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在战力榜□，他为二□⛔)品。S□mew□ere in the □emote regi□n,□the war ends. In the midst of ruined cities and houses in□th□ st□eets,□i□ rura□ hamlets,□everywhere□where peop□e □til□ live, are chi□dren w□□ have lost their homes □nd □arents. Aband□ned,□hungry, and □n rags, defenseless an□ h□m□lia□ed,□they w□nd□r thr□□gh th□ world□ H□ng□□ □□□ves the□. Littl□ streams of o□p□ans mer□e i□□o □ river □hic□ □ushes forward□and□subme□g□□ ever□t□in□□□n □ts □ath. The □□□ldren do no□ kn□□ any feeling; they kn□w only the world of their□en□□ies. They fig□t, □teal, str□ggle for a□mouthf□l of□food, and vio□ence□is merely a mean□ to get it. A gang led by □ahoun finds□□ re□u□e i□ □n□□ba□doned castl□ and□enc□un□□□□ an o□□ □omposer who ha□ volunta□ily re□ired into □olitude f□om a world □f□hatr□d, tre□□on, and crime. □ow c□n □hey fin□□□ common grou□d, ho□ can the□□b□c□me mutual fr□ends? The castl□ b□comes th□ir□hiding□□la□e but pos□□b□y i□ wil□ al□o be their f□rst home□wh□c□□they □ay org□niz□□and m□st d□fend□□B□t □ven □o□ this, the price will be very high.　□To t□is si□□l□ s□o□□, the journalis□, writer, p□et, scriptwri□er, mo□ie director, an□ film □heoretician Bé□a Balá□s ap□lie□ □a□y y□ars of □x□erience. He an□ □h□ director G□z□ Radvány□ created a work which opened a□new □□stwar chapter in Hung□rian fi□m.□Surpris□□gly, this□film has not □ost an□ of its□i□p□ct□over the years, especially on a p□□f□und philosophic□l level. □hat□i□ to say, it□□s □ot merely a mov□e about w□r; it is not importa□t□in □□□t locat□on and□in □hat peri□d of □im□ it ta□e□□place. I□ is a story ou□side of□□ime a□out the joyl□ss fa□e of chi□dren who pay dea□ly for □□e c□uel war games of adults.　　At the ti□e it was □remiere□□ the movie was ent□usiasticall□ r□ceived by the criti□□. The m□in r□les were taken b□ street□□se boys of a children's group who created □h□ir□r□l□s improvisat□□nally □n close contac□ with a □ew□professional□actors, and in the ch□□dren&□□9;s acting their□own fre□h ex□e□ienc□□of□war's t□r□oi□□a□□ears t□ b□□□e□l□cted.□□t□the □ame □ime, their performance fits ad□ir□bly i□t□ t□e mosaic of a□ve□y□complex movie □angu□ge. Balázs&□39;s influenc□ reve□le□□itself, above □l□□□in the □ntrodu□tor□ sequences□ an air ra□d o□□□□ amusement □ark, seen in a □o□tage□of dramatic situati□ns □voking the last sp□sms □f wa□□ where, undo□bt□dly□ we discern□the i□f□uence of□class□cal Sovi□□ cinematog□aphy. Sho□t□ng,□the boy's escape, the l□comoti□e's □heel□, th□ s□adows of soldi□rs□with sub□a□hine gun□, the soun□ o□□a whis□le—the images ar□ linke□ □ogether i□ ab□□pt □e□uen□es in which□□a□y□ng shots □nd□□x□res□i□e sh□rp so□nd□ are emphas□□ed. A □e□fectly planned scr□enplay □vo□□□d □ll ele□□nts □f sentime□ta□i□y, time-wo□n stere□□ypes of wr□nged children□ romanticism an□ cheap si□plification. The □utho□s □ucceeded□i□ br□d□ing the perilous d□ama□ic abyss □f □he m□□amorphosis o□ a childr□n'□□c□mmunity□ T□eir telling o□ □he s□ory (t□e scene of pillagi□g, □he□□ssaul□ on th□ □astle, etc□□independently introduced □ome□neorealist □le□en□□ which, a□□th□t t□m□, □□re being □rop□g□ted in □tal□ by De Sica, Ros□el□ini□ and ot□er film artists. □□e rebukes of□contem□□rary c□itics, who□called att□n□ion □o &qu□t;fo□malism f□r its own s□ke&q□ot; have□□e□n □orgotten. The ma□□erly art o□ cameraman Barnab□s Hegyi gives v□tal□□y □o the □□e□ic ima□es. His angle shots□of the chi□d□e□, □is composit□on of scenes i□ t□e castle in□erior, are a livi□□ document of □he tim□s, and□un□erline the □tmosp□ere a□d t□e cha□acters of the p□o□ag□ni□ts. T□e success□of the picture was also □nhan□ed by□the musi□al□art of □omp□ser Dénes□Buday□who□□i□ tense □itua□ions, inserted □he t□eme □□ □he □arseilaise i□□o the□□ovie□;s□structure□ as a□motiv□ of□communit□ un□fication, a□ □n□ex□re□sion of fr□endship and the po□sibility of underst□nding.　□V□lahol □ur□paba□ is the □irst□significant pos□□a□ Hun□arian f□l□. I□ ori□inated in a relaxed atmospher□, replet□ wi□h joy □nd euphori□, and□□□ includes these □leme□ts □n□or□er □o demonstr□te the streng□h of□humani□m, t□l□□anc□,□and friendship. It r□presents a □□nera□ conde□nation o□□war□anywhere in□the □orld, □n a□□ □orm.拼实力(🏃)，易辰手中的干柴，总能□前一□砸在它的脑袋上□让它疼□难忍□