“我真他妈无用啊!□郁□突然(🆗)给(⌚)□自□□个大□巴。Magdalena and Maria a□e t□□ □win sist□rs who were se□arate□ at b□rth and know □o□□ing □f the ot□er’s e□istence□□ Maria runs awa□ from □he□b□ardi□□ s□hoo□ in w□□ch she was□brought □p and fi□□s work as □ caba□□t□pe□fo□mer□in the □afé□ □f M□rsei□les. □nbs□;Magda□ena□lives□with□h□□ adopte□ □ar□nts and works in□an art gallery.□ □The t□o sisters are joi□ed by an i□vi□□b□e □ond whi□h draws t□em tow□rds t□e□same t□agic□conclusion. Director W□rner Sc□roet□r has □cquir□d □□re□utation as a□ expe□□mental□st fil□□□□er, ha□□e□ by □ome as an underrated genius, revil□□□by others for being a peddl□r of□self-indu□gent ki□□□h. &nb□p;□e□x□□s arguabl□□Schro□ter’s most ambi□ious□□un□ettl□□g and repulsive w□rk□to □ate. The □irecto□ certai□ly wastes no □ime i□□□lienati□g h□s□a□dienc□; from □□e firs□ t□n minu□es □f the film it □s clear □his is□□ot go□ng t□ be an e□sy r□de□ &□bsp;T□e□narrati□e cuts hap□□zardly b□tween□□eemin□ly□uncon□□c□ed event□, alternating□betwe□n re□lism and stylised fantasy dr□am□sequences□ peri□d□cally shoc□in□□the spectator □i□h g□□phic□□mages□of □esbian sex □nd a wo□an □eing slow□y disembo□el□□d□ Having sev□r□l act□□s playing m□ltiple p□rt□ onl□ adds to the sen□e □f arti□ice and utter confusio□, whic□ is□a pity as t□□re is□man□fest□y □ lot of great ac□ing □alent on□sho□ – not least of w□ich is Isabelle Huppe□t. The□film’s sh□er re□entles□ grotesqueness and self-indulgence is□so □x□reme□ so unb□idled, so □tomach-c□u□ningl□ prov□c□tive, that□it□is hard t□ t□□□ any □f it □e□iousl□.□止这时候□斗破苍穹已经发书大(✍)半个月了。