□《我的王国》以□14 世□晚期□背景,正是从□丽王(🍅)朝晚期进入□鲜王□早期的□渡时期,人□在保□信仰的同时□(🤪)求权力。梁世宗(《浪(🚷)漫医□金师傅》《爱□的温度》《虽然□30 但仍 17》)饰演的□□是一□在(□)□公正□前决不妥协的战士。徐□的(🐭)好友南善浩由禹棹焕(《救□我》□□狗》□饰演。善浩发奋图强通过□事考试(📚)□改变了□□□社会地位□但□误会与□辉产生□矛□。Due to some c□□mon interes□s betwee□ German and R□ssi□n□aristoc□acy ( the Rus□ians e□en h□□ aristocrats in the□r□pa□t not to mention they □ad an E□press□□all□d Catherine□□he□Gr□at, □s □re□t□as this □erman □ount's heiresses□(🥤) ), □t is n□t strange th□t th□s Teu□onic c□unt □as under□□ood and even enj□□ed Herr□S. M. Eis□ns□ein□9;s "Staroy□ I□Novoye".□ I□ is□not ver□ usual□□hat□for the□ari□tocra□y □o enjoy Bolshe□ist□fil□s full of p□ole□a□ian de□ands □hat□p□t □rivate p□operty a□ ri□k □r as□it happens in thi□ □□se, a film ab□ut □□e□□ommu□ist Party's polic□ □n t□e subject of the c□llec□ivizati□n of th□□□oviet agr□culture. N□rmall□ t□□s would be p□rfect gib□erish□for this German co□nt, bu□ thank□□t□ Herr□Eisen□tein□'s g□eatness and di□□cto□ia□ talent, the h□r□ships of the heroine of □he fi□m,□D□□e Marfa ( D□□e Marfa□Lapkina ) bre□ched□□ven□t□e thick□□ri□to□ratic Schloss□w□lls□ □A□d that's one of □he first remarka□le aspects of t□is oeuvre;□□n spite o□□the politi□□l subject □f the film, the p□w□rful im□ges and□lyrici□m □ a□tonishing and beautiful shot compositions□), □sp□cially during th□ first □art of the □□vie□ preserv□ the arti□tic merits entirely while serv□ng □ propaga□da p□rpose. Th□ secon□ remarkable a□□ect □f □h□ □□□m is the dic□□tomy between□□h□ old□and new, the fight to i□p□ove t□e□lot o□ □am□ Marfa and her □ountry□en. There□are □any □iscus□ions□because □□ is□not □asy ev□n in R□ssia □o change ancient□and conser□ative customs. There ar□ superb metaphors an□□soc□a□ critici□m ( il□i□eracy, bure□uc□acy, relig□os□t□ ) which□perfect□y fit the□□ilm,□and last□□ut not le□s□, □quot;Staroy□ I No□oy□□quot;, is □ kind of□□□chaic documentar□ abou□ ancient customs□esta□li□hed deeply□in old Russia, tho□e□□nes that our heroine□must fig□t a□ainst. And□there is als□ a □o□ about agr□cul□ur□ ( □□ry □nlighten□□□ for this Ge□man count), □spec□a□ly about harve□ting an□ how □o fatte□ Rus□ian □ows □r pi□s ( □iterally□□□o□□un□here… □. H□rr Ei□enstein had to□□ear during the last era of h□□ film career, unbelievabl□ cen□orsh□p □□d mu□ilation□of his work, as happen□□with &□u□t;Staro□e □□Novoye"□.□The □□lm□was□reedited a□d Ei□e□stein a□cu□ed of sympathizing w□t□ Trostky's p□licie□ b□□ f□r□unatel□ the film was re□tored and sho□ed □y the □□rma□-fre□□hifie□ □.v. cha□nel "ARTE□□u□t;, natürli□h□, includi□g□an□e□oc□□□ve m□sic score by □err Taras B□j□□ski, th□□ fits super□ly H□rr Eisenstei□ p□imal□arti□tic inte□□sts. (🔚) And now, if y□u□;l□ □llow□me□ I□must temp□rari□y □ake m□ □ea□e bec□□se this□German□Co□nt must□□uy □ trac□or□for □ne□of his Te□tonic heiress.
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