《大罗金仙能灭了星球吗》：

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目标成为作家的青年李钟秀（刘亚仁 饰），平日里靠兼职养活自己。经营畜牧业的父亲不谙人情，官司缠身，迫使钟秀又要为了搭救父亲而四处奔走。这一日，钟秀在某大型卖场重逢了当年的同学申惠美（全钟淑 饰）。惠美计划近期前往非洲旅行，于是拜托钟秀照看爱猫Boil。不久后惠美回国，与之一同下飞机的还有名叫本（史蒂文·元 饰）的男子。本驾驶保时捷，居住在高级公寓内，优哉游哉，不见工作，四处玩乐，和钟秀相比有如天上地下。不知为何，本走入平民钟秀和惠美的生活，更向新朋友讲述了他奇特的癖好。在钟秀家小聚的那个晚上过后，惠美仿佛人间蒸发了一般无影无踪……　　本片根据村上春树的短篇小说《烧仓房》改编。 大罗金仙能灭了星球吗看见里昂迪更斯的武器出鞘，亚瑟也抽出了他的王者之剑。

根据韩国同名电视剧改编

Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.