《盲人按摩师免费阅读韩娟》：

以□是为您找到的可能相关的重生小说：对于□□（孙□ 饰）和元宝(□□（张译 饰）这对生(😺)活在五□十色、□欲社会□的前卫时尚男女来说，结婚□子似乎是(□)一(🏦)个虚无缥□有老套无□的话题。□知命运往往就□开一个□与愿(🚇)违的玩笑，□经□□旦旦30岁前绝不结婚、(□)35岁前□不生孩子的□冰□竟意外得□自己□有□孕的□息。当初为爱情插朋友(📇)两□的元宝，使出浑身解数总算让夏冰同□保□孩子，并如愿携手□(🍟)人步入婚礼(□)殿堂。然而这□新人□方面要□受□□双方观念保守的父母的压力(🕶)□一方面也要面□职场上的严峻考验□　　夏□强势(🐻□□女上(🦉)司(🥅)李木(🤯)子（(□)邬君□ 饰）原本□□□重有加，□(👞)夏冰□□□□息无疑使□公室内□硝烟悄然弥漫。□随□多□□求子不□的李□子也□有□孕后，这群职场女性的内心悄□□□着改(□□变……武林在经□□□血战□静了三十(📯)年后，□十二路烽烟再□，掀起□又(□□一□征伐□其时有书生方红叶（刘□铭 饰）撰写系列□□秘记《红叶手札》，专事披露武□秘史□某日，一家书店受托印制红叶手□，不想店(📭□长等人却招(♏)来杀身之□🔕□祸，七十二路烽□□🚯)之□色旗主□□（黄树棠 饰）部下将杀害店□之凶手截杀。几日后，沈家堡堡主沈青（□国柱 饰）向田风求援，女侠青影□(🍃□□米雪 饰）□田风等人赶至沈家堡，与先行□邀抵达的方红□一□会见沈□。昔日□旺的沈□堡已人去堡空，原来沈青幼(□)年时，沈家受了杀人蝴蝶(⛑)的诅咒(☝□，如今□咒兑现，杀□蝴蝶潜入沈家堡□(📖)处行凶。田风等人□□□湖(📷)道义留下□究蝴蝶杀人之□由，却不知陷入了□家堡与天雷堡的一场隐秘仇怨……Ma□t□n□(John Amp□as), a young man who looks □round □0-years-old, boar□s□a trai□□in I□dian□polis, I□diana □or Ne□ Y□rk. At□night, he breaks i□to a □leeping car and se□ates a woman wi□h a□s□ringe full of narcotics. She strug□l□s, □ut □e□t□ll□ □□r □ot t□□struggle or be upse□□beca□□□ she wont feel pain. After □ few minutes,□th□ w□man falls asleep, and Martin ha□ s□x□w□□h the unc□nsc□ous□woman. Afterw□r□s, he slices her wrists with □ r□zor□□□ade so he can □ri□k h□□□blo□d.□Th□ w□□an bleed□ to□d□□th in her sleep.　(🍂)　In the morni□g, □he tra□n stops in□Pitt□burgh,□Pe□nsyl□ania w□ere Martin dis□mbar□s. H□ i□ met b□ Tata Cu□a (L□□co□□ Maazel) an elderl□ and ho□t□l□ old □□n who claims to be his cou□i□ from th□ Old Wor□d. □oge□her, □hey tr□vel□□y another tra□n to the tow□ of Braddoc□,□a dying industri□l □uburb. They walk to□Cuda's large hou□e □here he shows Ma□tin his living qua□ters. Cu□a t□en a□cuses □artin of□being an 84-year-□ld va□pire□from his □ld□country.□He h□s□ta□en in Ma□tin □eca□s□□□e is famil□, but □ells him,□"Firs□ I□will □a□e your soul. Then I shall d□stroy □ou."□ Martin denies□being a□vampir□□□nd implies t□at Cu□□ is m□rely h□□□unc□□ rath□r t□an h□s cousin. Cuda□□hen puts up □trings□of ga□lic on th□ doo□s to his an□ his gr□n□d□ug□te□'s ro□m, and th□n□holds □p a□□mal□ c□o□s when M□rti□ approaches□□im. Mart□n takes away□the □ross, and□ev□□ t□kes□a bite of t□e □a□li□□moc□ing these attem□t□ by□sa□ing bitt□rly□ "□Ther□'s□□o real m□gic...□ever". Cuda te□ls Marti□ that h□ can c□me and go □s □e ple□ses. But h□ als□ warns Martin that h□ wil□□□i□l him if he k□l□s □nyone□in B□□ddo□k. He also□tells M□□□in □o stay away from h□s□gra□d□aughter Christine (□hristine Forrest), whom arri□es ho□e fro□ her j□b that ev□n□□g□　□□uda i□□r□d□ces Christ□ne to Martin, but also warn□ her to stay away□fro□ him□□But C□ri□tine i□st□ad strike□ u□ a□□riendship with Martin who co□□id□s in □er ab□ut□hi□ vampire heritage. □hen C□□a late□ confir□s Mar□in□;□ claims t□ be □ va□p□re, Chris□ine□ no□ surprisi□g□y, re□uses□to be□i□□□ □ither□one□□□h□□□hi□ks that Cuda and the other □embers of her □amily□hav□ □riven Martin t□ insani□y by m□ki□g hi□ thin□ that h□ i□ a v□mpire. It is neve□ reveal□d i□ Mar□in real□y is a vampire, or just a shy □nd □one□y youth w□th□troubled i□sues. □hristine is□the onl□ pers□n □hat Ma□tin gets the courage to ta□k to. When □hristin□'s boyfriend □rthur □T□m Savini)□arrives at th□ h□use fo□ dinn□r, Mar□in □□ops talk□ng and bac□s away despi□□ Arthur's □ttem□t at a □onv□□sation□ C□ristine□later c□nfides in□Martin tha□ she □o□□s to leave Braddock somed□y with A□thur, eve□ thoug□ Ma□tin p□ints □ut th□t □□thu□ t□eats h□r □adly □n□ □s bot□ verbally□an□ physica□ly abu□iv□ towards h□□.　　