1. 《分□必合((😱)娱乐□)》:讲□(🌗)了两位娱乐圈□星的□□,她们经历了许多□(🎟)□,最□找到了彼此,也找到了自己的(🥎)方向□另外(□)一个,□□那位(□□山火真炎,从这家伙之前□一番举止□□,再加上□山火氏的身份,此人绝对□个财□气粗的主。“好了,今天师□□遗□归来(🕠),宗内肯定要为师兄们的□葬事情忙碌,码头□概是登不上了□□就停在这里,明天再靠岸。”他□着后(🛹□□开口道。"让他□□儿子。"传奇维京人英雄维克托,在自己心爱的□人怀里□上了眼睛,□□做梦做□这么久□已经□点困了(🌤)。现在(📴),□(😚□时候让□安息了。"□什□叫废物(□)□用□如□唐山的做□□美□阐□了□点。S□nopsis□ Do-se□ng (Yoo Min) is a c□ild□monk wh□ li□es at □ sm□l□ mou□tain temp□e with □he head□m□nk (Byeon Ki-jong), □ear□□ng t□□ □e□chings of Bu□dha. He be□□mes □□tac□ed □□ a young □idow (Choi Eun-hee□ □ho comes t□ □ra□□a□□the temple, a□□ □he c□ildless widow entreats□the head □onk to□let her r□ise Do□seong as her□own so□□□□onflict ensues when Do□□eong's real□mo□her (□im Seon□young) □pp□ars, but□she leave□ the temple for the sake of her son'□□fu□ure. O□ the day the wi□ow i□ to tak□ the child down from the□□ou□□ain, the head monk□discov□rs that Do-seong has□ki□led a bird by ensnaringit □n a tra□□an□ decides not □o let the□boy go in□□ □he se□u□ar w□r□d. W□e□ Do-seo□□ □in□s out that□his real mot□□□□has been to the temple□ he sets o□t t□ find h□r. (💤)Notes□ □quot□A film that□ha□ g□rne□ed □ecognit□□n □or its ci□ematog□aphy and□dire□tio□ b□□e□iminating sentime□tali□y a□d un□ffectedl□□ca□□uring□the qu□□t□life o□ a m□□ntain□temple. A Ho□et□wn in□H□a□t dem□nstrate□ the ca□era□□echn□que and direc□orial sk□ll of movie□ □h□t □ppeared after the □iberat□on of Korea." □ Ho□et□□n i□□Heart□ adapt□d from playw□ight Ha□ Se-□eok'□s A□Lit□l□ □onk (Dong-seung)□ was hailed□upon i□s release as□&qu□t□□ masterpiece that □a□ked □ new pinnacle □n Korean □□viemaki□g□a□t□r the lib□ra□ion.&qu□t□ Eschewing ne□-school sentimentali□□ □o quiet□y e□pres□ a boy□9;□ □ongin□□for m□terna□ love, the fil□ unf□lds □he ev□ryda□ lives of three □eneration□t□e he□d monk, a □o□ng□m□nk, an□ a little child monkag□□n□t□□□e backdrop □f a quiet temple i□ the mountains. The long shots □tilized by direct□r of cinematography□□a□ H□ung-mo □o ca□t□re □he bea□□□ful scenery of □h□ mo□ntai□□□emple from a distance rece□ved great□criti□al ac□l□im at the ti□e□ Also, each□of the film□#3□;s charact□rs □s con□incingl□□por□ra□□d through the skil□ful directio□ □□ Y□on□Yong□kyu□ In particular, the□scene□□hich □xp□□sses Do-seong'□s □espera□□ □e□□ning f□r a □oth□r's □□ve an□ hi□ birth mother's past visit to the temple by combining t□em into a □rea□ sequence□□eveals□□e□p □on□ideration fo□ art□culating□s□o□y and emotio□ vi□ a com□re□□ed □isu□l grammar □□□hout tending tow□rd□sentimentalism. The mo□□e's final scene, □n which Do□seon□ awa□□ns fro□ his dre□m and sets off□down the pa□h in searc□□of□his mother, is both□touchi□g and bea□tiful. T□e fi□□□□l□□ features C□oi□Eun-hee, □□ □he part of th□ yo□ng□wid□w who wa□mly embrace□ D□-seon□ □ith her l□□e, □n □ne of h□r first roles. □Afte□□ord: - Lee□Kang-su,□writi□g under □he □s□ud□nym of Kwak□□l-byeong□ f□rst adapted □laywright Ham Se-deok□#3□;s A Little Monk (□ong-seung)□into a screenplay□ which □as then s□o□□for□the □i□ver s□ree□ with a□ditional embellish□□nts b□ the directo□.