-□舞台一片□黑,“哒□(💝)□□⏰)..□.”急促□马蹄□传出。片□后,一个中年男人(白居□)喊道:“□~~”;(🚛□舞台(🧟)逐渐光□,显出□名□子(元□、白居易和船家)的身□□□(□)屏幕上是江边停着一匹马的古代夜景图□。白.□.□/p>□T□e 2-part □□□□ure-□ength d□□□mentary "25 ze□šedesá□ých □neb Československá□no□á vl□a" ("□5□fro□□th□ Si□t□es□ or Czechoslova□ New □□ve") pres□nts a compl□x view of□the phenomenon o□ □zec□ and Slov□k □ew □□□e in the cu□tural and□socia□ context of the 60's. 25□fundamental □ilms commented on□□y their makers and□film his□□rians □ff□r the viewer a dramat□c insight into t□e golden era□of □zec□oslovak□cinem□. □The documentary is a fol□ow-up □n t□e b□ograp□i□al □V□series □quot;□latá šed□s□tá" □Czech Tele□□sio□□□20□9)□ based on the filmmakers□#39; personal remembr□nces□ □s opposed to th□ se□ies, th□ documen□ar□ presents the□Czec□ □nd Slovak cinema of□the 60□9;s in the n□tional, internat□onal and also inter□□□nerati□nal □ont□□t. It descr□bes□the□w□□s the New Wave □ross□d the existing artistic □oun□a□ies□ ho□ it variegated t□□ world cinema and where □t□left a□ ineffa□ea□le impre□sion. It□an□□yses t□□ work o□□film□a□ers in a st□t□-fun□e□□□□nema□ □n□er the pr□ssure o□ ideological □emands on one h□nd□and commerce on the other. It□p□esents the dilemma of a ma□ - an□art□s□ - on the edge betw□e□ contrad□ctory soc□al systems and□incongruo□s aesthetic requirement□. The existential□drama of □ m□n a□tin□□fr□ely and□at the sa□e ti□e □ercilessl□ c□ushed □y the wh□□ls of□the sys□em.□ The 60&□39;□ a□□, from □his□po□nt □f vie□, mostly an□e□□ of f□rtunate historical □onstellati□n, not onl□ i□ - a□ that time -□Czec□oslovakia, b□t on□a□wor□d-wide sc□le.□An era o□ expectat□ons and upswing□ but als□ an e□a of □xem□□□ry h□man decisions □nd ar□istic pursuit. T□os□ are□som□ of □he thing□ "25 z□ šedesá(⛴)tých aneb Čes□oslove□ská□nová v□na□quot; wants□to c□mmemorate. □a□t 1 commen□s on: ■&qu□t□□lnko□v □ieti&quo□; (□quot;□he□Su□ □n□a Ne□□" 19□2□ by Š(⬆□tefan Uher ■"Konk□rs□quot; (&□□ot;Audition," 1963) by Miloš Forman ■□qu□t;□řik"□(&□uot;The□Cry,□quot; 1963) by□□□romil□Jireš ■&q□ot;Postav□ k podpí□án□&q□ot□ (&q□o□;Joseph K□lia□,&q□ot;□1963) by Pavel J□ráček & Ja□ Schmidt ■"Každý(🐐□ den odvah□&□u□t;□(&qu□t□Courage for Every □ay,&□uot□ 19□4)□by□Evald Schorm ■&q□□□;Dém□nty□n□c□" ("Diamonds of the Ni□ht,□quot; □964) by Jan Něm□□□ ■&q□ot;□n□i□ní □□v□tlení&quo□; □□□□ot□Inti□ate L□ght□ng,"□ □966)□by Ivan Passer□ ■"□ť žije republi□a" □"Long Live the Re□ubli□,&□uot; 1□65□□by□Karel□□achyň(🐐)a ■&quo□;□b□hod na korze□q□ot; (&qu□t;The Shop on□□ain Stre□t,□q□ot;□196□)□by Já□ □adár & E□mar Klos ■□q□ot;□o□ance□p□□ křídlo□□u□quot;□("Romanc□ f□r Bugle," 196□) by Otakar □ávra □■&□uot□□ed□□krásky&□uo□; ("□D□isi□s,"□19□6) by Věr□ Chy□ilová□ ■&□uot;Ostře□□□edova□é vlaky&quo□; ("□C□osely Wa□che□□Trains," □□66) □□ □iří□Menzel P□r□ 2 comments on: ■&□uo□;Kristove□roky□quot; ("The□Pr□me of L□□e□&q□ot□ 1967□ by J□□aj J□kubisko □&□uot;St□d&□uot; ("Sha□□□" 1967□ □y □ad□slav□□elge ■&quo□;Sv□t□a ja□o řemen&qu□t; (□□uot;□ Hard and Fast □arriage,&□uot; 1967) by Jiří□Kre□čík ■"□rak□sa □□acia&□□ot□□(&qu□t;Dragon's□Return,"□ 19□7) by□Eduar□ Gr□□n□r (🏠) ■"□arke□a Lazarová&□uot; ("□□rket□ Lazaro□á," 1967) by Fr□ntišek□□□áčil ■"Spří□něni□volbou&quo□□ ("□lect□ve □ff□□ities,&□u□□; □968) □y Ka□e□ Vachek ■"S□□lovač □rtv□l&□□ot; (□□□ot□The Cre□ator," 1968□ by □□r□□ □erz ■"Zab□tá n□děle"□□&qu□t;Squa□dered□Sunday,&qu□t; 1969) by Drahomí□♍)ra Vi□anová□ ■"□asťá□" (&□uot;The□Deco□," 1□68) by□Hynek B□čan □□"□Případ pr□ začín□jí□ího kata" (&qu□t;Case for a R□okie Han□man□" □96□) □y Pavel Juráč□k ■&quo□;322" (□□uot□32□," 1969) by□Dušan H□nák ■"Slá□nosť v b□tan□□□ej □áhr□□e" (&qu□t;Cele□ra□ion □n□t□e Bot□nical Garden,&quo□; 1□69) □y Elo Havetta □&quo□;Vš□chni dobří rodáci&qu□t; (&quo□;All □y Good C□untrymen,&□uot; 196□) by V□jtě□h□J□sný楚天奇开了一□好酒,给王英斟满了,四个人就一(📊)□喝酒一边吃饭□当然最□要□是谈论事情。二(😅)次元漫□(🚧)□韩风内心充满了英雄(😭)情怀□却因屡屡退□(□)□导致生活拮据,注定在现实生活中□个超级剩□、金牌□丝,无奈寄居在□大(🤡)叔柯里斯□里。柯里斯,行□鬼□且□怪,身份背景不详,□发明研制些奇特的东□来。近期,柯里斯□⏬□研(🏮)发出一种叫“爱情□冒药”的药□却被韩风□食。韩□实在无□忍(🤖)受(🎮)柯里斯的行为,□定投奔富二代同学陈公子。柯里□在□□种苛刻的租□公约阻止(🌫)韩风□开□果后,□终以□□情感冒药”的副作用要挟韩(□)风。□风□(👡□□带上了这□怪大叔□找陈公(💞)子。于是,由屌丝、高富帅□怪(□)□黍组成的男人□开启了一场(🤯)游历各色女神并□👽)最□发现爱情真谛□爆□奇幻之旅。1:《□世书》,□□:姬(⏱)叉
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