"不,只是听见(🎚)枪□过来(👚)□看,刚好听到□□)你(👃)们在说。"□红龙自圆其说。“哪去了?”Wh□t co□l□ the fate of the Vil□a Emp□in□□B□□on Empain’s crazy p□□ject in Bruss□ls, w□ich h□s gone thro□gh a lon□ and eve□t□ul journ□y □ince its co□□l□tion in 1934, □ossi□ly inspire□ Kat□ar□□a Kast□er’s cha□lenge was to draw □□e□portrait of□□h□ p□a□e, kee□i□g in□mi□d□□he w□rk□of time□ like□in□a hum□n ex□sten□e. S□ot □n 16m□□ □er film a□peal□□to□t□e senses, it□c□ptur□s th□□stirring of leave□ un□ula□ing i□ the □ar□en light, the movement of iridescent pe□r□s, o□ th□ □olourful□gam□s□of a piece by□Dan□el Bu□en.□With□ut a word, bu□ □ith a □aressing cam□r□, sh□ pa□s cl□se att□nt□on to □□e hidden patter□□ on the gorgeous marble□, or to□the veins in □□e most precious types of□wo□d used t□□decorate □□e r□oms□ In slight□t□uches□ rega□dles□ of□th□ monumental aspect o□ the 2□.□□0 square-fe□t vil□a and □he pool that s□ im□ress□□ its□first vi□itors, Kat□a□i□a Kas□ner□o ers an organic□v□s□on of the □l□ce, w□i□h has □e□□ mark□d by t□e t□ial□ a□d □ribulat□□n□□o□ life, and used □uccessively as a m□□eum, an□embassy and a sq□at,□un□il its final □en□vatio□. The □lev□r editing m□k□s furtive con□ectio□s, u□derlines col□ur associations, □ix□s up □□□es and□t□ctile se□sati□□□□ while the spa□□s we explore keep ru□tling. The film□ta□es us on a re□iniscing □ourney, w□th sli□es of Empain’□ life□ fro□ th□ famil□ ar□□ive here on a □□□□□ay,□there pl□ying on the b□ach□ images fr□m a distant □ast□□□at keep□hau□t□ng□th□ pr□mises. The fil□ re□ea□s □□ us□this livi□g □pace that □□s designed□lik□ a pi□ce of art□□bu□ it does so in□□ wa□deri□g wa□. Thi□ d□eam vision gui□e□ us through the villa li□e an □□ho □f foregone fantasies,□a m□ntal space, □ut □lso a welcoming b□ckdrop for t□e work of time□ A b□t like the fingerpri□t □or□ we see in th□ fi□m□ or the sligh□ touch □f a□pencil□on a b□an□ she□t.□he st□ry of the□fou□ minut□ mile-bre□□er Roger □anniste□.按照狄□的话□今□□要(🥣)喝□畅快□才行。出门之□,瞄见斜挂在床边的□个小锡壶。那是自己的宝贝,□面应该装有小半壶的□酒。自从一年前(🔷)自□无意中在村里铁匠大叔(➿)的□闹中喝过一口烧酒,他像上了瘾□般,每天都要抿上一口。