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□西□□现实吸血鬼片，导演J□an □ó□ez Mocte□u□a是JODOROWSKY大师的(😖)好(👈)友，曾经□与杨大□□部经□CULT片的拍摄工□。　　A □□a□ti□□□l□□rtist (Cristina Fer□are) mo□□lights as □ vamp□re□while□in Mexico, killing lovers o□□both se□.□It □eems that the only per□o□ who □□s any ch□□c□ of stopping her reig□□of terr□r i□ her□fat□er (Jo□n□Ca□□adi□e), w□o□#39;□ also a □ampire. Model and future TV host □hrist□□□ Ferrare is □ lesbian vampire whose victims are□dying to que□ch her□thirst □or□□loo□. Mexican authorities□□□d□her father (John□Carradine)□try to co□e□b□□w□en Fer□□re an□□her □ext target□#3□;s neck in this□horr□fying□shockfes□.　□□uan □□pe□ Mo□tezuma's□MARY, MARY, BLO□DY MARY□□□□75)□□s□□□e of those movies□you □a□□h and, a□□er mentally catal□g□n□ □□l th□□things wrong□with □t□ realiz□ how□co□l it real□y is.□. mostly □ecause of all the things y□u t□ought were w□□□g wi□h i□. Cristi□a Ferra□□ is suc□ a□Pampri□ headache□of□a□ actress, □□ stiff as□a□□elluloid collar, and yet she □oes□create one of cinema&□39;s□most □nteresting vampires. In□m□ny□ways, M□ry could□'t b□□worse at what she does -□whil□ th□ □arly murde□ of a man□interested □n mor□ than he□ paintings goe□□off smooth□y (Miss Th□ng s□yly slidi□g a□ha□□pin out □f her□chi□no□ d□rin□ fema□e supe□□or sex an□□using it to lay open his □ugular), her □ex□ □ictim □a fis□e□m□n, whom she has a□temp□ed □o dru□) near□y□□ends her off□until □he t□kes him □own in one of t□e m□st ungainly vam□□re a□tack□ of all time.　　□lsewh□re, Mary□proves□he□self a comp□ete chick□n □□i□ in moments of □ension□ □□ wh□n□□he bre□ks do□n in big boo-boo tears w□□n□confronted on a count□y □oad □y a my□t□ri□u□ f□gure□cla□ in black□ She□;s □ac□□ymose, em□tionally□□ithdraw□, sexually□disengag□□ and her□art □ucks..□ wh□t□a p□rfect por□rait of□a□ Ugly□Ame□icana spreading□the wh□t□ man's poison south of th□ border. It&#□9□□ in□th□□ c□ntext t□at t□e □heapness of the produ□□ion, the h□rs□ 70□ decor, the cold□ perfunc□or□ perfor□ances□and□the□w□ll-□o-wall Muzak □c□re□act□ally beg□n□to□□eem □ike gr□und□d art□□tic choices and h□ve a □□t to do w□th why I□□ee□ □oming back □o this one.　　M□RY, MARY, BLOO□Y □ARY □nds in □ surprisingly cynical b□oodbath of ultr□vio□ence that lea□□s only t□e pathetic title c□aracter □tan□ing... or in rea□i□□ o□ h□r k□□es sucking the life ou□ of□the □ne person whose love□she had□□elied □n □o po□□t her to□some kind of nor□alcy. Not enough vampire□mov□es use awkwardness and□in□ompetence as c□aracter t□ai□s to define□their blood□uc□ers and □hat'□s to□ bad. Ge□rge Romero had sim□lar□ideas□for MARTIN □1976) a yea□ late□ but portr□ying vam□ires □s□ju□t fol□s □□ definite□y th□ ho□ror □oad no□ □ake□.萧□风没有解释，而是寒声(□)质问(🐨)道：“□(🈳)算你是魔宗细作，我也救□(🖤)你的命，你居然恩将仇报？”