□晖在《□奉打更人》中饰演郑兴怀。□Ho□lywood□style□t□me tr□□el tales like to focus their □tte□ti□n□o□ cultu□a□ fa□s an□ fashions: clot□e□, mus□□, slan□□ daily □□chnologi□s. The inge□iously□low-budget Irish□sci-fi film □OLA has f□□ with □ll□of that, but also□in□estigates □arke□, more global questions like: □hat if Ge□many had wo□ Wor□d□W□□□II□ Pi□ce□ together in dazzling □□mm as a□□□maginar□ collage of inte□locking a□di□-v□su□l do□uments from the□1940s, □ndrew Leg□e,□dire□□ing □is□d□but fe□tur□, conjures □h□ li□es □□ two gifted and□li□e□□ sisters, Thomasina □□d □□rt□a. □eft to t□eir own devices as□□h□ldren, the pair has □anaged □o create a mach□ne □hat receiv□s medi□ broadcasts□from the future. In□t□e□r person□□, cloi□t□r□d□ punk paradise,□□h□y e□bra□e the rebell□ous styles□of an□age□t□ com□ – The□K□nks, Da□id □owie □ but □□so dis□over, when militar□ p□rs□nnel m□v□□in, that history is a □angerous □□me to□to□ with. The ultimate que□tion becomes: □f□ma□s □edia ca□ chang□ th□□world, can c□□ema mirac□□ous□□ restor□□it? Just like th□ monu□ent to□b□icolage created by its□cha□□ct□□s, L□□A is an i□sp□□ed □onceit□in th□ sty□e□of □uy □add□n, Woody Al□en’s□Zel□g (1983) and Pete□ Ja□ks□n’s For□otten Si□v□□ (□996). It’s a surreal romp throu□h s□ratches, glitches and speculati□e□pos□ibiliti□s.
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