□如今燕麦草、小□粮、覆□马铃□□耐旱作物□当家”,以水□粮□变了察□淖尔湿地周边农业形态。庞学□给记□算□一笔账:种植燕麦草,只□“□养”农业,不使用□下水。成本下降,加上轮作和“水改旱”补□,□效益可□种甜菜增□200元□民币左右□□Set □n an underground dun□eon □nha□i□ed by b□ndled,□ragged h□m□n bei□g□,□after the nucle□r□h□lo□aus□□ The □□ory □ollo□s th□ wande□ings of □ hero□through□the si□uations of□s□rvival.□□eople □ait fo□ t□e □□k to□a□rive□and□□e□cue□them while their ha□i□□t falls□apart□ Delv□ng d□□p into the du□ty and long □bandon□ed vaults □f □-cin□ma □n□searc□ of los□ ge□s□always lea□es me with□a□bit□ers□eet ta□te.□On o□e □and the□□i□c□v□ry of unexp□cted gem□ where□no one □□□l□ think them possi□le is□a □ewarding e□perience. On t□e other h□nd thoug□ i□□makes one□□onder □ow many of th□se remarkab□□ l□w-budget □ddi□ie□, pers□□al □□v□ affair□ of directors never quite famous a□d□now all □ut forgotten,□have almo□t□fo□ever□slipped from□memory? n□any□ca□e what we have here i□ a little p□st-apocalypt□c gem from Poland that is r□ally bett□r th□n it □□s any right to. □he□dystopian n□ar f□ture o□□O-B□□ O-B□ fin□□ □ gro□p□of surviv□rs □f the□nucl□ar w□r that ravag□□ the Earth inhabiti□g an □□derw□□ld con□rete bun□er□and bidi□g □heir ti□e as th□y wait for the my□terio□s Ark,□an air ship o□ so□□ kind □hat will come a□□ s□ve □□e□. The Ark proves to be an e□a□ora□e h□□x,□careful□y□designed to give h□pe t□ the malnourished□and d□spe□a□□ denizens of the bunker, □hile in □he □e□nt□me the d□m□□tha□ s□parates □heir mis□r□b□e ex□stence□from the □uclear winter out□ide is slowly caving□in. □W□a□ f□r□t □trike□ me a□ou□ th□□movie□is the□design o□□the bunker and t□e depiction o□ the surv□vor□. The s□□vi□ors are gau□t,□filth□ □□d terrible-□ookin□□penit□nts□ dressed in ra□s and aimles□ly□□ande□ing th□ ne□n□l□t halls □f t□e b□nker like automatons. □h□□bunk□r is a r□ndown, seedy place, wi□h brigh□ neon□□ights □eeri□g□from all sides lik□ the □yes □f mali□nant □□asts□□ On o□e hand it i□ a slightly 80'□s de□ictio□□o□ the dystopian fu□ure but t□□□movie □ever stoops □ow□ to MA□ MAX chees□. Inst□ad□it com□□nes biting politica□ satire w□th th□ bleak ou□lo□k □f a □orld w□th no □uture, bla□□ comedy with ba□bs on apathy, religi□□ and p□wer□□The survivors, fo□ exam□le, a□e f□d s□me□kind of flour dr□pping from a tube tha□□hovers in □he air □ later on we discover□□he food s□pervisor uses books a□d the Bible i□s□lf as fi□ler for t□is □eagre m□al. The□□ are m□ny suc□ sho□□ s□mb□lic touches, perh□ps□□ot li□e□chang□ng or faith-□estori□g, □e□ playf□l, c□ever □n□ insp□red.□ One thing□is□for sure;□O-BI, O-B□ is no□ y□ur □un-of□the-mill sc□□fi schloc□. I□ overcomes its □o□est□budget wit□ □r□ativi□y and h□s genui□e artistic aspirations both□□rom□a writi□g□and dir□cting □ersp□ctive. My opini□n is□that i□□□houl□ have been□f□lmed in black a□□ whit□ instead of colour thou□□. The □ir□ctor uses atm□spheric light and shadow to gr□at effect and it wo□ld have□regi□tered even b□tte□□in s□ark black a□d white.□The bl□e-green □eo□ on the other h□nd o□ts□ays it□ □elco□□ □fter a w□ile. Jus□ a minor □ripe in an other□ise solid b-movie with its hea□t se□ in □ll the right places. Imag□ne a□□e□□ bleak THE ROAD□(Corma□ □cCar□hy) □eing i□jec□ed□with the satire and humour of□DR.STRANGELO□□ and you□9;□□ gett□ng the□e. See it i□ □ou c□n find i□.- □华年□...□/p>我觉□,我是个□情中人。...□>拳击□□卫•科登(Ja□□e Smi□h 饰)独□住在(😛)□间简陋(📨)的公□□□房内□窗户对面住着□个美丽的舞女格□蕾拉□Ir□ne Kane 饰),大卫渐渐为之所吸引□□□。 某晚大卫比赛归来,突然发现格萝□□正要□人强暴,他冲进去拯救□心上人。原来□暴者是格萝蕾□所在夜□(📂)会的老板(Frank Silv□ra □)(🥘),为了□计不得□忍□负重。两个□意之人情(🛶)谊□□,遂约定离开伤心地,寻找他(□)们的幸□□大卫□□📆)出筹集旅费,而□总会老□□得知格萝蕾拉(□)即□□)将□开的消(□)息(👘□时勃□大怒,□□(🌜)打手绑架了她□… □本片荣获195□□洛迦诺国际电影节最佳导演奖(⭐)。