□□那家伙是来干什么的？＂□瑟捂住头站起来，船□摇晃让他更加难受了。Framing StoryDr M□□ti□ (□obert Pow□ll) □rriv□s at a secluded □s□lum &q□ot;for □he incur□bly insan□"□□to b□ interview□d for a □o□ by □he whee□chai□-using, authorita□□an D□ L□onel R□□her□ord (Patrick □□gee). R□therford e□plai□s t□at he□owe□ hi□ current incap□citation to □□ attack by an inmate. Rutherford r□v□als □is□□□o□□hodox □l□n□□□ determine □arti□'s sui□abili□y fo□ the p□s□ of□□□ad Do□tor□ One □f□t□e asy□um'□□ curren□ i□mates i□ Dr B. Starr,□the□former head docto□□who un□erwent a □om□le□e □e□tal □reakdown. □artin i□ to interv□ew the inmates o□ th□ □sylu□□to deduc□ which one i□ Dr S□a□r.□If □□s c□oice□□s corre□t □ut□erfor□ w□□l "□co□sider" □im fo□ the □ost.　　The attendant Max Rey□□lds□(G□offre□ Bayldon) a□mits □artin through th□ sec□r□□y door to□th□ inm□□□s' solitary□□onfine□ent cells□where he □nterviews each□□n□turn.　　"F□o□en Fe□□"Bon□ie □Barbara Parkin□) rec□unts t□e plot to m□rder □□□h □□ylvi□□Sims), the wealthy wi□e of h□r□lover Walter (Richard Todd)□ R□th□is a possessive heiress w□o stu□ies□voodoo, and t□is interest□s□ands in th□ way of Bonni□ and Wa□□er being □og□t□er.　　"Th□ Weird Tailor&□uot□Bruno (Ba□ry M□r□e) re□ounts □ow poverty forced □□m t□□accept the □nusual requ□st of a Mr Sm□th □□eter□Cush□ng) to produc□ an e□□borate□□ui□ □f□□l□thing □□om a myster□ous, □cinti□la□in□, fabric that ca□ animate anythi□g, i□cluding□the□dead.　　After□□earning what th□□suit will□be □□ed □or,□Bruno f□gh□s □mit□□and accidentally ki□ls him□ He returns w□t□□the □□s□ld suit. His wif□ Anna (□nne Firbank) dress□s the□r store mannequin in the su□t and it□ □rue powers □re □evealed.　　&□uot;L□cy Come□ To S□ay&□uot;The e□ul□□ent □arbara□(Cha□□otte Rampling) in□orms Ma□ti□ she □□s been in an □sy□□□ be□ore□ Af□er her relea□□ from that asy□um she w□s closely mo□itored□at home b□ h□r br□ther□□eorg□ □James Vil□□e□s) a□d a nurs□, □iss Higgins (Meg□□Jenkins□□ □his fr□strat□d□□x□stence is re□□eve□ wh□n her misch□□vous fr□□nd Lucy (Britt Ekl□n□) c□mes to vi□it.　　&quo□;M□nnik□ns of Horror"Final□□ M□□tin int□rvie□s D□ B□ro□ (Her□e□t Lom) who ho□□□ Rutherfo□d□i□□de□p co□□e□pt. Byro□ e□plains he□i□ □or□□ng to□ards soul transfer□□ce□wit□ a sm□ll autom□ton who□e h□□d is a likeness□of □□s own, □nd□shows Marti□□several ea□lier m□dels. □yron pl□n□ □o &q□ot;will&□uot□ □□s □an□equin t□ lif□, and exp□□□ns the□□nterior□of□the robot is □rganic, a min□atu□i□ed ver□i□n of his own viscera□ Mar□in□□□□cl□des his inte□vi□□ a□d Max shows □im downsta□□s to□delive□ hi□□j□dgemen□□□o □u□herford.　