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古一彤冷哼□一声。“□嘿，我跟老爹也□不明白。”苏(🦕)生□□为无奈地□笑道苏利□和“苏丹电影俱乐部□的(🧀□另□三□成员决定重振一家旧电(🛢□影院。□们□□因为对□影的热爱和对恢复旧□🔏)电影存量□再次关注苏丹电影历史的强烈渴□而团结(🕐)在一(🍕)起，而且因□他们都□在流放中接受过电□教育。不知疲倦地，他们试□让影院老板站在他们一边，让这个地方重新运作起来，但他□一再发现自己遭(🍣)□了相□大的阻(⛄)力。同□，他□坐在一□谈论过去—□🧓)—包括他们作为对立艺术家遭□迫害甚至(🙀)折磨(📍)的(□)□□。他们还朗读□亡和梦想苏丹时□的旧信，在那里艺术□□力思□可□自由。“我们比□们聪明，但不如(□)他们□□，”□们□🎿)一致总结了□□(💘)的处境。正是在这□(🏺)简□的时刻，观众才能够感知(□□到□谊，以及在(🤽)为共同理想□斗争中存在的纽带和意识形态的团结。　　苏哈□(🥋□布·□□□□巴里把苏(🌱)丹电影的□史放在影片□中心，同时也揭示了□个受到持续危□(📘)影□的国家的现状　　Su□iman and three □urther□members o□ the ‘Sudane□e Fi□□ Cl□b’ have decided to □ev□v□ □n o□d cine□a□ T□ey a□e□□n□te□ not only□by□□□ei□ love □f cin□ma and their passi□□at□ desire t□ □□sto□e old film s□ock □nd draw□a□t□ntion to Sudanese fi□m hi□tory onc□ more, bu□ also by□the□f□ct □hat th□□ h□ve al□ enj□yed a film educat□□□ in□exile□ Tire□ess□y, t□ey try to□□et the cinema’s ow□ers□on their side□and make the place □perationa□ ag□in, b□□ repeatedly□fi□d the□selves □p ag□inst conside□a□le re□is□an□e.□In the mean□ime, they sit together and talk a□out th□ p□st – incl□ding thei□ □xperi□□ces of persecu□ion and□even□□orture as o□□ositional□artist□. They also r□ad□out □ld letters w□it□en w□ile in exile and dream of a□Sudan i□ wh□ch □□t □n□ intel□ec□ual t□ought □□n be □ree. ‘We are□□ma□ter than them, but no□ a□ strong,’ is how they □n□n□mously summa□□se their □i□□at□on.□It is in□l□conic □oments such as thes□ th□t the □iewer is able to□per□eiv□ the fri□□ds□□p□ as □ell as th□ bon□ □nd □deological soli□arity that □xis□s in the □□r□□□le f□□ □ommon ideals.　　Suhaib□Gasmel□□ri puts□the h□story of Sudanese cine□a at the c□□tre of□his film and at the □am□ tim□ s□e□s light on the current sit□ati□n in a country s□a□en□by ongo□ng □ris□s.A □e□nage girl is □b□uct□□ an□ held in a fore□t in a□□un□erground b□nker by □ □exu□l □redator□