&q□ot□The□Witc□ Bu□nt Ali□e" Aft□r a very□long, but visu□lly arr□st□ng animated opening credi□s □equenc□□ Luchin□ Visco□ti (Deat□ in Venice) di□ects the □i□st story□ wh□ch i□ the longe□t of the five, □aking a□p□oximately a third of th□ film&□3□;s running len□th.□Mangano p□a□□ a super□tar actres□ and model who □ravels□to □ mountai□ resort, □nly□t□ fi□d the well-to-do inh□bi□ants □ave pr□□ud□ces a□d preconceived notions about he□ based on□her □ublic pe□sona□ The women □re all jeal□□s an□ the □en all □a□□ to s□□ep with her,□□ut□all Mangano wants is to be le□t alone. It&□□9;s□a mos□l□ so□ber satirical piece,□b□t sto□y-□ise, it langui□hes in its □odest□i□□□ a□bit□long, b□□oming□incon□□q□en□ial □o □ll b□t those□fascinated by th□ rea□□ties□of □ei□g fa□ous. (🗝)□qu□t□Communit□ □pirit&□uo□; □Bologni□i□#39;s piece □sn'□□ r□a□ly a st□ry.□It□#39□s more of a v□□u□l gag□ i□ a short segment □ha□ □□a□u□es Mangano o□ferin□ to take an injured □an to a□□os□□tal, driving hi□ a□□b□ea□ne□□□speed thr□ughout the□city, but no□ st□pping □t locat□ons wher□ he m□ght□fin□ aid□□I won□9;□ give□away the punch□ine here, but i□ suc□eeds in □□□n□ am□sin□, even if it□9;s the kind□of thing t□at□only i□ interesting□□he fir□□□tim□□thro□gh. "Th□ Earth Seen f□o□ the Moon" The□es□eemed writer/di□ector, Pier□Paolo □asolini (Salo), crafts the m□dd□e segm□nt□ □h□ch is t□e most artis□□c and memorable of the five. Remin□sc□nt in style to &quo□□Don□Qui□□te", a□r□centl□ wid□□ed father□and□his son travel around the □ountry□in sea□ch of a new wif□□and mother,□and □fter a l□□g period,□□hey discover the lit□ral□y speec□les□ Mang□□o. She□b□ing□ joy□int□ their □ives, but□they are □oor, and in o□der □o □ind a □ette□ l□f□□for themselves,□they concoct□a schem□ to□t□y□to□mak□ some quick cas□. The□story is cont□ived, and not compl□tely i□□e□esting, but t□e□□u□landish performances, artwork, □nd co□tumes □oe□□□voke□great c□arm a□d □ikeability. Althou□h mu□e, it's probab□y th□ □□□t □□pealing□of□□angan□'s fiv□□performan□es□ a□□ Toto is terrific. □q□ot;T□e S□cilian" Franco Ros□□□d□rects□the fourt□ an□shortest piece, a straigh□-forward reve□ge story t□□t comes and goe□ before it□e□er has a □hance of bec□m□n□ in□□restin□□ It's vio□ent□□bu□ e□sily the l□a□t sa□isfy□ng o□ t□□ fiv□□stori□s.□□"A Ni□h□□Lik□ A□y Oth□r" Eastwood□;s □ppearance□is cl□ar□y t□□ biggest attraction h□r□,□w□ich□was □i□med□□n □e□ween th□ Sergi□ Leone &q□ot;Dollars" tri□ogy. It&□39;s □n enjoy□□l□□depar□ure from his n□rmal r□le□,□p□aying□a □omed□c rom□nti□ l□□d,□a□d he□is□a□f□bly f□n to watc□. Famed It□□ian di□ector, V□ttorio de Sica (The Bicycle □hie□, □mber□o D.) does a □aste□ful□job with t□e □tory,□which p□rfectly bl□nds the mundane and the fa□ta□y in □ vi□ually s□tisfyi□g way. The story is □bout a bored □ousewife (Mangano, □f course), □ho tries i□ va□n to get her h□sband □o realiz□ th□t□he□is not as romanti□ as h□□us□□ t□ □□. T□e scene □s inter□persed w□□h com□□ic □o□ance sequ□nc□s revo□ving a□□u□d th□ □ou□l□'s past romanti□ interludes,□□nd dream□ of how the□r liv□s □hou□d be.□- 当□在太□小会,青(🔢)纹((🌯)吴九指)猎杀□立□万小山(□)被□纹杀死,□让□人相□。□面的角□包括□主角-□□,配角-桐(🌦)若夕,配角-桐石清,配角-洛落。“买下矿洞□只要手头上□力物□人□足够□就可以一直向(🌞)□□,□□是向底下继续开挖。当然,开挖□是需要大量本钱的。乡主府肯定大体已经察探过,觉得不值得(🖼)开挖(📎)才放手□售□但是,世间之大无奇不有□尤其是像七□(🐵□矿□这种深入地□的矿,说不定继续努力□□,就会有出奇不意的(□)收□。”□练功只能循序渐进,切忌操之过急,□谓欲速(📸)则不达就是□个道理(👠)。