When □hri□tine se□s that Mart□n □□n□#□9;t talk to anyone else, sh□ buys hi□□a phon□ whi□h □□ ins□all□ in his □o□m.□□arti□ □egi□s□to r□peatingly call a radio□talk □how wher□ he descr□bes what it&□39□s like to b□ □ vampi□□.□□e becomes kno□n on □he r□□i□ a□ □□□ot;the Count" to all the□lis□eners. But□the patroni□in□ host □Mic□a□□ G□rnic□)□thinks he'□ just cra□□.　　Martin□gets a □ob at Cu□a's gro□e□y□sto□e □□ st□cking shelves, hauling boxes aro□nd□ □nd eve□ gets t□ be□□ delivery boy for some o□□the customers. One of □is c□stome□s □s a cert□in Abby Santin□ (Elyane N□deau),□who□□ecomes□taken □n □ith □ar□in. She is a ver□ frien□ly you□g woman who i□ de□ressed□wh□n she tells Martin t□a□ her □u□band i□ □nfaith□ul. But Ma□□in □till does not □ave□th□ nerv□ to talk with □er, so□she□i□ happy to□have someon□ □o□con□ide □n wi□h her l□fe prob□ems. Martin ph□□es the radio show hos□ to d□scribe his infatuation wit□□the housewife and senses□that□she wants to have □ex □ith hi□□ Wh□□□t□e radi□ sh□□ h□st asks M□□tin□if it is □ sexual problem □hat □e□□□s in□□lv□□□ □ome□ criti□iz□ng hi□□du□ing□se□,□□artin r□plies tha□ he has never had se□□w□th □□wo□a□ who wa□ awake.　□One day,□Ma□tin□travels b□ tra□n to outside□Braddock to look for victims□ At a super□arke□, he follow□ a young woma□ (Sara□□Venable) home □o□her posh s□burba□ □ouse. □e sees the□□oman□□39;s h□s□a□d □Richard Rubenst□i□) lea□e for a long business trip, and Marti□ decides this would be the r□ght ti□e fo□ more□□eeding. Martin ret□□ns to the□house afte□ □a□k and breaks i□ □hroug□ the□ga□□ge door□□But it is □art□n who gets the surpr□s□ whe□ he bursts into her □□droom to find he□ in bed with □er □dulterous□lover Lewis (Al Levitsk□□□ After a□vi□□o□s□strug□□e□□□artin jabs both □f□t□□m with hyprod□rmic need□es□wit□ narcotics, □n□ wai□s for th□ drugs to tak□ affec□. □e □rags□the u□consci□us□body of□L□wis from the house □o a□clum□ of t□ees□□cros□ □□e street □here he kills him □y□shovi□g□a b□o□en tree b□anch □nto□h□s nec□ an□ □□ink□ his blood. Martin r□turns □o the house where□he has se□ with the□unconscious□□oma□. But□out of comp□ss□on□and p□ty, h□ decides□□o□□et her li□e.　(⌚□　Martin begins to □av□ r□ma□□□c m□no□hrom□ visions of his vamp□r□ past□(real □r □magi□ed)□ where□he dr□ined b□ood f□om a young □oman and was chased t□r□□gh the st□eets□of a nameless□European to□n by a torch-lit mob□　　Dur□ng one S□nday at □hurc□, Cuda □r□ngs□home Father □oward (G□orge A. Romero) who asks him□abou□ the possibi□□ty of□□xor□i□m and de□on possession. Fat□□r Howard calls upon□the elderl□□Fa□her Zul□ma□□ (Cliffo□d□Forrest, Jr.) ov□r at Cud□□#□9;s re□□□s□.□Together, Cuda and Zu□e□□ns□co□□ront□M□□tin h□s bedroom and attempt to□□er□orm an exor□is□ on him. At□this □oint,□Mar□□n□□emembe□s (another real or imaginary flashback),□in□□he Ol□ C□□nt□y of p□o□le □□□ing to perfo□m an ex□rci□□ o□ him, □nd □e fl□es th□□□ Martin□then fle□□□from C□da and□Zue□mas as well.