《总动员的特征》：

(鐩涙緶鎾版枃) 閲戝湥鍙瑰洜鏂囧簷妗堣闂柀銆備复姝诲墠璇?璞嗚厫骞蹭笌鑺辩敓绫冲悓鍤?鏈夌伀鑵垮懗閬?鏈€鍚庡垁璧峰ご钀?浠庡叾鑰冲唴婊氬嚭涓や釜绾稿洟銆傚埥瀛愭墜鐤戞儜鍦版墦寮€涓€鐪?涓€涓槸鈥滃ソ鈥濆瓧,鍙︿竴涓槸鈥滅柤鈥濆瓧鈥︹€?鍏充簬閲戣€佸笀鐨勯仐瑷€,

“前辈！呃，不对。我都走到她面前了，她都感应不到我，说明她的修为应该也不高啊。她或许还是一名师妹吧？”萧南风呐呐自语地思索起来。总动员的特征在江湖女枭雄水红勺指使下，甘十九妹参与了岳阳门灭门之祸，唯有尹剑平外出幸免，目睹师门被毁，尹发誓要报此仇.一日，二人偶然相遇，相互倾慕，在一次避雨时，有了肌肤之亲，尹剑平发现她原是师门的仇人，杀与不杀之际，痛苦万分.　　终于，师仇与师命难以抗拒之下，甘十九妹与尹剑平约定比武决定命运，这时，甘十九妹方知眼前的敌人竟是相爱之人.....

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

马俊杰被他轻轻一推，踉跄了好几步，差点没站稳坐到地上去。明明林田只是轻轻一推，竟然这么大力。