全集

《远古巫灵战地法师》

类型：其它武侠枪战地区：英国年份：2022

主演：保罗·安吉利斯 Haktan Kaan Icel 玛娜·洛伊 Karl Pincon

更新：2024-12-30 02:36:44

简介：□克斯菲尔□（(🎏)伯□·兰卡斯特 Bu□t Lancaster□饰）是□肯□场(🌂)的总经理□繁忙的工作让他(🥙)总是将(□)家□摆在人(💤)生的次要位置，导致备受冷落□妻子辛迪（达娜□温特 Da□a □ynter 饰）最终选□了□开。　□就在贝□斯菲尔德的婚姻遭□了破坏性的打击的(🆘)同时□他的事业也发生了□所未有□危机，一架飞机抛锚在(🐪)了□道(□)上，阻碍了其他飞机起飞，更糟□是，另一□飞机上，一名□怖分子引爆了炸弹，导致飞机严□受损□□须使□(🤤)跑到着陆(□□，否则□会机毁人亡。在飞机专家帕特洛尼（乔□□肯尼迪 George□Kennedy 饰□的帮助□□😇)，贝□斯□尔德凭借着惊人的胆识和智慧最终顺□化解危机，不仅如□□□(💗)还和□□手开启了(🛢)一段罗□史。□. 《快(🛢)□系统之女主是b□ss》根□□📿)胡万春同名小说改编(😃)□□□铁厂的□□长杜师□，有两个儿子：大儿子福新是一个钳工□与杜师傅□在一□车间工作；小儿□福民刚从□术□校毕业回来，即将走上工作岗位。□是就在当(🕦)天晚□，杜师傅发□福民对劳动有不正确□看(😧)法，□□生活享受。福民看不起□人，说工人的手像锉刀□见(□)爸爸送他的新帽子，□太土气，怕压坏了他的飞机头(🛒)。杜(🦉□师傅意识到□己过去对福民(🔼)□生活□照顾□多，□他的思想□育放松了。恰巧，福民分配到□师傅领导□(🐈)车间当见习技术员杜师傅为了帮助□□克服缺□□把儿□□养成工人阶级的□班人□就和李厂长□量，决定让福民□□间当工□，以便在劳动中锻炼提高。这一天，福民来到(🔄)车间，杜师□叫福新教□敲□□，练基本功。福民心不□焉，□疼了手，□狠地(🕟□将榔头摔在地上□不干了□杜□□叫他拾起(🏨)榔头，责备□(😮)说：“你还不害臊!工人丢榔头□就是战士(🎊)丢武器□你想□逃兵□”福民□到□里(🐹)，向母亲倾诉了自□的委屈。福民妈□旧社会生活了半辈子，吃尽了苦头□但(🏝□她还存在旧思想的(📫)残□，听说(🌨)□里让儿子去当工人□觉得不像话。于□她□来了□母亲、大姨妈和小姨妈，联合起来“围攻”杜师傅，□是□□如□。“□攻”失败后，福□□□(📶)低□，赌(🛌)气□□机头剃成平头□□妈妈说厂里(🐭)□不(😃)下去了□□到外面找工作。□□🔕)民(🧡)妈怕儿子离□(😁)□(🐥)走，硬要杜□🤒)师傅找□厂长□说，仍然让福民做技术(🔴)员(□)。杜师傅看到要帮助□□首先要打通福民妈的□想，就□了一张字条叫(🔯)福民妈去□🏎)找李厂长。福民妈来(💜)到李厂□家，李厂长说自己的女儿(🧜)小玲主动要求到农村扎根落户，有人说小玲是我们□独生女，我又是厂长，应该让女儿享□福(🔸)，要(🎩)是按照□个想(💋)法孩(□)子就会变□□汉。这时□小玲收到妈妈从外地寄来的“□种□和信□妈妈在信上□咐小玲，要在□际劳(🏍)动中锻□成一个有文化的新农民。□民□□(👭)到这一切深受教育，□(🔤)没(🥘)有(🚛)替儿子讲情□尴(□)尬地走了。□民虽然□在车间劳动，但总觉得英雄无用武之地。这时厂里开展□术革新，车间正研究双层地辊的设计图，福民认为这是(□□大显身手的机□，于是闭门造车，设计了一张□切实□的草□，后经(📃□福新帮(🏝)助，双层地(🕖)辊□(🤨)设计终于成功。在试制中□缺少两个皮□盘，□□傅叫□□和福民□头到□料(🛂□堆里去找，而□民□将转炉车间的两个皮□盘□来了。杜□傅□厉地□评了□□)他的错□。□民通□这□□列□情，认识到自己的思想□实不对头。从□以后，福民在劳动中认□地进行锻炼，□大家的帮助下，□□了思□，改正□□点。

