A□most pleasingly at□ospheric□rendit□□n of the tale, noiri□□ly p□otographed □nd□moodily set, this is□the ver□i□n □hich □robab□y w□□ld have d□lig□ted C□nan Doyle the most. Th□re is one□□mportant plot change □hi□h □nabl□□ □he beautiful A□ice Brandt to enjoy both a□large□ ro□e and □ more□intrig□i□g part in□the□proceedi□g□□ T□i□ □hang□ a□so builds up □he parts o□ Dr □ortimer and□L□rd Cha□les, yet□at th□ same time provide□□a ni□e introduction□to the is-he-si□ister or is-he□□-good-gu□□Bar□ymore,□deftly playe□ he□□□b□ Fritz R□sp. Desp□te the st□ng of its we□l-developed s□ory, the spellbin□in□□y □tmospheric direct□o□ and the□e□gr□ssi□g pe□□orm□nces deli□er□d □y the □ntire cast,□man□ f□ns ma□ find □his ve□sion som□w□at disappointing. For at lea□□ □hree reasons: As in the □o□el, t□e□part playe□ in t□e□□arrative by □herlock Holmes,□though □ital□□is □in□mal. And □n t□is□ve□□ion,□not only □as □o attempt □een made □□ enlarge his □ole, if □□ything bo□h□writer an□ dire□tor do□□heir□best □o mini□□□e□it□ Holme□ does not □ven ma□e□his entr□nce fo□ h□lf-an-hour, and when □e does final□□□appear,□□□□□a□ his b□c□ to the camera. I□ □s Fr□tz Odemar, as Dr Watson, who□receive□ the □or□ fav□rable camer□ a□g□es. □nd t□ere□is□a purpose□□□ th□□. It is□Watso□, not□H□l□es, w□o□figures as th□ main prot□gonist□of T□e Hou□d of the Baskervilles. For the bu□□□of t□e□narrative,□Holmes□disap□ears.□It i□ Watson and□Lord Hen□y□□Peter Voss□ wh□ take u□ th□ ru□ning. □he m□v□□ is a□mo□□ □ver, be□ore Hol□es close□ in□on the□villain. And even so, this is not the obsessed,□s□lf-impo□tant Holmes □e are accustome□□to□see taking charg□. Another prob□em is t□at the □i□l□ hound i□sel□ □oes not figure a gr□at □eal in the a□tion,□a downgrading w□ic□ □ill un□o□bte□ly r□t□ □s another□major □□sa□pointmen□ for f□ns. A□d fi□a□ly, it could be argued that□□he script □ives t□□ muc□ att□ntion to Con□□ Doyle's r□d□herring,□the□□sca□ed convict, and not enough □o t□e r□a□□vi□lain. This said, it mus□□su□el□ be admitted by all, that O□em□r'□s□i□terpretat□o□ of W□□son—in□□lligen□□ charming, lev□l-headed, c□□rage□us a□d□resourceful—i□ □uch c□□ser □o C□□an□Doyle's con□epti□n□□h□n □ithe□ t□e bu□gling, inveterat□ly st□p□d N□gel Bruce or the □elf-□ffacing I□□ Flemin□.□ One □ther pl□yer de□□□ves spe□ia□ ment□o□: Eri□h Ponto (Dr□Winkel in The Third□Man) □ho seems□exact□y right □or□St□pleto□.□A diffi□ult pa□t, □uperbly pl□yed. - □ohnHowardReid, imdb以下是关于金光上人的□□:"“哧!”“哧!”- ...
<□>以下为您梳理的一些有关玫瑰的□(⌛)情故事相□内□:杨□歆□于(🐘)回□了□实,她□□(🤪)□接过玫瑰,把左(🕋)手伸□□瑥的面□,看着(□)他把戒指□她带上□