《残情总裁,前妻已改嫁》：

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T□i□ □o□g-lost□masterpiece□o□ hardc□□e□ga□ ero□ic□cinem□ □enter□ □n a □an□some yo□ng□stud□w□o □ides hi□ □otorcy□le t□r□ug□ □yriad sexual □ncounter□□ from a soccer game’s □□cker r□om to□a ph□ntasmagoric an□ deeply melancholy □rgy.□A la□yrin□h of all-male □antas□es whose ou□standing beauties□always end□□p fading □□ay while leaving their□s□nsual□protagoni□□ d□□l□ng with □is □wn loneliness, □□□A□ION was dir□cted with su□□□me g□ace by □he□mysterio□s Dietri□h □e □e□s□□(aka Francis □avel/Frantz Salier□). A □orme□ p□□□ter, de □elsa □a□□also□□he ow□er an□ a□tis□ic director o□ L□ Grande Eugène, □ne of□the□first □rag cabarets in Paris□□Years later, he co□l□bora□e□ with Joseph□Los□y on M□. KLEIN (1976) and DON G□□V□NNI (1□79). His one a□d only□film, EQ□AT□ON TO AN UNKNO□N sta□ds□as one of the □ost □xtrao□□inary □rotic films of a□l time.　□“The mos□ mel□n□□olic po□n□fil□□I’ve ever seen. It’s very sad, □n□ □esthetica□l□□beautif□l.□□ust □ young man□□and□ring th□□ugh s□ve□□l dep□ctions of love and choreographies o□ love-makin□□ it’s like□a cerem□ny,□a ceremony of f□nt□sies□ e□pecially t□e last s□quence where t□e m□in ch□r□cter recalls all □is□p□evi□us fantasies□ which□come□one □y□o□e □r□□nd h□□ b□d and make□lov□ to□him. □□think □t’s one of the most□□ea□ti□ul film seq□ence□ of □renc□ cinem□.” –Yann Gonzal□□□：《仙子，□听我解释□，□者...

看着她笑□弯弯的样子，□哥都□些痴了□缓缓地(🎿)走上，□住□👗)她的小手，傻□的道：“巧儿，你真美□😸)！”墨□生病进错□场，无意中考□山海(💅)学院开始学□仙法，和蓝岳□打□相□成为了朋友，并在蓝岳的帮□下改(💉)变了同学□她的偏见，结识了炽银、百□(🎾)等一帮朋友。但是随着新□期□🛤□开始，□(□)烦□一(🔷)个个接踵而来…□　　企鹅家的网剧地球征服をたくらむ宇宙海賊・ザノンが次々と送り込む怪獣を、平和星M38□ら□遣□れ□3人の宇宙人が、ガメラ(🕵)を(📹)□んで撃退する。“□メラ(□)“シリーズ□7作から(💉)、ガメラと怪獣た□の戦闘(🗼)シーンをピッ□□)ク・アップしたアンソロジー。