F□□m the Lo□vre t□ Buckingh□□ P□lace, to the gu□te□s of Pari□ to□th□ sie□□ of La Rochelle□ In a ki□□dom d□vid□d by religiou□ wa□s and und□r th□eat o□□Brit□sh i□vasion□ a handful of men and w□men will cro□s sword□ □nd□t□e thei□ □at□ to th□t of F□ance.等待...
佛山□大港澳(👹)子弟(💶)学校将于今年9月1□□□,□届□计招收3□0人。(完)This e□r□y 70's giallo by Um□erto Lenz□□is certainly among the be□t□in his filmo□raph□ □nd also in the w□ole□□enre. Persona□ly □ th□nk L□nzi□;□ □□□t films are□the funny cartoon-turned-film□Kri□inal□ the□s□ylish giallo Seven Blood-Stain□d □rch□□□, the exp□□s□ve Napoli vio□en□a□and this. □□ t□e □□gh□ies he d□d ple□ty of □□lm trash in form of E□t□n Alive, Hi□c□er□in the D□rk or□Black Dem□□s, all o□ □hich□are rip□ing□som□thing off and/or very d□ll and □□ow moving. Knife of Ice came □hen t□e□□i□llo□boom □a□□at its□hotte□t□and the result□is convincin□.□ (🏉□Tech□□cally t□□ film □□□su□erb□ co□t□□ning great cinemat□g□aphy □□ the beginning whe□ we □e□r□ about the □□in character's trauma tow□rd□□□rains. From thi□ po□nt o□, Lenzi□sho□s us his □bi□ity to benefit the□widescre□n and,□for □xample,□t□e bicycle ride□near the □ore□t is□genuine□y□beautiful!□This□scene al□o shows Len□i's□ab□lity to□bu□ld suspense, v□ry slowly b□t mea□ing□□□l□. After a□l, th□re aren□□39;t so many murder□ in□the □hole film, only the □uspense c□rcula□ing around the□mu□derer□#39;s iden□ity. One s□spect is□□□devi□ □orship□e□ whic□ brings □ew aspects to the mystery. □in□□□the final scene tak□s □lace in a chur□□,□o□e ca□ wonder □f □enzi wante□ to c□mment on someth□ng, ma□b□ the hypocriti□al morale of chur□h□and su□erstition. T□e □ain□characte□ (Car□ol□Baker) i□ mute whi□h □emands□a □ot fro□ her□fac□ an□ eye□.□The act□ess□works□very □ell, giving us □ believable□performance□circu□a□ing a□ound the e□otions of fear□an□ me□tal pain. □□e other actors are good, t□o. The finall□, ho□ever,□may □ot give too□posi□ive a□sig□t about fe□□l□ s□x since t□□y all are expres□ed rat□er nega□ive□y in the□□il□, one□way or anothe□□ □□ill th□s □s□□asi□□□am□ng the □o□□ not□worthy□in t□e □enre,□□ot as bl□o□y as □he Argento fil□s, f□r example□ bu□ equally suspe□seful □nd□visually a□so□inter□s□in□.“怎么,你也想喝吗□□□好吧,那就先这么办吧。”木灵又道□□□头的(👓)弟子也是长老□宗□应该会给他一点□子。”