《动漫h同人志》：

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

宰相开始切入正题：动漫h同人志鍦板潃:娓濅腑鍖洪噸搴嗘笣涓尯澶у潽榫欐箹鏃朵唬澶╄A棣哃4-29鍙?鐢佃瘽:13594495677寮犵幉 闈犺繎:榫欐箹鏃朵唬澶╄ 钀ヤ笟鏃堕棿:9:00-23:00 鏍囩: 鍐欑偣璇?鍟嗛摵娲诲姩| 鏀惰棌 (0)| 寮€鍥㈡彁閱?搴楅摵浠嬬粛 灏?

老者呵呵一笑，平易近人的道：“小家伙，不必多礼，坐，哈哈，老夫这里简陋，你就不要介意啦。”

刚摔个结实，那成片的落叶直接就将他给掩埋了。