ter at th□ centre. The c□□m□ that Lenzi focuses on is □idna□ping□ a□d□we c□nt□□ on a char□ct□r ca□led 'Ram□□'.□Ra□□□ i□ dragged into □□e war betwe□n the two fam□□ies □ft□r hi□□b□other is k□lled bec□use of it. Rambo uses his brains a□d br□wn t□ pi□□t□e t□□ famil□es agai□s□ on□ ano□her, in the hope of g□i□in□ re□eng□ f□r his bro□her□9;s death, rescuing□a young bo□ tha□ they□#39;ve kidnapped,□and ultimately letting□the tw□ side□ □estroy one another. The f□□m&□39;s b□g□□st a□s□t□□s u□d□ubte□ly T□m□s□Mi□i□n. Milian was put to g□eat u□e by Le□zi □n almos□ all of his□c□ime thrillers. The □□n□e of c□aract□rs he □as pla□e□ for Le□z□ □s im□ense, a□□ thi□ one is ea□ily one□of □□e coo□□□t. □he charac□er□is□cal□□d Ramb□, which imme□i□tely sp□ang to mind t□e popular Sylv□ster S□□llone charac□er - bu□ for once, t□e Italians actually□haven'□ □tolen this□nam□ as □□ndicate S□dists was □el□ased fi□□t! □s usual□ the film is□wi□ke□ly ente□taining, as □□□get to wat□h M□lia□□g□t him□elf involve□ □n the us□al array of car chases, sho□to□t□ □nd □□awls.□Lenzi has got □im ri□ing □□□otorbike this ti□e ro□nd,□□nd every□scene featuring it an□□□ili□n is a rea□ standout□□However, the fil□ □f□en□feels like it doesn't re□□ly have anywher□ to go, and th□s means t□at th□ running □ime is□stret□hed □u□ more than it □hou□d □□. Compared to the□cri□e fi□ms of other Italian dir□c□o□s□□Syndica□□ □adis□s is □ore than □bove av□rage; b□t in relatio□ to□□e□zi□crime □licks such □□ Almost Human a□d The □y□ic, The Ra□ and The Fist - it□does□'□t s□and □all a□ one of L□nzi's b□st. Still,□if□you're lo□□in□ fo□ ninet□ mi□ute□ □f testos□ero□e fuelled□□ay□□m - □yndicate□Sadists□will suffic□!
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