后来(☝),□□士所在公司□楼下开设了一家托育中心,□了她的燃眉□急。如今□右手抱□□□手拎包,□了李女士上□班的标配动作,“托育中心□一(😒)楼,我们公司在四楼,接送□子很方便。”Entr□p□ed □□ his apartmen□,□Randal□H□ndricks, a recent pa□aplegic,□is given a gift of binoculars by h□s dev□ted g□rlf□ien□, □am. But Ra□dal is i□ financi□□□debt to Emmie, □ sadi□□ic□loa□ .□□S□t in□an und□rground dungeon□□nh□bited by bu□dled, ra□g□d hu□an□beings□ a□ter □he nuclear h□locau□□. The□s□or□ □ollows the □an□er□ngs of a her□ through the si□u□ti□n□ of surviv□□□ □eople □a□□ for□the Ark to □rr□ve a□d rescue□them□□hile th□i□□habit□t falls □pa□t.□ D□lving d□ep□into th□ dusty and□lo□g aba□donde□ □aul□s of□b-c□nema in search□of l□st gem□ al□ay□ leaves □e with a □ittersweet ta□te. On one hand th□□disc□very of unex□□ct□d gems where no one wou□d thin□□them□p□ssible □s□a r□w□□ding expe□ience. On□the other ha□d □hough it makes□one w□nder ho□ ma□□ □f these remar□able □ow-budg□□ oddi□ies, personal lov□ affa□rs of d□recto□s n□v□r□quite fam□us □nd no□ all but for□ot□en, have al□ost forever□slipp□d from memory? n□any case wha□ w□ have□her□ is a lit□le□po□t-apocalyp□ic □e□□f□□m Poland th□t □s really be□□er □han it has any right □o. The dy□□opia□ nea□ futu□e □f O-B□, O-BA find□ a □r□□p of survivors of t□e□n□clear □ar that□ravaged the Earth in□a□itin□ an und□□world concrete bunke□ an□ bidi□g their tim□ as they□w□it for the myster□o□s Ark, an □ir s□ip of som□ kind □hat wil□□come and sa□e th□m□ □he Ark pr□ves to □e an e□a□orate hoax, carefu□ly d□□igned □□□give□hope to the malno□rished and desperate den□ze□□ o□ the b□nk□r, □hile in□the mean□ime the dome tha□ separa□es thei□ □iserable exi□□ence □□om th□□nuclear w□nter outside is slow□y□caving in. □h□t first st□ike□ m□ about the m□vie is the design□of the bunker a□d □he d□pic□□□n of t□e□□ur□ivors. Th□ surv□vo□s are □aunt, filthy□and terrible-looking □enitents□ d□essed □n□rags □□d ai□lessl□□wanderi□g the neon-lit□halls □f t□e b□nker like□automatons. The bun□er□□s a rundown, see□y □lace, w□th□bri□ht□neon ligh□s peerin□□fro□ all si□es lik□ the□eye□ of mal□gnant beasts. On□one□h□nd □t□□s a slightly 80's depi□tion of□the dysto□ian□future □u□ the □ovie□ne□er □toops dow□ to MAD MAX□□h□ese. Instead i□ combines□□iting pol□tical s□ti□e w□th t□e bleak outlook of a wo□ld with n□□□uture□ □lack comed□ □ith bar□s on a□athy□ re□i□i□n□a□d □ower. □he su□vivors, f□r exa□ple, a□e fed□some k□nd □f fl□ur dropping fr□m a tube□that ho□ers i□ the air - later o□ □e discove□ the□□ood□super□iso□ uses books and the B□b□e i□□e□□□a□ □iller for □□is meagr□ meal. There □□e m□n□ such short symbo□ic touc□es, per□aps not life-changi□g or□fa□th-restoring, yet playfu□, □leve□ □nd insp□□ed. One thing□i□ for sur□; O-BI, O-□A is not your run-of-□he-□ill sci-fi schlock. It□ov□rcomes its□modest budget w□th c□eat□vity and has genuine artis□ic aspirations both from a□wr□ting and □i□ecting p□rspectiv□. My o□inion i□ □ha□ it should have □een filmed □□ □lack and white instead□of colour t□ough. □he director uses at□□spheri□ li□ht and sha□ow t□ grea□ ef□□ct and it wo□l□□have registered □ven bett□r□in sta□k black□and whi□□. □he bl□e-green neo□ on the ot□er hand o□tstay□ □ts wel□ome af□er a while. Ju□t□□ mi□□□ gri□e in an oth□r□ise solid □□mov□e □it□ its heart set in □ll th□ □ight p□ac□s.□ □mag□□e a less bleak THE □□AD □Cormac □cCarth□□ b□ing inj□c□ed w□th the □atir□ and □□mour of □R□S□R□NG□LOVE □nd y□□'re getting there. Se□□it if you□can fin□□it.“这□矿坑□(💞)□是□实的黑岩□□么会突然塌方?而且,矿坑塌了,也不□够有□么大的(⛵)□音啊(⭕)□.□...”两名护卫不敢相信。原漫画《一人之下》□样精□,点击按钮下(😄)载 App□立享□彩内容(□□!□□p><□□在《斗破苍穹》□著中,云韵(👸□和古河没有在一起。