类似于《丹道仙族□的小说□□前□阵子□声□迹的女魔头天魔再次出山，这(🧡)次她的目的是印□乌龙院里面□□师右手掌□洗髓经。于是，天魔收买□糊涂杀手黄(🤖)柠檬□张卫(🗒)健饰□(👲)和红□檬（叶全真饰），□两人前□乌龙□砍下面壁大师的右手掌带□来。□□檬和红柠檬来到乌龙院后，遇上了(□)寺内三□行踪怪(⛱)□□□子，这三人不□与□师□（李□炀饰(♟)）斗法，红、黄柠檬却认□□□□不简单。这三名弟子行为□怪，不时出现爆□□面。最后红□黄柠檬能否完□□□？ ...详情

给影片评分：

剧情简介

□克斯菲尔□（(🎏)伯□·兰卡斯特 Bu□t Lancaster□饰）是□肯□场(🌂)的总经理□繁忙的工作让他(🥙)总是将(□)家□摆在人(💤)生的次要位置，导致备受冷落□妻子辛迪（达娜□温特 Da□a □ynter 饰）最终选□了□开。　□就在贝□斯菲尔德的婚姻遭□了破坏性的打击的(🆘)同时□他的事业也发生了□所未有□危机，一架飞机抛锚在(🐪)了□道(□)上，阻碍了其他飞机起飞，更糟□是，另一□飞机上，一名□怖分子引爆了炸弹，导致飞机严□受损□□须使□(🤤)跑到着陆(□□，否则□会机毁人亡。在飞机专家帕特洛尼（乔□□肯尼迪 George□Kennedy 饰□的帮助□□😇)，贝□斯□尔德凭借着惊人的胆识和智慧最终顺□化解危机，不仅如□□□(💗)还和□□手开启了(🛢)一段罗□史。□. 《快(🛢)□系统之女主是b□ss》根□□📿)胡万春同名小说改编(😃)□□□铁厂的□□长杜师□，有两个儿子：大儿子福新是一个钳工□与杜师傅□在一□车间工作；小儿□福民刚从□术□校毕业回来，即将走上工作岗位。□是就在当(🕦)天晚□，杜师傅发□福民对劳动有不正确□看(😧)法，□□生活享受。福民看不起□人，说工人的手像锉刀□见(□)爸爸送他的新帽子，□太土气，怕压坏了他的飞机头(🛒)。杜(🦉□师傅意识到□己过去对福民(🔼)□生活□照顾□多，□他的思想□育放松了。恰巧，福民分配到□师傅领导□(🐈)车间当见习技术员杜师傅为了帮助□□克服缺□□把儿□□养成工人阶级的□班人□就和李厂长□量，决定让福民□□间当工□，以便在劳动中锻炼提高。这一天，福民来到(🔄)车间，杜师□叫福新教□敲□□，练基本功。福民心不□焉，□疼了手，□狠地(🕟□将榔头摔在地上□不干了□杜□□叫他拾起(🏨)榔头，责备□(😮)说：“你还不害臊!工人丢榔头□就是战士(🎊)丢武器□你想□逃兵□”福民□到□里(🐹)，向母亲倾诉了自□的委屈。福民妈□旧社会生活了半辈子，吃尽了苦头□但(🏝□她还存在旧思想的(📫)残□，听说(🌨)□里让儿子去当工人□觉得不像话。于□她□来了□母亲、大姨妈和小姨妈，联合起来“围攻”杜师傅，□是□□如□。“□攻”失败后，福□□□(📶)低□，赌(🛌)气□□机头剃成平头□□妈妈说厂里(🐭)□不(😃)下去了□□到外面找工作。□□🔕)民(🧡)妈怕儿子离□(😁)□(🐥)走，硬要杜□🤒)师傅找□厂长□说，仍然让福民做技术(🔴)员(□)。杜师傅看到要帮助□□首先要打通福民妈的□想，就□了一张字条叫(🔯)福民妈去□🏎)找李厂长。福民妈来(💜)到李厂□家，李厂长说自己的女儿(🧜)小玲主动要求到农村扎根落户，有人说小玲是我们□独生女，我又是厂长，应该让女儿享□福(🔸)，要(🎩)是按照□个想(💋)法孩(□)子就会变□□汉。这时□小玲收到妈妈从外地寄来的“□种□和信□妈妈在信上□咐小玲，要在□际劳(🏍)动中锻□成一个有文化的新农民。□民□□(👭)到这一切深受教育，□(🔤)没(🥘)有(🚛)替儿子讲情□尴(□)尬地走了。□民虽然□在车间劳动，但总觉得英雄无用武之地。这时厂里开展□术革新，车间正研究双层地辊的设计图，福民认为这是(□□大显身手的机□，于是闭门造车，设计了一张□切实□的草□，后经(📃□福新帮(🏝)助，双层地(🕖)辊□(🤨)设计终于成功。在试制中□缺少两个皮□盘，□□傅叫□□和福民□头到□料(🛂□堆里去找，而□民□将转炉车间的两个皮□盘□来了。杜□傅□厉地□评了□□)他的错□。□民通□这□□列□情，认识到自己的思想□实不对头。从□以后，福民在劳动中认□地进行锻炼，□大家的帮助下，□□了思□，改正□□点。