□Byr□n succ□ssfully bring□ his mannequin to life□ it make□ its way to Ruthe□ford's offi□□ and □ills□him with a s□rgical□□nife. Then, M□rtin□de□troys □he□m□nnequin □nd seeks help from Max Reyn□□ds, a□d Dr. □tarr'□ true □dentit□ is revealed.Street Shar□s is a□ Ame□ican animated telev□sion ser□es abou□ crime-fighting half-□an/hal□-sha□k□□sim□la□ t□ □he Teena□e Mutant N□nja Tu□tles. It was□produced by DIC□Entertainm□nt from□1994 to 199□. Later in 1□□6 the Stre□□ Sharks teamed □p with □he Dino Veng□rs (a□ earl□ □□d vastly different-in□origin in□a□nat□□□ □f □he E□treme□Dinosaurs) and □he show bec□me S□reet Shar□s□and □h□ □in□ Vengers.□Like a n□mber o□ childre□□#39□s□cartoons□□it □as created □o□promote an□exi□ting Mattel t□y li□e of th□□same nam□[1], c□eated □□ □oy □ave□ D□v□d □iegel and writer□creative □irector, Joe Galliani□of Mr. Joe&#□9□s □eally B□g□Producti□ns[2].　　In th□ first epi□ode□ a uni□ers□t□ profes□or named □r. Paradig□ tested his gene□□anip□□a□ion tech□iques□on □ marli□ an□ a □o□ster□□Dr. Bolton, a fellow p□□□essor□ attempted to destroy□Paradi□m's research,□an□□wa□ □□ansformed □nt□□an□□nhuman monstros□ty by□the evil □ci□n□ist befor□ escaping□ □aradigm □ater kid□ap□ed □olton'□ four□s□ns — Jo□n, Bobby, Coop, a□d Clint —(🤪) □o t□a□sform them□into □harks□ □s□soon as □h□y□tra□sform□□, t□e four bro□he□s ate a hotdog □tand, □nd fled fr□m the □olice by divin□ into□a lake and burro□in□□t□eir way into□the□city by eating the di□t□ The b□other□ pla□ned to □apture Paradigm so □hat they could force him to retu□n th□m to their □uma□ selv□s and□expos□ Pa□adigm'□s genet□c experiments.　　In subse□ue□t ep□sodes, □ar□digm □□gan to convince □he□residen□s of Fission □i□y □hat t□e Street□Sharks (as they□be□ame known)□were□vicious, □eadly kil□ers who were□muta□□d by thei□ fa□h□r,□Dr. Bolton. The □rothe□s teamed up □v□□y episode to stop □□radi□m a□d hi□ deadly Seaviates from transforming the citizen□□of Fission Ci□y into mutan□s with no□free w□ll.□　On□□of the characters□; favorit□ catchphrases was &□uot□Jawsome",□□nd□their □avorite food consi□ts□of hamb□r□□rs and french fr□es (althoug□ they'□e capabl□ of□□ating ju□t □bou□ anythi□□ - even□if it'□ not food). The □ro□hers have als□□express□d □n ob□i□us □nd very voc□□□□i□like fo□□pi□□a, a□ indirect acknowledg□ment toward the Ninj□□Tu□tle□, w□□se ima□e□is wel□-kno□n□for being b□ilt□□□□u□d piz□a.Set□during Ch□istmas □□88, Lo□ is □a□□ted □y th□ deva□tating e□ents that to□k pl□ce two an□□a h□lf □e□rs before. □h□□and Woody b□th f□n□□□hemselves strug□ling to□cope w□t□ the□r lives wit□out each □□her af□e□ he leaves the gang. L□l is □arryin□ t□e bur□en □f□h□r guil□,□□h□lst Woody is□trying to bu□□d a□do□estic li□e wit□ a new girlf□i□nd and □ po□ential pro□ot□on at work. □ha□n ha□ star□ed drama college□and, alth□ug□ □till□in □□relati□□s□ip wi□h□Smel□□ he has gro□n close to a gi□l perfor□ing in hi□ Christ□as play□

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