《超级强者全本》
类型:科幻 冒险 武侠 地区:韩国 年份:2011
主演:Leslie Cumming
导演:吴彦祖
更新:2024-12-18 20:55:07
简介:"□是怎么回事?"年轻人一□也没了主意,慌□得两(👚)手拼命只搓。□我早就(□□知道你要这(□)□说了,也罢,我就给□□⛲)讲讲吧!”玄武微微一笑,这才说道,“其实□□所有的(🧡)兵器都是根□我们□需要来□造的,就像是剑□因为□们需□它的轻灵,所以它也就□照轻灵呈现在我们的面前;□刀(👥□则□沉猛,所以刀才会是现在(🥍)这样□的。总的来说□各种兵□都有其中□□优势□而在其他方面则是不(🍿)那么特别了,有的甚至可以说在□他方面尽显劣势也(🌮)□□不行的□不□,□(🐚□那么□种兵(🎲)□,它集万种□器之长与(👤)一身,可谓万兵之祖□”□□ut of t□□ f□f□ies□'B' Science-Fiction monster mov□es, thi□ □asil□ □anks as th□ best.□□t'□ most □ot□ble as the film that ALIEN is an una□credited remake of□ thus giv□ng it a certain his□orical sign□ficanc□.□ The intriguing □lot is about the□□escue of the only□maroon□□ survivor (Col□ Carruth□rs) of□an ill□fated expedi□ion to□Mars. Th□ aut□o□ities, □□g-□eaded a□□usual, □alsel□ assume that he murdered □is fellow c□ew□membe□s,□so that he&□39;□ have □ore □rovis□on□ to sur□i□e;□h□nce he□is □eing □roug□t□bac□ t□ Earth to face co□rt-martial fo□ murde□. (There i□ □lso a somewh□t inter□sting plot rev□□sal he□e: □o□t □ovies of this natu□e usua□ly be□in□with □h□□□hip□leaving Earth, enroute to its otherworld d□st□na□ion,□whi□e, □n□this□□as□,□the "sto□y&q□ot;□□s b□□ieved finis□e□, and b□g□ns□as □h□ chara□t□rs tak□-off □rom□the other pl□net, returning to Earth). □s th□ rescue s□ip □s leaving Mars□□□ □□rking□□ominou□□s□a□□w is□seen in t□□□lowe□ compartment. (A□frigh□ening, atmo□pher□c moment, acc□mplis□e□ through sheer eco□omy and□s□m□□i□ity). □arruther□ □nsists of his in□oce□ce□t□ h□s fellow capt□□s, claiming t□at □i□ or□ginal cre□ mates were s□aughte□ed □y □ hostile□ □□see□ presence on the desolu□e red p□anet, but□three-guesses as to their re□ction to hi□ u□usu□l □l□a□□□aturally, he can't pro□e it, and 50's sp□ce □utho□ities □ere □ot□very ali□n□c□nscien□□ at the t□me. (As a□s□de□t□ought,□&□uot□□ns□en men□ce□quot; may remind you of th□□□highl□ &qu□t;origi□al&□u□t;□BLAI□ WI□CH). A□ eve□yone sacks out□ a haple□s supp□□□□ng charact□r□w□ose name is at the bott□m □f th□ ca□□i□g□list (guess wh□t will happ□n to h□m?□ h□a□□ s□mething□in the□□o□e□ compartment. Desp□te □our □utile □quot;do□'□t go□down there, you jerk!" pleas, h□ doe□ □ust that, □nd is appropriately kil□□d (m□re like thoroughly obliter□t□d) by th□ shad□wy□figure wi□h insat□a□le blood lust□on i□s mind. □n the □ict□m's□□□se,□□e□□□ictio□□of duty □nd □heer cowardlines□ wou□d have□been the wise de□is□on□ The scene □s act□ally w□ll-directed□(for a □□ange)□and develops muc□ □uspense, as t□e entire film su□pr□singl□ do□s. The c□□w finally cat□□es □n that□they h□ve a□ u□□an□ed ship crashe□ on board□ and try every □o□sible means□at □□e□r □isposal □o□elimi□ate i□, but t□e unkno□n□creatu□e□s□ems to□□oppin□ an anti-dea□h at□i□ude.□Proving to□be an even m□□e□cle□er, worthy adv□r□a□y, '□T!□#39□ als□□hides out in□□he ven□ilation shaf□s o□ the ship (now tha□□sho□ld ring□a□□ell).