Straub-Hui□le□’s ad□ptation of □e□nrich Böll’s bitin□ sa□ire B□nn Diary p□esents □□□ r□flec□ions□o□ a reac□ivate□ officer who i□ su□mon □d□t□□the□We□□ German ca□ita□ by□the Ministry □f D□fense to establ□sh an□Ac□dem□ for Mi□□□ary Mem□ries. St□aub con□idered his film to be an interventi□□ against German rearma□ent □n the Adenauer er□□ &□uot;Machorka-Muff□is the story□of a□rape, the rape of a cou□tr□ o□□which □n army has be□n i□posed,□a c□untry wh□ch □□uld have been ha□pier□without on□." □(👙)In □qu□t;M□chorka-Muff,&q□ot; Mr. St□a□b, employ□ng□□he cold, somewhat express□onisti□□but a□ways lo□uaciou□ □□pro□ch□of□his □th□r □ilms, c□mes □□osest to underlining □he almos□ subliminal irony□of his □hemes. He brief□y □□tl□nes, through t□e per□orma□ce □f Colo□□l□Mach□rka□□□ff, a former □azi who is□re□nstate□ in th□ Adenauer re□ime, the unchang□n□ th□n□□□g□o□ the N□□i and/□r the □ilitary mind. □s the □olonel of□the t□tle,□Dr. J□hann□s□Eckhardt is□□□operly co□d an□□□onvincing as the believ□r in th□ rights of□the soldier. Although it□is the sh□rtest□and□□ar□iest of□□□. Straub□9;s fil□s□ i□ is both □he□most luci□ □f his works and t□e m□st cl□arly indicativ□ of hi□ poten□ia□□a□ an imag□native f□lmmaker.资料图。图□夏□的□汗淖□湿地。 察汗淖尔湿地保护中(🆒)□供图□个时辰后,两人硬碰了一□□双双分开,胸口□停□📂)□起伏,四目相对□却没□(🚂)继续进攻,□了好一会儿□一哥哈哈大笑着收□了武器,道□(□)“你很□,是一个很好的对手,今儿个咱们就□这里,改天再战如何?”故□讲述了警□毕业的□□安□幽醒来,发现自己身处牢狱之中,三日后流放边□。□□初的目的只□□保□顺□在这个没有人权的社会里当个...