Somewhere in the r□mot□ regi□n, th□□war ends□ In□the midst o□ □uined□cit□es□and houses in t□e□streets, in r□□al hamlets, ev□rywhere where□people still liv□,□□re child□□n who h□v□ □os□ their □omes an□□□a□ents. Ab□ndoned□ hu□gry, and in r□gs, defenseless □nd h□mili□□ed, they□wander throug□ t□e w□rld. □unger□drives them. Litt□e streams of□orp□ans mer□□ i□□o a river which□□ushes □orward and submer□es everyth□ng□in it□ p□th. The chi□dren □o n□t□know □n□ feeling; they kno□ o□ly the□□orld o□ □heir □n□mies. They fig□t, ste□l, □trug□le □or a mouthful □□ □ood□□and vi□lence is□merely a means to get it.□A gang l□□ by Cahou□ finds a refu□e in an aband□ned cast□e and □ncount□rs an old□□omposer□who ha□ vo□untarily reti□□□□int□ so□itu□e□□rom a□wo□ld of hatred, treason, and □rim□. □ow can th□y find a c□mmon□grou□d, h□w can they □ecome mutu□l friends?□The cas□l□ □□c□me□ th□ir hidin□□place but□poss□bly it will also □e□the□r fi□s□ home □hich they may o□g□nize □n□ must defend. But ev□n □□r this, the pr□ce □ill □e □ery high. To this si□ple□story, the j□urnalis□, writer,□poet, scrip□w□i□er□□movie direct□r, □nd f□lm t□eor□tician Béla Balázs□ap□lied many years □f exp□ri□□ce. He□and □h□ director□Géza □ad□ányi □reated a work□wh□ch o□ened □ new□□ostw□r chapte□ in Hu□□a□ian film. Surprisingly, □his film has□not lost any □f □□□ □mpact□ove□ □he year□, especially□on □ profound phi□osophical □evel. Tha□ is □o say□□i□□is no□ me□ely□a □ovie□about war; i□ i□ not important in □□□t location and in what□period of time□it takes place. □t is a sto□□ outside of□time□about t□e joyless fate of chil□□en who p□y □□a□□y□for the cruel w□r g□mes of adults. A□□□□e ti□e it w□□□premiered□ t□e □ovie was□en□husiastically receiv□d by th□ critics. Th□ mai□ □oles □ere taken by streetwise boys□of a□ch□ldre□&□39;s g□oup who cr□ated t□e□r □ol□s □mprovi□a□ionally in close c□n□□ct with a f□w pr□f□ss□onal□actors, and □n th□ □hildren's acti□g t□eir own fre□□ □xperience of war'□□ turm□il□□ppears to b□ reflected. At□t□e same time, their pe□forman□e□fits admirably into the mo□aic of a very comple□ movi□□l□n□uage□ Balázs's infl□e□ce revealed □t□elf, above □ll, in t□e i□troduc□ory seque□ce□: an air □ai□ on an □□usement park□ s□en in a montag□ of dramatic □itu□tions evoking t□□ las□ spasm□ of□wa□□ w□ere, u□doubte□ly, □e□d□□□ern th□ influence of c□assical□Soviet cinem□t□□raphy□ S□ooting□ the boy□;s escape,□□he loco□otive'□s w□□els, the shadow□ of sold□er□ w□th□□□bma□□ine gun□,□the sound of a w□i□tle□t□□□images are lin□ed together□in □brupt sequen□es in whi□h varyin□ shots □□d exp□essive sh□□p sound□ are empha□ized. A p□rfectl□ plann□d□screenplay avoided □ll □leme□□s of □e□t□□e□□alit□, ti□e-worn □□e□eotypes□□f wronge□ chil□r□n, romanticism and cheap s□□□lifi□ation.□The aut□or□□suc□□e□ed in bridgi□g the□perilous dram□□ic□ab□s□ of the metamo□phos□s □f a children's co□munity. □heir□telling of th□ story □□he s□ene of pillaging, th□□a□s□ult on the castle, □tc) □ndepend□ntly introduc□□ some neore□list elemen□s□w□ich,□a□□th□t time,□were □eing pro□agat□d in I□□l□□by□De Si□a□ Rossellini, an□ o□her film artists. T□e rebukes of cont□mporary criti□s, who ca□led□at□e□tion to "formalism f□r its own□sak□&q□ot; have been□forgotten. The master□y □r□ o□ cam□raman Barnabás Hegyi□gi□es vit□lity to the poetic□imag□s. His □□g□□ □ho□s o□ the chil□ren, □is composition □f□scenes□i□□□h□ castle inte□ior, are a□li□i□□ d□cument□of□th□ times, □nd underli□e the atm□sphere a□d the characters of the protagoni□t□. Th□ succ□ss of t□e pic□ure □as also enha□ced by the □us□cal art of co□□□s□r □□nes □uday□who□ in□tens□ situations, in□□rt□d t□e theme □f□the □arsei□aise□into□the□movie&#□9;s structur□, as a m□tive of community un□ficati□n, as □n □xp□e□sio□ of friendship a□d □□e □o□□ib□□it□ □f unde□st□nding. Val□hol Eur□pa□an is □he first□sig□ificant □ostwar H□n□aria□ film. It□orig□nated □n a relaxe□ atmos□□er□, □eplet□ with joy an□ e□phor□a, □□d □t includes these □l□ments in ord□□ to demonstrate the strength of humanism, tol□rance, and frie□dship. It represents a general□□□ndemnati□n□of wa□ a□ywhe□□ in the wo□ld, in any □o□□.- □公主是《为有□香来》中较大的□派。自从有了人类，就(🕉)有了□争。□战□□📹)，就有兵器，□器(□)和人的结合(□)，构成了一(🙏)部宏达□人类战□史。□□，当(🥂)□试□研读中国古代□□的时候，却发现我们对古兵□□(👖)了解太少太(✒□少。上造影视倾情打造的《古兵器□揭秘》给□答案。《古兵□大揭秘》第二季，8月1□日央视纪录频□🚨)道播出。武书□悦道，“这些事情，我□不感(🔒□兴趣。若是□有其他事情，□们就此离开吧□”□
以□是斗破苍□番剧的□看顺□□2...
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