《midd-751》

类型：战争 武侠 其它 地区：韩国 年份：2022 

主演：郭晓然 莎拉·卡普纳 艾米·詹姆斯-凯利 弗兰克·安妮罗 

导演：Marianne Elliott 

更新：2024-12-20 15:42:02

简介：□此□时(□)，秋□□□身□也出现在了苏生三□□😝)前面。□□我捡...

Mi□□l□ □l□ss □t□den□ Bob L□t□□lier e□□e□s a new w□rld when he me□ts□Alain, a free□thinkin□ r□bel□who, a□on□ with his g□oup of y□ung Parisians,□h□s □□ted f□r a l□fe of □nsta□t grat□fication □□stead of work□and□commitm□n□. At □ party, Bob meets a young woma□, Mic, □ho a□pear□ to b□ just as □arefree□a□d cynical□□s A□ain. Mic□#39;s onl□ d□e□m is to own a luxu□y car□ □nd with Bob□#39;s □elp, she manag□s□to f□nd the money to bu□ i□. Mic'□s frie□d C□o discov□r□ she □□□pregnant and, n□t kn□□ing who t□e father□is□ she□asks Bob □o□marry□her. When t□□y ne□t m□et at a party, □o□ and Mi□ deny that they □ave a□y feelings □or□one anot□er - a declarati□□□that□soon □□ads to traged□...　　　　Marcel Carné is□widely re□□rded as □□e of□□□e standard bearer□□of Fren□h quali□y cinema of the 19□0s and 1940s, responsible□for such□mas□erpieces as□□u□□ d□s b□um□s (1938) and□Les En□ants du Paradis (1945)□ □ow□ir□nic th□n that, in□1958, t□□ards th□ end □f his □□lm-m□ki□□□□areer, he□s□o□l□□make a □ilm□which dared □o po□tray □□e attitudes a□d beh□v□our of the 1950s□yout□□ in a way that□eff□ctively captur□s the mood and sentiment□of the ti□e□　　　　Les T□icheur□ w□s a hugel□ controversial fil□, n□t □e□st be□ause □f □ts blatant d□piction□of adol□sc□n□ f□ee-□□ve□ and □as even banned□in □□me r□g□on□ of Fran□e□ I□ a□s□ received □□me i□t□nsely unfavourabl□ rev□□ws,□□ost notab□□ from the young □othead□ □n □□e Cahiers du cinéma su□h as François Truf□aut who c□ted this film as a prime example of □he decli□e of French □inema into med□ocrity. In □□it□ of a□l □his n□ga□□v□ pre□□, the film proved to be□an □□tonishing comm□rc□al succes□,□attract□ng five million □inema□goe□s, and □as □wa□d□d the □ra□d Prix du□Cinéma□f□anç(□)ais□in□1958□　　　　(🥇)Whilst Les Trich□urs is not□a□ fl□□less as C□rn□'s □arlie□ masterpiec□s, it is □on□□heless a si□n□ficant work,□having the power to both □□ock □n□ □ove i□s □□dience, whil□t having gre□t□e□t□rtainm□□t valu□. It□ev□k□s the mood□of □ts □im□□in a way that□few F□en□h films of this□p□riod □id, depict□ng young people□as pleasu□e-seekin□□rebel□, rejecti□□ □he austerity and □isci□□i□e of the previo□s generatio□ whilst pursui□g a lif□ w□thout cares□ respo□si□ilities □□ l□□e. Si□ila□ities with □ames Dean's films □f th□ 19□0s□(most□not□bl□ Rebel without a Cause□ are apparent, a□though Carné's treatment □f you□g people is far □o□e □b□tract□- in his □□lm□they mere□y sy□bolise□a □or□d that has l□s□ □ts □ay, more or□□ess victims of post-war prosperity□□Althou□h the yo□ng p□ople in□Les□□richeurs lac□□th□ auth□□ticity to□be totally□cr□dible, the fil□□doe□ m□k□ an important, and ind□e□ □uite □ist□□bi□g □oint, □bo□t□where the permi□siv□ so□iet□ may□be headin□.　　　(😑)　Much of the pleas□re of the film i□ i□ □he perfor□an□es f□□m □ts fo□□ □ead a□t□rs, Jacqu□s Ch□rrie□,□P□scale□Pe□it, □aurent□Terzieff□and Andréa Pa□i□y, a□though only Terzieff is □eally□convin□ing in hi□ role. Ma□cel Carné originally consi□□□□d Alain Delon□a□d J□an□Pa□□□Belmondo for the parts of Bob and Ala□n re□pective□y, □e□□re □pting f□□ Ch□rrie□ and □□rzie□f. □s a consolation□ Ca□né offered Belmondo □ sm□ller par□ in the film □□a□as too □mall □□r the actor to be □oticed by th□ public. B□lmondo's brea□th□ough□h□d□t□ wait□u□t□l the following □ear w□en he□starre□ in Jea□-Luc □□dard□;s revolu□□onar□ A □out de souffle, □ □ilm which o□□ers a very d□ffer□nt□pe□s□ective o□ □he yout□ gene□atio□.林田很快理清□两人的关系□...详情

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