鐜板熀浜庝笟鍔″彂灞曢渶瑕?鎷涜仒1鍚嶉鎺у悎瑙勭粡鐞?绀炬嫑鍏ㄨ亴銆佷笂娴峰姙鍏?銆?鑱岃矗 鍙備笌鍒跺畾鍏徃鍚堣椋庢帶绠$悊鍒跺害骞剁洃鐫f墽琛屻€?瀵瑰熀閲戜骇鍝佺殑璁剧珛銆佽繍琛屻€佺櫥璁板妗堛€佺敵璐祹 罐头爸爸Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate. ——Written by Sundance Film Festival