□C□hn□;□ □or□□ful d□recti□n gener□□□□ conside□able t□nsi□n as □he mal□volen□ stow□□ay □□rks it□ way up from o□e□□evel of the confined sh□p □o the□n□xt, eventually lea□ing t□e□rem□ining □haract□r□□trapped at the□to□. The mo□ie□9;s s□spense is bl□n□ □nd right to the□point: &q□ot□IT!' has t□ kill □h□m or□□tarve, hence □hey have t□ kill □quot;□T!&quo□; or die. Nothin□ □ike thos□□&□uo□;□o two way□□a□o□t it"□choi□es. □ent it, o□ ch□c□□for it on cab□e if you□wi□□ to □now t□e o□□come□ (□) For a low-budg□t quic□ie,□□□□ is quite im□ressive □nd m□mor□ble. The d□eade□□□ense of clau□troph□bic tension, ren□ering the cha□a□ters□9; he□pless entrapment, is hi□hly e□fecti□e. This is a pro□uction in w□ich th□ li□i□ed □udg□t and small se□s actua□ly□work in □a□or of the□pl□t's scary □□bi□n□e. The□black□&□□p; whit□ p□o□ography (Y□s, it□;□□one o□ those!) helps □o enhance□its dark,□c□eepy moo□, and t□e sens□ of apprehen□ion i□ qui□e high. (Modern□day color freaks□never seem to t□ke □hat into con□□d□ration)□ The plot is also some□h□□ cyn□call□ i□onic: If th□□cr□at□re hadn□;t stowed away on the□□h□p, Ca□ruthe□s wou□d hav□ □o□t □ikely□b□□n fou□d guilty of the cha□ges against □im. The □n□el□ig□nt script (see what I □□an about "□ar□ity&quo□;) w□s □□nn□d by noted □cience-Fiction auth□r Jerome Bixby (remem□er T□ilight □one'□□&q□□t;It□;s□a G□od□Life"□? The pic□ur□'s□t□ut□editi□□□el□□ina□es any □□trane□us dross□□(A□IEN tended □□ drag in its first h□□r□□ith□its sophomoric dialogue,□and w□y di□ it ha□□ to in□lude that stupid and□ult□mate□y cou□ter-□ro□uctive sub-plo□ o□ As□□being a robot, and further dragging □he □tor□ d□wn to anothe□ big □ad□conspi□a□y cliche? □□NECESSA□Y!!□) Dir□ctor Cahn astutely kee□□ t□□ rubb□r-s□i□ed monste□ off-screen and i□ the sh□dows through-out most of □he□p□oceeding□, keeping □our paranoid imagi□ation on□constant aler□. □nfortunatel□, p□rhaps at th□ s□ud□o's commercia□ ins□sta□ce, it is a l□ttle□over-revealed a□ the cli□□x,□b□t I hav□n't clai□ed this to be□th□ □□rf□ct □as□□rpiece. The pe□formances□ thoug□ n□thing award-winning, are nevert□□less□c□ol e□ou□h □o that o□e □ecomes sincerely □oncer□ed as to thei□ fates. Not many m□vi□s i□ r□cent times □ver come□close □□ achievin□ that□□They can be over□□rod□ced□□□om here to eternity□ and □sually only□succeed□□n being gloriousl□ anno□□ng. □hi□ f□□m□□39□s□story is not really totally ori□inal (wh□t is?)□ for it is base□ on □.E. Van Vogt□#□9;s □quot;V□□AGE □□ THE SPACE□□EAGLE.&□□ot; All□□□IEN □anat□cs□□hould □rack down an □ld us□d copy t□ see wher□ the initi□l influe□ce came□fr□m. □A□ long as you□;□e not□cra□i□g a□o□her CG□ w□nd-d□ng, □o□ may fi□d it wo□thwhile. Just□d□n'□t □xpect the□women to □□ Ripley pr□cur□ors. This wa□ still t□e sock-□ni□tin□ □ifties,□s□d □o say.以下为您梳理□一些有□玫瑰的爱情故事□关内容:
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