□思考了□会,楚天奇(👋)就(👰)□□让□件事情成为秘□□毕竟这样对自己事□有利的。此刻,骨鞭上的森森绿气已经基本消失□但是蛇头的位置,却(🍧)开始□□(🚶)了五彩之□(👴)。□□阿蒙□为□中的重要(📝)角色(😿)□其单片眼镜的形象□读者留下了深刻的印象。□olly□ood□style time travel tales like to focu□ th□□r at□e□tion on □ultur□l fads and fas□ions□ cl□th□s, □usic, s□an□,□daily technolo□ies.□□h□ ing□nio□sly □ow□budget□Irish s□i□fi film □OLA □as fu□ w□th all□□f that, but also□□nvest□gate□ darker, mo□e □lobal que□tions □ike: what if Germany □ad w□n □orld War II□□ □ieced together i□ dazz□i□□□16mm a□ an imaginary□c□ll□ge □f i□terlockin□ aud□o-□isual □ocu□ents□from t□e □□40s,□□ndr□w L□gge, directing his deb□t feature□ c□njure□ th□ liv□□ of two g□fted and l□ve□y sist□rs, Thomasina □nd□M□rtha. Left to □he□r□o□n devices□as children, the pa□r h□s □anaged to c□□ate a□ma□h□□e that receiv□s m□d□a b□□□dcasts from the fut□re.□In□the□r persona□, clo□ste□□d, punk paradis□, they embr□□e the r□bellious s□□le□ of □n age t□□com□□– T□e Kin□s, David□Bowie – but □lso dis□over, when milit□ry personnel move i□, that histor□ □s□a dang□rous game□to toy with. □he ultima□e questio□ becomes: if mass media can change □he □orld, c□n ci□ema miraculous□y restore it□ Just li□e the monum□nt to□b□i□olage c□e□t□d by □ts □□aracters, LOLA□is an □ns□i□ed conceit in □he style□of □uy □□□din□ Woody All□n’s Zel□g□(1□83)□□nd Peter Jac□s□n’s Forgotten S□□ver □199□). It’s□a surreal romp □hrough scratches, g□i□c□es and s□eculati□e pos□ibili□ie□.