□ 阿蒙是《诡□之主》□的角□□他常常戴□单片眼镜。Salo□é (19□3), □□silent□fi□m□d□r□cte□ b□ C□arles□Bry□nt and starring A□l□ Naz□mova, is a film adapt□tio□ of t□e O□c□r Wilde play of th□ s□me name□□The play itself is a□loose□retel□□ng □□ the bibl□cal sto□y□□f □ing□Herod and□his□e□e□ut□o□ □f John th□ Baptist (h□re,□a□ □□ Wilde's p□ay,□calle□ Jo□aana□□ at the□req□est □f his stepd□ughter, Salomé, whom□he lusts a□ter.□ Salomé is oft□n called o□e of the first art films to □e mad□ in the U.S.[citation n□eded] The highly sty□ize□ costum□s, exaggerated □cting (□□en □or the perio□), □inimal sets, and absence of a□l b□t the most □ecessar□ prop□ □ake for a screen image much more foc□sed□on atmosph□re □n□□o□ c□nv□y□ng□a□s□ns□ of the c□a□act□□s□; □ndi□idual heightened de□ir□□ t□an on conve□tio□al pl□□ developmen□. □Despi□□ the film □eing only a li□tl□ ov□r an hou□ □□ l□ngth and having no□real□□cti□n to spe□k □f, it□c□□t over $3□0,□□0□to □□ke. Al□ the□sets w□r□ c□ns□ru□ted indoors to b□ ab□e to□have □om□let□□co□trol over□□he lig□tin□□ The □ilm was sh□t□complet□ly□in□b□ack and white, □atching the illustrat□o□s done by Au□r□y Beards□□y in the □r□nted edit□on of□Wilde's p□ay. T□e costumes,□design□d by Natacha Rambova,□used□mate□i□l□only fr□m M□ison Le□is□□f Paris,□su□□ □s the □eal silver la□é l□inc□oths worn by th□ □uards. □□ ma□or□studi□ wou□d b□□□ssociated□with the film, □n□ □t was y□ars□after its c□mp□etion□b□fore it was rele□sed, by a□m□n□r□indepe□dent distributor. It was a □omplet□□fa□l□re at th□ t□m□ and m□r□e□□t□e end of□□azimo□a's p□oduci□g career.□ A lon□standing rum□r, which seems □o □□ve started whi□e □he f□□m was□still □n production, suggests that its cas□□□s□comprised en□ir□ly□of gay□and bisexua□ actors in □□ homa□e to□□sc□r Wil□e, as pe□ star and□pr□d□cer Na□imo□□'s □emand. □t is□ of co□rs□, impossib□e t□ say, but one of the□□□□ras i□ Salo□é re□orted □hat a□n□mber of □he cast □em□ers□both□□eatured and extra□—were indeed gay,□but not an□□nusual□percenta□e □f □he□, and c□rtainly n□t all of the□. What can b□ said □s that □azimova herself was a les□ia□,□t□e two□gua□d □h□□acters (who, next to Salomé, have t□e m□□t scr□en tim□)□are at least□played□ve□y s□ereotypically gay, a□d several of the □e□ale □ourtiers ar□ men in □rag□ Sa□omé was screened□in 1989 at the □ew York □nterna□io□al Festival □f□Lesbian a□d Gay fi□ms□and in 19□0□at the New York G□y Expe□imen□al Film □estival. □In□2000□ □he Un□ted □tates Librar□ of Congress deemed the film &quo□;cultur□lly sig□i□icant&qu□t□□a□d select□d it □or pr□servation in □he National □il□□Regis□ry□
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