《十一罗汉系列有几部》：

- 丁□□也是潜伏的特务(📴)，他表面“刚正...

苏(Ⓜ)利曼和“苏丹电影俱乐部”□另外三名成员决□重振(⚓□□□旧电影院。他们不仅因为对□影的热爱□□(😨)恢复旧电影存量、再□关□苏丹电□历史的强□渴望□团结在一起□□□因为□(💥)们都曾在流放中接受过电影教□。不□疲倦□，他□(📠)试图让影院□板站在他□一边，让这个地方重新运作起来，但(□)他□□再发□自己遭(📵)到了□当大的阻□。□时□他们(🙉)坐□□起□论过去——包□他们作为对立艺□家遭受迫害甚□折磨(🎶□的(🍘)经□(❣)。□们还朗□流亡和梦想(□□苏□时□的旧□□□那里□□和智力(🚙□思想可以自由□“我们比他们聪明，但不如他□强□，”他们一(🍑)致总结了他们□处境。正是在□些□洁的时刻，观(🖱)众才能够(□)感知到友□，以及在□共同理想而斗争中存在的纽带和□识形态的团结。　　苏哈□布·加斯梅尔巴里把苏丹电影的(📻)历史放□(🚤)影片的□心，同□也揭示了一个受到持续危机□响的国家的现状　　□🌊)Su□iman a□d □hree□fu□ther□mem□ers□of th□ ‘Sudanese □ilm C□□b’ have decided to□re□ive □n old cinema. They are united not□o□ly□by t□e□r l□ve of cinema□and their passionate desire □o restore old□f□lm stock and dra□ attenti□n to Sudan□se film□□istory once more,□□u□ □lso□by the fact that th□y□□□v□□all enj□□e□□a film education in□exile. Tireless□y, they try□to□get the ci□e□□’□ owner□ □n t□e□r side□and m□ke the□pl□ce op□ra□ional □gain, but□r□peat□dly find them□elves up against co□side□abl□ □esistance. In t□e meanti□e, they s□t tog□□□er and talk about the past – includin□ th□ir experie□□es of persecution and ev□n tort□re a□ op□o□itio□al arti□ts. The□ also □ead out old letters w□itten w□ile in exile an□ dr□□m of a Suda□ in□which art and□intellectual tho□ght□can be free□ ‘We□are smarter□than □hem□□but□not as strong,’ is □ow they un□nimous□y sum□ari□e their□s□tuation. □t is□□n laconic□moments su□h as□the□□□that □he v□ewer is □ble to□perc□ive the□frien□ship, as w□ll□as the □ond and □d□olog□cal sol□darity that exi□ts in t□e s□ru□gle for common □de□ls.　　Suha□b □asmelba□□ p□t□ th□ history□of Suda□e□e cine□a at □□e centr□□of hi□ film□and □t the s□□e time□sheds light on □he current s□tuat□on □n □□count□y shaken by ongoing□c□i□es.□□□