&□□ot;Bob D□lan going e□e□tric" at th□ 1965 □ewpo□t Folk Festiv□□□is □ne of tho□□ □□och□l moment□ in□rock history □h□□□seem□ngly everyone ha□ heard about, but wh□t□few peop□e see□□□□□know is th□t it wasn't some epheme□al e□ent that □e onl□ know from word□of□mouth -- filmma□□r Mur□a□ Lerner documented □□□ perfo□m□nc□s□at the N□□port□□est□val for□several years runni□g, and The Oth□r Sid□ of the Mirror □ollects footage fr□m the t□□e□□years□Dyla□□app□a□ed at the c□lebrate□□fo□k g□theri□g, □llo□i□□ us □o see□Dylan&#□□□□ □ise□□hrough □he □olk scene for□ou□selves. Watching Ler□er's do□u□entary, □ha□□#□9;s□most rem□rkable□is how□much Dylan□chang□d□over the c□urse□of 36 months; t□e □oung folkie □erformi□g at the □ft□rnoon "works□op&□uot; at the s□de of □oa□ Baez in 1963 is at□once ne□□y and hesitant, s□ng□ng his wor□y□□unes w□ile□choppi□g away at his acoust□c□guita□□and ene□gi□ing th□ □rowd witho□t seem□ng to know just wha□□he's doing. In□1964, Dylan all □□□ ow□s Newpo□t, a□d he clearly knows it□ he'□ t□e talk o□ □□e Festival,□wit□□B□□z□and Jo□nny□Ca□h s□ng□ng his praises (an□□his songs□, and his □om□and of the stage □s visibly stronger and more confide□t□while□hi□□n□w□□a□er□al □inclu□in□ □q□ot□Mr□ T□m□ourine M□n&□uo□; an□ &q□ot;It Ain&□□9□t □e, □abe") sees him moving awa□ fr□m the □quot;protest son□□"□that fi□s□□ma□e □is□n□me. W□en the audi□nce □e□and□□□n encor□ after□□y□an□#39;s eveni□g □et □Odetta and Dave Va□ Ronk□w□re sche□uled to f□l□ow him), Pe□er Yarrow t□ies□□o keep th□□show moving alo□g wh□le D□lan bea□s at the crowd□□39;s adulation, like t□e □o□k sta□ he w□s quickly becoming□ □y □he □ime□the 1965 Newport Festiv□l r□lle□ around, □□lan's epo□hal "Like □□Rolling Sto□□" was □□artin□ to scale the□singles c□arts, and□the h□r□core fo□k a□di□nce w□□ c□early of two minds about hi□ popular □a□d popu□is□) s□□cess. □hen Dylan, Fend□r St□atocaster in □and,□perfor□s &qu□t;Maggie's□Farm□quot; backe□ b□ Al Kooper, M□ke Bloomfield and the r□ythm section from t□e□Paul Bu□terfield Blues B□nd, the rauc□us but hard-driving number□inspires a curious m□□ture□of enth□□□astic□chee□in□ and equally emphatic booing, □nd whi□e l□□e□d has □t □hat the ver□i□n of □□uo□;Like a Rolling St□ne" that followed was a □hambles, the song□cooks desp□te d□ummer Sam Lay□□s diff□culty i□□□i□ding the groo□e, tho□gh if a□ythin□□the division □f□the crowd□□s loy□ltie□ is even stronger af□erwar□. After t□ese two numb□rs, Dyl□n and his band □e□ve the sta□e, wi□h Yarrow (on□e□again s□rving as□MC) citing□tec□nic□l □roblem□ (i□ Pete Se□□er□r□ally pu□led the power □n Dylan□ a□ legend□ha□ it,□t□ere'□s no sign of it her□)□ Dylan r□turns to□□h□ stage with an a□□ust□c□six□st□in□□□□ sing "Mr. Tambourine Man" and□&qu□t;It&#□9;s All Over Now, B□by Blue" □efor□ □anishing into □he nig□t w□thout comm□nt.□W□ile much □f □he au□i□nce at New□or□□i□ □□65 wan□ed□the "ol□"□□Dy□an □ac□□ hi□□strong, willf□□ per□o□mances□□□□n□on t□e ac□□stic stuff make□ it obvi□u□ t□at □he sc□appy □em□-am□teur we □□w at the□b□□inning of□the mov□e was gon□ forever□ and t□□ ovation□ su□gest more than a f□w people wanted to see D□la□ rock. Lerner&□39;□□fil□ tells us a□□ertain a□ount□of□wh□t□we a□read□ knows□ but it gently□debunks a □ew myths a□ou□ Dyl□n during □his□pivo□a□ momen□ in □is caree□, and his□□e□form□nc□s are □ommitted and □orceful thr□ug□out;□no matter how□many□ti□es you've rea□ □bout Dy□an'□s Newp□rt shoot□out□o□ □96□, □eein□ i□ □s □ re□e□atory experienc□□□and L□r□er has ass□mbled th□s □rchival material w□th □□te□ligenc□ and ta□te. This i□ m□st□see□□iewing for□anyone interested □n Dylan □□ t□e folk scene o□ the '60s.不待铁心多□，□□疲惫的苏生又道“铁心老□，接下□🔃)来就□□你□✂)了，□得去休息一下了。”林□快步来到一台□置□自助□机前，点□电子□幕。1□ 《揽明月》：这本小说讲述了一个现代□霸□□□□)古代版霸总的(💙)宫廷□情故事。男主角们长得一模□样，内容标签□□🎊)括强强、宫廷、侯□(□)、前世今生、相爱相守等。
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