□A little later that night, Martin ter□or□zes□C□□a □n a child□en□#39;s p□ayground wh□n he puts□on a Dracula cape a□d pu□s□f□ls□ fa□gs□into his mout□ to pretend tha□□□e□r□ally□is a vampire.□　One day□ Martin f□n□□l□ m□st□rs the courage to t□□k wi□h □rs. S□ntini during a□routin□ deliver□ to her hou□e □here he tell□□her t□at he's aware of her attem□ts□to seduce □i□ □□d w□nts now□t□ □ave s□x with □er. After □aving sex fo□ th□ fir□t time, Mrs. Sa□ti□i become□ □ore depressed □or □he tells Martin that h□r□□usband□□ust left her becau□e she d□scovered□□hat sh□ □□nn□t□b□ar ch□ldre□□ a□□ th□t her desires□to□□rds him are b□□e□ on□sex□an□ nothing els□. □ut Mar□□n wan□s to□st□y with he□ an□ hel□ her m□ve on with he□ li□e□□□artin te□ls□t□e radio sh□w ho□t a□o□t□□i□ affair □ith the h□usewi□e and□t□at he no longe□ ha□ the u□g□ to□attack other women.　　Mean□hi□e, Arthur meets with Cuda and tell□ h□□ that he w□nt□ Chr□stine□to □eave□town w□t□ him □o they c□n get marri□d and start a fa□il□. But Chris□ine be□omes □ngry at Cud□ when he tells□Arthur □hat insan□ty □u□s in their family□□nd he s□o□□□n't consi□er hav□ng□children w□th her. Shortl□ □fte□war□s□ Christ□□e p□cks up □nd leaves Brad□□ck for N□w□Y□rk with Arthu□ despite Martin tell□n□ her□that Arthu□ is □busi□e towards□he□□ But □e□□mind is□mad□□u□.□Befor□ leaving,□Christine tells Mart□n that sh□ □e□lly h□s no □ll f□e□i□gs□towards him a□d □ust wants□to□ma□□ a□fresh start with her life. She says goodbye to □im and pro□ises t□□write. But Martin□kno□s tha□□wit□ an ab□siv□ an□ po□□essive □□n□in Chri□tine's life, she probably won□□t.　　Depressed o□er losing his one true friend, Martin□phones the radio show□□ost□and t□lls him that he's getting &quo□;sh□k□&quo□□ and w□nts t□ go out l□okin□□f□□ more vic□ims. That□□□ght,□Mart□n□□ravels to a rough cr□m□-□i□d□n area of Pittsb□rgh an□ attack□ two der□li□ts in□a□a□ley, i□je□t□ng the□□with □arcot□cs.□H□ kills□one of them by silt□ng the bum□#39;s wrist□□nd□drinki□g□his bl□od. □ar□i□□□s about to ki□l the sec□nd one when a po□i□e□car s□ows up and g□□es□chase□ □artin narrowly esca□es during a lo□□ chase on foot which l□□□s from the garba□e□stre□ st□eets and through a□local store. Ma□tin runs into□an old war□hous□ wh□□e□□ drug deal□is □oing down. □ shooto□t between□the two cops□and the three thugs be□ins where al□ of the□□are killed, l□av□ng M□r□in as the sole survivo□ who casually walks a□□y □□om t□e carnage.　　O□□ □ay, Martin fi□ds□□r□.□Sa□tin□ dead in h□r bathtub, □ft□r □he had□□lit her □rits□w□th□a razor blade□ Martin anonymo□□ly calls the poli□e to repo□t□the body□and□leave□. He□pho□□s t□□ rad□o□show host one□fin□l ti□□□to say that he real□y doesn't□n□ed friends or□people to t□lk to□for □e is his□own person. But w□en□Cuda le□rns a□out Mrs. Sa□tin□'s□sui□ide, □s□mistakenly thi□ks Martin killed her and□m□de it □o□k like □□sui□ide as he's□□one before□ Cuda □alks into Martin's room□whi□e he□is □sleep and k□□l□□hi□ by hammering a wo□□□□ sta□e□throu□h Martin's □e□rt.□　Cuda □uries □artin's bo□y in his back □□r□en□ wh□l□ over the closin□ cr□□its□va□ious□voices from pe□p□e a□□ hea□d t□lking to the □a□□o show h□st as□ing the wherea□□uts of "□t□e Count□quot;.□只要有(🕘)利润，最偏远的地方，他□都肩抗□背去售□商品。

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