在借□步□和洞壁的起伏□下,苏生勉(🏁)□算□(🌡)避开了这一击,但他的身□还□挂(□)了不少彩。□□nopsis Do□□eong (Yoo Min) is a c□ild monk who l□ves□at a sma□l □ountain t□mp□e with the□h□ad monk (By□on□Ki-jong), lea□□i□g the te□ching□ □f Budd□a. H□ becomes □tta□hed t□□a yo□n□ widow (Ch□i□Eun-hee) w□o comes t□ pray at the temp□e□ and the c□ildl□ss □ido□ e□treats□the head mon□ to le□ □e□ □a□se Do□seong as her own son. C□□flict □nsu□s □h□n □□-se□ng&□39;s real mothe□ (Kim Seon-young) appears, but she leaves t□e temple for the s□ke□of her son□#39;s □utu□e. On□th□ □□y th□ widow□is to tak□ □he child down from t□□□□o□ntain, t□□ □ea□ monk discovers th□t□Do□seong has k□□led a bird □□ □nsn□ringit□in a trap an□ decid□s not to let t□e boy g□□into th□ secu□ar w□rld. W□en D□□seo□g f□nds □ut that his real mo□□er □as□b□e□ t□ □he tem□□□, h□ sets □ut to fin□ her. Notes "A film that has garnered re□ognit□on fo□ it□□c□nem□to□r□phy□and□dir□c□ion□b□ eliminating □entimentality and unaffecte□l□ capturing the qui□t l□fe o□ a mountain t□mpl□. □ Hometo□n i□ Heart dem□nstrate□ t□e □am□□□□te□hn□que and □irec□orial □kil□ of movies□that appeared □fter t□e lib□rat□on o□ Korea.&q□□t; A Homet□wn □n□Heart□ a□apted □rom p□aywrigh□ Ham □e□□eok□#39;s□A□Littl□ Monk (Dong-seung), was□ha□le□ □pon its release as□"□a mast□rpiece that□marked□a new pinnacle □n K□re□n movie□□k□n□ afte□ th□□liberati□n.&q□ot; Eschewing □ew□sch□o□ sentimenta□ity t□□□ui□tly□express a boy□#39□s long□ng for maternal □ove, the film un□ol□s t□e e□e□yday li□es of □hree gener□ti□nsthe head monk, a □o□ng □on□, and a little c□ild monkaga□nst the□ba□kdro□ of a quiet temple in the moun□a□□□. The long sh□ts uti□ized by□dire□tor of cinem□tography □an Hyung-mo to □ap□□re□the□b□au□iful scener□□of □he □ountain temple from a□dis□ance receiv□d great critical a□clai□ at the t□me. Als□, each of the film's□cha□□cters i□ c□nvin□ingly po□□rayed t□rough the s□i□l□ul□direction□of Y□on Yo□g□kyu. In □artic□la□, the □cene which ex□res□es□Do-seong's des□erate yearning for □ □ot□er&□39;s love and h□s birth m□ther□#39;s p□st v□sit□t□ the temple □y □□mbining th□m i□to a dream seq□ence re□e□ls deep□conside□ation □or art□c□l□tin□ story and emotion via a co□□ressed v□sual g□a□mar without □□ndin□ toward sen□imen□a□□sm.□T□e m□□ie□#39;s final sc□ne,□in which □o-seong□awa□ens from h□s dream and sets o□f down the path in search of his □other, is □oth t□uc□ing□a□□ be□□t□ful. The□fi□m □lso features Ch□i□□un-hee, in the part of the young□widow w□□ warmly embraces Do-se□ng with h□r□love, in o□e□of her fir□t □oles□ □fter□ord: -□Lee Ka□g-su, w□i□ing und□r the pseudo□ym □f K□ak Il-by□ong, first □da□ted playw□igh□ □am Se-deok's □ Lit□le Mo□k (□ong-seu□g) i□to □ sc□eenplay,□whic□ □as□then shot f□r th□□s□lve□ screen with additional emb□l□□shmen□s□by□t□e director.冷(👛□星□没有过多□关注这□,直接□□柜□方向走去。柜□边站着一□穿着十分时髦的女人,模样看□去□有几分□🐄)姿□,应该是(□□宾馆老板娘或服□□。□原漫画《一人之下》同样精彩,点□按□下载□App 立享精彩内容!