□ □..□>Also know□□as □ed Rid□ng Ho□d, Ye□r□2000□ t□is□Hunga□ian/Canadia□ co-produc□□on i□ not for children. Director Mar□a Meszaro□ again □wells up□n the t□avails□of women trapp□d in op□ressive□society. T□is □ime, the □ed Riding Hood□l□gend is used□m□tapho□ical□y withi□ th□ framework □f a quasi-futu□ist□c sto□□line. The &□□ot;wol□□s&quo□; are □□ □□e human□variety, □nd "f□iendl□ hunters" □ew and far□be□ween. This is a□w□□□d and□□ometimes d□s□urbing tak□□off on the□be□o□ed fairy□tale. In t□is □□e□ t□e□main □irl is f□□ mo□e w□iny and petu□ant. □he has□a boyfriend (w□o i□ somehow abl□ to come and go □nt□□th□ fore□t fr□m t□e city□w□th no visibl□ means of tr□nsp□□□) a□d sh□ is□able t□ com□u□icate telepathica□ly □ith the wolf□□The□e is a s□b-p□ot about□the gi□l&□39;s di□o□ced□p□r□nts which doesn□9;t really□make se□se □nd the□film□□□atures a v□r□ od□ development towards the e□d. The fores□ scener□□is gorge□us and th□□□il□ is p□□fess□on□□ly □ade □ut □t□#39;s ha□d□to tel□ i□ this□was made□□or kid□ or□□ot a□ it contai□s so □any od□□and questio□□ble elements. □t's d□□init□ly no□ the story tha□ most people gr□w□up□with.