这已经不是群体范□暴击的□情(🥣□□，□(🍙□是套□暴击啊！In the t□me of C□u□ter-Re□o□□ation, a mi□ler□and hi□ □on come un□□r i□ve□tigation □y a priest of □h□ I□quisit□on, when□rumors sp□ead □□at □h□i□ prosp□rity□come□ □ro□ wo□king wi□h □h□ Devil.□ The□□e□il's Trap is a fi□m directed by Frant□šek□Vlá?i□, based on a novel by Alfréd Techn□k, adapt□d by Františ□□ A□ Dvorák□and Miloš Kratochvíl. It w□s the firs□□of three histor□c□l□dramas that □l□?il made during□th□ □zech New□Wa□e (t□chnica□ly he□isn't real□□□□ par□□of □he Ne□ W□ve, h□□ev□r these films w□re ma□e d□ring t□e □ame e□a of artistic freedom), preceding his more□well known□□a□k□ta L□□□r□vá (1967) and Valley of the □ees (1968). Se□ □n □he late □6th C□nt□□y du□ing the Cat□o□ic Reformatio□, in the M□ravi□n Kars□□ situate□□i□ what is□now□t□□ Ea□tern Cz□ch Republic, it te□□s t□□□ta□e of a □□ller (Vítezs□av Vejrazk□), and his son Ja□ (Vít□Olmer)□ who□come □n□er □u□picion and a□e□investi□□ted by a □esuit prie□t of the Inqui□□tio□ □□□roslav Machá□h□k□, when□rumors o□ □itchcraft are □□read by □□e□local □□g□nt (Cestmír Randa)□□wh□ is jealou□ of t□e miller&#□9;s prospe□i□y an□ d□gr□□□of respe□t among□the lo□al popula□e□ As exp□cted fro□ Vlá?il, this film□is a□stunning □xperie□ce □□□ the way through□ From□the □pening shot,□an □□inous man□pulation of p□□sp□ct□ve w□th a □lo□e up of□a□mangl□d figure of Christ domin□t□ng □he f□reground ag□ins□ a t□n□ □□gure□in black□walki□g alon□ □he h□ri□on,□to the b□e□thtaking co□front□tio□al f□nale inside □he vast stalactite fi□led□K□rst c□□e□ns,□i□□is a wonder□ul□d□splay of □isua□ mast□ry. □aybe not quite as impressive□a□ Marketa□Lazarová□ b□t□still f□□□ o□□a□□on□shi□g □magery. As se□n from u□ique □ngles and d□s□inct □oints of view which highlight the director's □ema□kab□e s□nse of awareness o□ framin□, motion, a□d position□ng□□n the em□tiona□ and dramati□ tone of the sc□ne. The most m□□o□able being a repeated s□ot wh□re th□ came□a is suspended a□d launched□wi□□ speed t□ro□gh the air to□□□□□ the miller's doo□. (🔕)The story h□r□ is a□simple one an□ I w□uld□sa□ more ac□ess□b□e than□hi□ later wor□s.□Wi□□□a □o□venti□nal structure emphas□zed□as much□by its plot□and charact□□s, tha□ by□its expres□□onis□ic cinematography□or authenti□□hi□torical □et□il. T□e even□s □la□ out without□□uch □□rprise, and □he□e is a s□rong underlying, almost □up□rnatural□ mysterious □spect th□t is left un□esolved,□in□f□ct□ba□el□ □xplor□d, which is sl□ghtly disap□□inting, □ut□onl□ because it'□s□so fascinatin□ th□□□I wish there w□s mo□e. Ac□ing is gre□t al□ aro□nd. P□rti□ularly the □illa□□s□□□iroslav M□□□áche□ as the pries□□ c□□ting□a sini□t□r and □m□osing shadow wher□□□r h□ goes, □nd□Cestmír R□nda as the weas□l like □egent behind all th□□pers□cut□on. W□ile Vít Olme□ br□ngs a charismat□c le□□□n□ m□□ pr□s□nce in hi□ role□as□the miller's son Jan□ in love □ith the love□y orphan girl Mart□na □K□rla Chad□□ová), who□becomes a□dangerous objec□□of ri□alry bet□ee□ □an and □ther□young men of the□vil□□ge□ □T□e□f□lm also feat□res the evocative mus□c of □□□n?□ □i□k□□(□erhap□ the mo□t □rolific composer of th□□Czech New□□ave). In□th□s his s□cond of e□□ve□□collaborations with V□á?□l, □i□ compositio□s are used □□arin□ly□ but to great□eff□ct, c□m□l□□enti□g but never overpowering□a scene□ The b□st example □f which ca□ be heard in an a□azingly s□o□ ce□ebration and □ance sequence at the e□d of □he□second act.□ The Devi□'s Trap migh□ not be□a masterp□ece, □□t it i□ still a st□ong □ffor□, with a □ascinating□straightforward stor□ and a□glorious □ist□rical □ett□ng □apt□red beautifull□ by Vlá?il□#39;s u□mis□a□□ble visual □□owess. A f□ne work tha□ woul□ also be the per□ect starte□ plate to prep□re □o□rself fo□□the □h□llenging feast o□ □□rketa Laz□ro□á or The V□lle□ □f the Bees. It eve□ has an easy to digest run□ing□time. It's □h□refore □uzzling□wh□ this gem rema□ns largely □verlo□ked a□d □gnor□□.车间内工人加□□🛏)加点赶制50万(🗽)大单。“八(🐏)师妹，你□的要□样做吗□”- □剧□🐦)最大反派有□同说法，有人认为是伍朔□。 “夏秋航季恰逢五一□暑假两大旅游节点，客流能够得到有效保障。”綦琦认为□□着各地经济□力得到释放(🐀)□商务出行的数量□□相□提□，□航□□表现非□值得□□)期□。□完(😕□) 中□社香港□月30日□ (记者 韩□🏭)星童□□大湾区青年□业计划”启(🤙□动□及简介会30日在香港会议展览中心举行，而“大湾区□年就业计划”招□博览(🏆)□同□举□，为求职人□提供超过400个在大湾区□□□市的职位空(⛎)缺。
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污林萌主:149.492.22.297律师城户章良（妻夫木聪 饰）收到来自谷口里枝（安藤樱 饰）女士的委托，她的丈夫“谷口大祐”（洼田正孝 饰）在伐木现场遭遇意外丧命，而常年疏于联系的大祐的哥哥恭一在看到遗像后却说，这不是大祐，而是另一个人。里枝只能委托多年前帮她办理离婚的律师城户帮助调查，这个现实生活中的“谷口大祐”究竟是谁呢？
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