□his □pocalyptic □□rab□e carries wi□hin it□a clea□ echo of□the 1□6□ invasio□ of Czec□oslovakia□□Th□□ unforgiving explor□tion of the Cze□h me□tality tell□ th□□tale of a trou□e of□□anderin□ actors who perfor□ a passion play in some□unnamed vi□lage. □ea□ of s□me □nkn□wn d□nger breaks out □□□the village□ which is □u□ off from the surround□ng □orld.□S□upidit□, □elfishn□ss□and a□□res□iveness th□n□come□to t□e□surface □□ this soc□□ty un□□r□threat□ In□th□ □i□m&□39;s key □□□ne, a woma□ is raped □□ t□e self-styled le□der. Zden□k Mahler, who wou□d later work on Fo□man□#3□;s exam□nation □ozart Am□deus,□worked on□the s□r□pt□ The director Evald□S□horm □1929□1988)□was one of the □os□ o□□gi□al members of the Czech□&q□ot;Ne□ W□ve&□uot;. Duri□g the□&q□o□□□ormalization&q□ot; □ra,□Scho□m spent man□ □ears u□□ble to dire□t.□Hi□ last film, Killi□g with □indnes□ (1988) w□s only □ad□ in th□ twili□ht years□of C□mmun□sm. Du□ing that pe□iod when he was□□□able to□di□ect films, he became an □utstanding sta□e□direct□r□ He dire□t□d groundbreaking □rodu□t□o□s at th□ &□uot;Na zá□□□dlí&q□ot; □heater □nd Latern□ Ma□ika.<□□- 贞□十四年(798 年),白(💨)居易 27□□时离开符离去江南叔父处,一□上写了三首怀□(🎨)湘灵的诗,分别是《寄湘灵》《寒□夜》和《□相思》。一□🔌)天,神婆龙娣(罗□□□) 饰)收到了前男友毕加索寄□的结婚□(🔹)帖,他和现(🤯)任□□施丹即将(□)携手步入婚礼的殿堂,□请龙(🔥)娣□席。曾□,□娣和毕加索也是天造□(✔)设的一对璧人,可是毕加索怕鬼,无法接受龙娣的职业,两□□分□告□。毕加索□新女友□西洋□□□)学学(□)会□□□□虽然她和龙娣表□上相处融洽,实□上少不了笑里□刀。□丹想用法术来戏弄龙娣,却被□者□破□能得逞。 □一同出席的还有毕加索□好友克里斯□,她□吞的公司的财产□果东(🌜)窗(🍩)事发,于是设计利用□杀□推卸责任□□知道没有□好□药□用量而□命呜呼。心存愤(😢)恨的她(🍣)化身成为厉鬼,□报复所有她□识的人。