《郑欣宜生下4公斤女》：

Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

霸虹吃饱喝足后到山上找到首领时，正碰到禽鸢正跟首领商量武器的事情。空中作战，最好的武器是弓箭，陆地作战，最好的武器是长矛，水中作战，最好的武器是匕首。郑欣宜生下4公斤女毒枭之一李兆基谎称自己重伤身亡的消息在整个城市掀起了轩然大波，原本以为毒枭基哥死了，毒品的供应量会有所减少，没想到吸食毒品的人越来越多。这一天派出所民警张伟仁和李根尚在执勤巡逻时发现了吸毒可疑人员，通过审讯调查，抽丝剥茧，最终矛头指向已经死亡的毒枭李兆基和他的干儿子全子，面对这个毒品遍地开花的城市，警察选择迎难而上与各贩毒团伙展开了一场殊死搏斗......

小翠揉了揉衣角，迟疑了一下，又将粉盒递过来，轻声道：“那，那我把粉盒借给你吧！”

　　湖北省武汉市汉阳区徐湾社区托育园，10多名幼儿正在两名育婴师和一名保健员的带领下，将手中的玩具雪花片串到毛根条上。社区居民王女士的小孩就在其中。