“小姐□您的任务也已经完成□(😑□,也该回去(□)了□族长□人□是已经催(💧)了很□次了。□这时候,另□名男弟子却是不开心了,□爽的□:□我说(🔬)彭明啊,你□什么就要先挑战(🍰□啊,我□这些人可都是来□战的,□□先战谁□那(✔)自□是(📼)由人家小□弟(🐋)选择呀,你这么个做法就有些不□道了吧□”赶□点击下面链接,再□..
- 得□向之□等人发现的人□空□□点信息,韩立前往□看并让□琴儿布置稳固法阵。晋凌将手轻轻停在那些□紫鳞甲状的东西之上,问□:□📳)“是法宝?”Out□of the f□fti□s '□' Scienc□-□ic□ion monst□r m□□ies, this□easily□ran□s as□the□□est. It's most□not□ble as the □ilm that□ALIE□ is an una□cre□ited r□make of,□□h□s □iving it□a □er□ain historical significance.□ T□e int□iguing plot □s about the rescue of the only maroo□□d surviv□r (Col. Carruthers) of □□ □ll-fated e□ped□t□on□to Mars. □he□a□thorities□ pig□headed as usual, fal□ely assume that he mur□□□ed his fel□□□ c□ew mem□□rs, □□ t□at he'd have mo□e p□ovisions to survive; hence h□ i□□being□□rou□□t back to Ea□t□ to face cou□t-martia□ for □urder. □□h□re is□a□so □ □omew□□t□in□er□s□ing p□□t reversal here□□Most movies□of this nature usua□ly□beg□n with the ship le□vi□g□Earth, e□ro□te t□ its ot□erwo□ld destinati□n, whi□□, □n this case, the "□□ory&q□ot; is□belie□ed f□nished,□and □egins □□□the □h□racters□ta□e-off□f□om t□e other □lanet, returning to Earth). A□□the□rescue s□i□ is leav□ng Ma□□, a l□□kin□, ominous shad□w□is s□en i□□t□□ lower compart□ent□ (A f□ight□ning, atmospheric mom□nt, □c□omplishe□ □hr□ugh she□r economy and □impl□city). Car□ut□ers ins□st□ of his innoc□nc□ to his□fe□low captors, cla□ming that his origin□l crew mates were□slaugh□ered by a h□stile, unseen pre□□□ce on□the □eso□ute□red p□□net, but□□□□ee-guesses as to their rea□tion to □□□ u□usual plea. Naturally, □e can□#39;t□pr□v□ it, and 50's □p□ce□authorities were not ver□ ali□n conscie□ce□at t□e tim□.□□A□ a side-t□□ug□t, "unseen menace" may□rem□nd yo□ □□ □hat□highly &q□ot;original&qu□t; BLAIR WITCH). As□everyone s□cks out, a ha□less supporting□□ha□a□tor w□ose name is□at the□bottom of the cas□i□g list□(guess □hat will□happen □o him□) hears □om□t□in□ in the□lower □om□artment.□Despite your f□□ile "don□9;t g□ dow□ □here, you jerk!" plea□,□he does j□st that,□and is a□propria□ely□kill□d (more like thoroug□ly □bli□□rated) by □he shad□wy□□ig□r□ with□insatiabl□ blood lust on its mind□ In the vic□im's ca□e, dereliction□of duty□and□sheer co□ard□iness would have □een□the wise d□ci□io□. The□sc□ne is a□tual□y well-dire□ted (fo□ a□□□ange) an□ develops□m□c□□suspens□, □s the en□ire film sur□□is□ngly □oes. (🎙) The c□ew finally catches on tha□ they □ave an unwanted□ship cr□s□er on board,□a□□ t□y eve□y□□ossible□means a□ □heir □isposal □o eliminate it, but the□unknown creature □eems to c□pping an □n□i-□□at□ attitude.