精选评论

指殇:111.253.140.454
那声淡漠的声音赫然再度响起，这一次是在鬼影的左前方！
丰本:173.905.866.591
“没错。”晋凌说。远古巫灵战地法师司马龙飞觉得有必要纠正欧阳妈妈错误的思想：
神行贪狼:132.506.119.844
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
龙啸客:192.694.607.514
While surveying a telegraph line in 1861, Western Union engineer Edward Creighton (Dean Jagger) is severely injured in an accident. He is discovered by Vance Shaw (Randolph Scott), an outlaw on the run from a posse. Forced to travel on foot after his horse was hurt, Shaw at first considers stealing Creighton's horse, but changes his mind and takes the man with him, saving his life.　　Sometime later, following his recovery, Creighton returns to Omaha, Nebraska and plans the construction of a telegraph line from Omaha to Salt Lake City, Utah. Facing considerable opposition to the line from Confederate soldiers, Indians, and outlaws, Creighton elicits the help of his sister Sue (Virginia Gilmore), foreman Pat Grogan (Minor Watson), and assistant Homer Kettle (Chill Wills).　　Looking to put his outlaw past behind him, Shaw arrives at Creighton's Western Union office looking for honest work and is hired as a scout by Grogan who is unaware of his past. Creighton recognizes him among the men and allows him to stay despite his suspicions. Creighton also hires tenderfoot Richard Blake (Robert Young), a Harvard-educated engineer as a favor to Blake's father. Shaw and Blake are both attracted to Sue and vie for her attention, but their romantic rivalry is cut short when construction of the telegraph line starts on July 4, 1861.　　After work commences on the line, one of the men is killed apparently by a mysterious band of cattle-rustling Indians. Unconvinced that Indians are to blame, Shaw rides out to investigate and follows the rustlers' trail to the camp of Jack Slade, a former friend and cohort, whose gang committed the killing disguised as Indians—the gang Shaw left following his last bank robbery. Slade reveals that they are working for the Confederacy to disrupt Western Union because they believe the telegraph service will help the Union. Shaw rides away and returns to the line. Not wanting to turn in his former friends, Shaw tells Creighton that a large band of Dakota Indians stole the cattle, and recommends that they simply replace the herd and not risk a fight with the Indians.　　Sometime later, a confrontation takes place between men working on the forward line and a band of drunken Indians. When one of the Indians tries to steal some equipment, a nervous Blake shoots him, ignoring Shaw's order to remain calm. After word arrives that the main camp is under attack by other Indians, the Western Union men rush back to help with the defense. At the main camp, Slade's men, who are again disguised as Indians, steal the Western Union horses. The company discover the ruse when one of the wounded Indians turns out to be a white man. Forced to buy back their stolen horses from Slade, Creighton becomes suspicious of Shaw's involvement, especially when he admits to knowing the gang.　　Soon the U.S. Army arrives and announces the Indians have now refused to allow the telegraph lines to go through their territory in response to Blake's shooting of the drunken Indian. Creighton, Shaw, and Blake ride out to convince Chief Spotted Horse to allow them to build the line through Indian territory, even though the man Blake wounded was Spotted Horse's son. Creighton is finally able to persuade the Indians to allow them passage, and work continues until the company approaches Salt Lake City.　　Sometime later, Shaw receives word that Jack Slade wants to meet with him. On the way to see Slade, Shaw is captured and bound by Slade's men. Slade says his group is going to burn down the Western Union camp and they don't want Shaw to interfere. After Slade and his men ride off, Shaw escapes from his ropes but arrives back too late to prevent the fire. He helps rescue some of the Western Union men from the flames and burns his hands in the process.　　After the fire, Creighton confronts Shaw for an explanation, but Shaw does not reveal what he knows and is fired by Creighton. As Shaw leaves the camp, he tells Blake that Slade is actually Shaw's brother and that he, Shaw, will find Slade's gang and stop them from interfering with the telegraph project. Shaw rides off and finds Slade and his men in a nearby town. At the barber shop, Shaw confronts his brother, whose gun is concealed under the barber's sheet. Slade shoots Shaw through the sheet. Shaw fights back in spite of his wound, killing some of the gang members, and then dies. Blake arrives and continues the fight with Slade who dies from his wounds. Soon after, the Western Union line is completed and the workers celebrate. When Sue laments the absence of Shaw, Creighton tells her that Shaw can hear them.

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