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一名老人從他遺世獨立的農場出□，走□□□飛揚的□路上，前往鄰□的鄉村。□伴他的是一位沈□的鬼魂□老人在五十年前曾□睹他的□🚬)死亡。數十年來，老人都□因結□(📖)病過世的母親感到遺憾，□(🎗)□疾(🔧)病□折磨讓他產生了□態□需求，為□讓自己好過，他□始□密協助生病的婦女□行安(🐱)樂死□當他發現身邊□鬼魂伴侶能夠協□他穿越□空，老人立刻計畫回□過去，意圖說服□輕的自己(⏬)去避□讓□親受到絕症(🌪)□折磨。然而，他並□□□到自己□行(□)□將□未來產生什麼□恐□的影□⋯⋯
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唯心思想:117.112.187.661＂是，是吗？＂贝迪维尔隐约能理解到什么，但是又说不出口。他看着渐渐远离机械仓库的兰斯洛特，见师傅不再教他了，只好叹了一口气，抹去身上的油污尘垢，自己挥舞木剑继续练习。- 可爱深红:179.545.54.307那些乌鸦呱呱地叫，降在树枝上，双目不知盯着下方的什么，林秋客大惊失色，也顾不上什么男女有别，直接就冲到泉水边。
木府风云40 王质大喜道：“掌柜的说得没错！我就是个土包子！” - 林曼努尔米兰达:111.502.616.261“老师放心，我再也不会了。”
- 贺君王子:168.37.62.737The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator, the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
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