□□□ov□□g to be an e□en mo□e clever, □orthy advers□ry, □;IT!' a□□o hid□s out i□□the ventilation sh□fts of□□h□ shi□ □now th□t sho□ld □ing a □ell). □ahn□#3□;s forceful □irec□□o□ genera□e□ co□s□de□a□le □□nsion as the mal□v□□ent □□□waway works □□□ way up from o□e level of t□□ □□n□□ned□sh□p□to the □e□t, event□all□ □eaving the remainin□ □ha□acters t□apped at the□top. □□□ movie's suspen□□ is blu□t and □ight to □h□ □□int: &□uot;IT!□9; has to kill □hem or s□arv□, □en□e□the□ □ave to ki□l "IT!"□ o□ d□e. Nothing like □hose &□uot;no □w□ ways about i□&qu□t; □hoices. R□nt it, □□ chec□ for i□ □n cable □f you □□sh to□know th□ outcome. For a low-b□dg□t q□ick□e, IT□ is q□it□ i□pressi□e and□memorable. □he□dreaded sense □f clau□trophobic □ens□o□, render□ng □h□ cha□acters'□ h□lpless□ent□apment, i□ h□ghly effective. This □s a□produc□ion in whic□□□he □imited□□udget□and small□sets □ctually work i□ favo□ of th□ □lot's □cary ambi□n□e□ The b□□ck & white p□otography (Yes, i□'□□on□ of those!) helps to □nh□nce its dark, c□□epy mood, an□ the s□nse of apprehensio□ is quit□ high. (Modern□day c□□or freak□ neve□ □e□m□to take t□□t into con□i□eration). The p□ot is □lso somewhat cynically□i□onic: I□ the cre□ture hadn'□ stowe□ □wa□ on th□ ship,□□arruthers would h□□□ m□st l□ke□y been fo□nd□guilt□ of th□ charg□□ ag□inst□him. The intellige□t script (s□□ wha□□I mean about &□uot;□arei□y") was penn□d by□noted Scie□c□-Fic□□on□aut□□r □□r□me B□xby□(rem□m□er Twilig□t □one'□s &□uot;□t□;s a G□o□ Li□e□quot;)□ The picture's t□□t edit□ng eliminat□s any e□tra□□ous□dross.□(AL□EN□tended□□o dr□g in its first h□ur with i□s soph□moric □ialogue, a□d why □id□it □ave to include th□t stu□id □nd ultimatel□□co□□t□r-p□oducti□e sub-plot □f A□h being a ro□ot,□□nd □urthe□□□□agging th□□story down to□an□ther big bad □o□□piracy cli□he? UNNE□ESSARY□!!) Director Cahn as□□tely kee□□ □he rubbe□-suited mons□er off-screen and in the shad□ws through-out m□st of th□ pro□eed□ngs, kee□□ng□y□ur parano□d□imagination on constant aler□. Unf□rtunate□y, perhap□□at the □tudi□□9;s c□mmercial insistance, it i□ a little ov□r-reveale□ at□□he climax□ but I haven□9;t claimed□thi□ to□□□ th□ perfe□t ma□□erpiece. The per□□rmanc□□, tho□gh nothing aw□rd-winning,□are□nev□□theles□ cool e□ough so□th□t□one becomes si□cerely □oncerned□as to the□r fat□s□ Not □any movie□ i□ rece□t t□mes e□er com□ close to ach□eving that. They□□□n be□over-pro□uced fr□m here to et□□nity□ an□ usu□lly o□ly succeed in □ein□ glor□o□sly an□oy□ng. T□is film&□39;□ story is not re□lly t□tall□ □r□gin□□□(what is?□, f□□ it is bas□d on□A□E□ Van□Vogt'□ □□u□□;VOYAGE□OF TH□ SPA□E BEA□LE.□q□ot□ A□l ALIEN□fanatics should tr□ck down□an o□d□used□c□p□ to see where the initi□l □nfluence came fro□□ As long as y□u□9;r□ no□ □raving another CG□□wind-ding, □□u m□□ f□nd it worthwhile. □ust□don't expe□t□the□wome□ to be Ripley pr□cursors□□Th□s w□s still the sock-knitti□g□fi□□ie□,□□□d to sa□.