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精选评论
  • 红牛加汽水:166.989.128.984
    In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.  But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).  In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.  imdb comment
  • 心意难平.:184.308.348.367
    上海正规夜总会招聘模特-上海KTV招聘信息上班不压工资这儿工作中每日的基础工资也在1000元到1500元以上.实际的区别由你的工作责任心所决策.此外每日还会继续有丁字裤荡欲娇妻性开放视频“不用他们,我一个人。”晋凌说道,“我说过,今日你们来犯,正好借这个机会,让我在仙村立威!”
  • 黄泉使徒:169.127.214.879
    “快闪开!”百夫长一声大喝,所有的士兵哗啦一下分散了开来,不过还是有几名倒霉的家伙被冲撞得飞了出去,而两头狼却是连头也不回冲破了他们的营地的防护栏,眨眼间就消失在了众人的视线之中。
  • 宅神之光:189.660.952.713
    拍摄外星人入侵题材的电影无外乎从两方面入手:要么笔调轻快,要么手法沉重。其中并无捷径可寻,也不可能草草绕过了事。但遗憾的是《外太空杀人小丑》仍然试图寻找一条中庸之道,于是他们选中了“马戏团”这个中介。想象一下所谓的惊天大阴谋就是一群穿着小丑服的外星侏儒在地球上大肆破坏,用激光射线枪把人类变成喷喷香闪闪亮的棉花糖——除了让人眼花缭乱一番之外,恐怕很少有人能真正进入情节并真正理解。  实际上《外太空杀人小丑》是一部具有强烈超现实主义风格的影片,几乎没有什么娱乐性,核心题材也不那么拿人眼球,所以有点不太容易令你坐下来,安安稳稳地把电影看完。而对于大多数人来说,如果一部关于外星小丑的电影拍的一点也不滑稽,那还有什么可看的呢?不过幸运的是,在后来的一大堆类似题材的电影中,这一部算是优秀的了。

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