《旺角靓妹仔国粤双语》

别说里面的矿洞了，这条矿道现在都很危险。

蒯闻圣是一个年近三十的男人，刚刚和女友分手没多久，事业又到达了瓶颈期裹足不前，感情和事业的双重打击让蒯闻圣感到非常的郁闷，仿佛他的整个世界都变成了灰色。一次偶然中，蒯闻圣邂逅了名为冷梧研（谭飞燕 饰）的女孩，冷梧研性格开朗又热情，对待蒯闻圣十分的温柔，冷梧研的存在让蒯闻圣再一次燃起了对生活和爱情的渴望。　　可是，让所有人都不愿意相信的是，病魔竟然袭击了冷梧研这个人见人爱的好女孩，她患上了不治之症，命不久矣。在冷梧研患病期间，蒯闻圣一直不离不弃的陪伴在她的身旁，倾其所有的想要救冷梧研的命，可遗憾的是，他最终没能够将女友的性命从死神手上夺回来。 旺角靓妹仔国粤双语涓婇ザ澶滃満鎷涜仒缃?txyczp)鎴愮珛浜?017骞?鍏嶈垂鍙戝竷鍜屾祻瑙堟湰鍩庡競鏈€鏂颁笂楗跺鍦烘嫑鑱樹俊鎭?鏄竴涓笓涓氱殑涓婇ザ澶滃満鎷涜仒淇℃伅鍙戝竷骞冲彴,鏈珯鍙厤璐瑰彂甯冧笂楗禟TV鎷涜仒淇℃伅,涓婇ザ澶滄€讳細

如今，庄黑重生到了二十五年前，也就是瑞历1319年，那时的他还没出生，物种清除计划也没有开展，一切，似乎都和庄黑所认识的截然不同。

The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.